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Jay Winter's powerful 1998 study of the 'collective remembrance' of the Great War offers a major reassessment of one of the critical episodes in the cultural history of the twentieth century. Dr Winter looks anew at the culture of commemoration and the ways in which communities endeavoured to find collective solace after 1918. Taking issue with the prevailing 'modernist' interpretation of the European reaction to the appalling events of 1914 18, Dr Winter instead argues that what characterised that reaction was, rather, the attempt to interpret the Great War within traditional frames of reference. Tensions arose inevitably. Sites of Memory, Sites of Mourning is a profound and moving book of seminal importance for the attempt to understand the course of European history during the first half of the twentieth century."
Elizabeth Meyer’s “sweet, touching, and funny” (Booklist) memoir reads as if “Carrie Bradshaw worked in a funeral home a la Six Feet Under” (Publishers Weekly, starred review). Good Mourning offers a behind-the-scenes look at a legendary funeral chapel on New York City’s Upper East Side—mixing big money, society drama, and the universal experience of grieving—told from the unique perspective of a fashionista turned funeral planner. Elizabeth Meyer stumbled upon a career in the midst of planning her own father’s funeral, which she turned into an upbeat party with Rolling Stones music, thousands of dollars worth of her mother’s favorite flowers, and a personalized eulogy. Starting as a receptionist, Meyer quickly found she had a knack for helping people cope with their grief, as well as creating fitting send-offs for some of the city’s most high-powered residents. Meyer has seen it all: two women who found out their deceased husband (yes, singular) was living a double life, a famous corpse with a missing brain, and funerals that cost more than most weddings. By turns illuminating, emotional, and darkly humorous, Good Mourning is a lesson in how the human heart grieves and grows—whether you’re wearing this season’s couture or drug-store flip-flops.
Widow, Clara Blackstone, is a faithful woman who has mourned her philandering husband for the last six months. Sheltered from pity and whispering tongues at a friend's country estate, Clara awaits the birth of her first child with mounting confusion. Despite the tiny life growing inside her, she dreams of passion in Reggie's arms. And the erotic fantasies grow more compelling every day.When Reginald Moore's wife died in the arms of her lover, Clara's husband, he whisked pregnant Clara away from false friends to his country estate to avoid the strain of the scandal. After six months of pretence, Reggie is done mourning his faithless wife and, despite his originally noble intentions, he longs to have Clara in his bed - unborn child and all. But are his skills of persuasion enough to convince Clara to set aside her grief for a faithless man and choose a new life with the one who stood by her, no matter the obstacle?Author's note: this story contains a red hot romance between two wicked mourners around one rather large baby bump.A regency short romp.
the search for peace and clarity.
Mourning Remains examines the attempts to find, recover, and identify the bodies of Peruvians who were disappeared during the 1980s and 1990s counterinsurgency campaign in Peru's central southern Andes. Isaias Rojas-Perez explores the lives and political engagement of elderly Quechua mothers as they attempt to mourn and seek recognition for their kin. Of the estimated 16,000 Peruvians disappeared during the conflict, only the bodies of 3,202 victims have been located, and only 1,833 identified. The rest remain unknown or unfound, scattered across the country and often shattered beyond recognition. Rojas-Perez examines how, in the face of the state's failure to account for their missing dead, the mothers rearrange senses of community, belonging, authority, and the human to bring the disappeared back into being through everyday practices of mourning and memorialization. Mourning Remains reveals how collective mourning becomes a political escape from the state's project of governing past death and how the dead can help secure the future of the body politic.
These works were written against a background of war and racism. Freud sought the sources of conflict in the deepest memories of humankind, finding clear continuities between our 'primitive' past and 'civilized' modernity. In Totem and Taboo he explores institutions of tribal life, tracing analogies between the rites of hunter-gatherers and the obsessions of urban-dwellers, while Mourning and Melancholia sees a similarly self-destructive savagery underlying individual life in the modern age, which issues at times in self-harm and suicide. And Freud's extraordinary letter to Einstein, Why War? - rejecting what he saw as the physicist's naïve pacifism - sums up his unsparing view of history in a few profoundly pessimistic, yet grimly persuasive pages.
ALTHOUGH tradition has not informed us whether our first parents made any marked change in their scanty garments on the death of their near relatives, it is certain that the fashion of wearing mourning and the institution of funereal ceremonies and rites are of the most remote antiquity. Herodotus tells us that the Egyptians over 3,000 years ago selected yellow as the colour which denoted that a kinsman was lately deceased. They, moreover, shaved their eyebrows when a relative died; but the death of a dog or a cat, regarded as divinities by this curious people, was a matter of much greater importance to them, for then they not only shaved their eyebrows, but every hair on their bodies was plucked out; and doubtless this explains the reason why so many elaborate wigs are to be seen in the various museums devoted to Egyptian antiquities. It would require a volume to give an idea of the singular funereal ceremonials of this people, with whom death was regarded, so to speak, as a "speciality;" for their religion was mainly devoted to the cultus of the departed, and consequently innumerable monumental tombs still exist all over Egypt, the majority of which are full of mummies, whose painted cases are most artistic. The cat was worshipped as a divinity by the Egyptians. Magnificent tombs were erected in its honour, sacrifices and devotions were offered to it; and, as has already been said, it was customary for the people of the house to shave their heads and eyebrows whenever Pussy departed the family circle. Possibly it was their exalted position in Egypt which eventually led to cats being considered the "familiars" of witches in the Middle Ages, and even in our own time, for belief in witchcraft is not extinct. The kindly Egyptians made mummies of their cats and dogs, and it is presumable that, since Egypt is a corn growing, and hence a rat and mouse producing country, both dogs and cats, as killers of these vermin, were regarded with extreme veneration on account of their exterminating qualities. Their mummies are often both curious and comical, for the poor beast's quaint figure and face are frequently preserved with an indescribably grim realism, after the lapse of many ages.
'A really good starting point to discover what lights you up' - Emma Gannon 'Unlock your inner creativity and ease your anxiety' Daily Telegraph THE MULTI-MILLION-COPY WORLDWIDE BESTSELLER Since its first publication, The Artist's Way has inspired the genius of Elizabeth Gilbert, Tim Ferriss, Reese Witherspoon, Kerry Washington and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron guides readers in uncovering problems and pressure points that may be restricting their creative flow and offers techniques to open up opportunities for growth and self-discovery. A revolutionary programme for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life. 'Each time I've learned something important and surprising about myself and my work ... Without The Artist's Way, there would have been no Eat, Pray, Love' - Elizabeth Gilbert
Theresa Caputo, TLC’s Long Island Medium and the three-time New York Times bestselling author, teaches us how to ritualize and recover from the daily losses in our lives. Life on earth comes with losses that often go unrecognized, unacknowledged, and un-mourned. This invisible pain causes deeper emotional damage— devastation that Theresa Caputo has witnessed in many of her clients. Though they are suffering, they rarely understand where the anguish is coming from—or how to deal with it. Theresa’s clients often confuse their emotional distress with depression or anxiety. But it’s more than that. It’s grief, deep and profound, and it consumes the soul. The only relief, according to Theresa’s special gift she calls Spirit, is to pay more attention to how we experience, ritualize, and recover from the hurt in our lives. Once we name these feelings of grief, recognize the losses for what they are, and create mourning rituals around them, we can move through the pain and begin to heal. It isn’t just a good idea to mourn these types of upsets; it’s essential, so that we can then enjoy a fresh beginning.
This 'collective remembrance' of the Great War reassesses one of the critical episodes in twentieth-century cultural history.