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Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate.
Managing pain with opioids is a science—except politics, money, and overzealous law enforcement are denying American patients the relief they so desperately need. Demonizing the best pain reliever we have leads to needless suffering, even suicides, and it drives the rise in deadly street drugs. Helen Borel gathers and presents the evidence, the intimidation, the raids of clinics, the chilling effect on those very professionals we trust to care for our loved ones and ourselves. She looks hard at the Veterans Administration, Drug Enforcement Agency, Department of Justice, and the Centers for Disease Control and Prevention. Chapters include “The Suboxone Hoax,” “The Wrong Arms of the Law,” and “The Epidemic of Death,” plus an entire section on solutions for this widespread crisis. Read American AGONY now—or youmight be the next one hurt.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Using exclusive access to newly uncovered archives, Kalush and Sloman reveal the clandestine agreements in which the British and Americans recruited Houdini to be an active secret agent. In exchange for his cooperation, the governments of these two countries facilitated his rise to the top of the world stage. The authors give thrilling accounts of his assignments, such as his participation in early aerial surveillance and his use of his own magic magazine to communicate espionage-related information. After the war, Houdini embarked upon what became his most dangerous mission when he took on the Spiritualist movement. Convinced that Spiritualist mediums were frauds, he became obsessed with exposing them. But the Spiritualists were a powerful adversary. An organized network of fanatics, led by Sherlock Holmes creator Arthur Conan Doyle, worked relentlessly to orchestrate a campaign that would silence Houdini forever. Grounded in solid research, but as exciting and dramatic as a good thriller, THE SECRET LIFE OF HOUDINI traces the magician's long and circuitous route from struggling vaudevillian to worldwide legend.
Challenging collection includes some of the worldrsquo;s most perplexing brain-teasers by such masters as Sam Loyd, Johnny Eck and Henry Dudeney. Also, the stories behind the creation of the puzzles, the worldrsquo;s earliest riddles, the birth of the crossword puzzle, much more. Introduction. 146 illus.
The purpose of this book, as conceived by the author, is not to attempt to create or to influence usage by pointing out which words should or should not be used, nor to explain the meaning of terms, but simply to provide in a form convenient for reference and study the words that can be used, leaving it to those who consult its pages to determine for themselves, with the aid of a dictionary if necessary, which words supply the information they are looking for or express most accurately the thoughts in their minds. The questions, therefore, that were constantly in the author's mind while he was preparing the manuscript were not, is this word used? nor should it be used? but is it a word that some one may want to know as a matter of information or to use in giving expression to some thought? When the word in question seemed to be one that would be of service it was given a place in the collection to which it belongs. Believing the book would be consulted by students and workers in special fields, the author incorporated into it many words, including some technical terms, that might, in the case of a work of more restricted usefulness, have been omitted. It happens frequently that the word which one thinks of first does not express the exact shade of thought one desires to express and some other word of similar meaning is necessary. For this reason there is, for those who want to write and speak with precision and effectiveness, an important use for collections of synonyms. Throughout this book synonyms means words that are similar in meaning or which express the same general idea with shades of difference. Those who use this work should bear in mind that all words that are classified as synonyms cannot be used interchangeably; that there are differences in meaning between them; and that, before using an unfamiliar word, they should ascertain its meaning and usage in a dictionary. Antonyms are words that are opposed to another word in meaning.