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After fighting the infidels in Jerusalem in 1188, Lord Roland and his squire Pagan return to Roland's castle in France where they encounter violent family feuds and religious heretics. By the author of Pagan's Crusade.
After fighting the infidels in Jerusalem in 1188, Lord Roland and his squire Pagan return to Roland's castle in France where they encounter violent family feuds and religious heretics.
The Hebrew Old Testament, which contains some of the world s most ancient religious texts, was written and repeatedly re-edited over the course of several centuries from about 1000 BCE. It reached its final form at the hands of editors who were monotheists. They believed that their god Yahweh was the only true God, and that he had been worshipped exclusively by their ancestors from the time of Abraham. They edited their sources to reflect this belief. However, we can strip away this veneer of later monotheism to view the ancient stories themselves. These bear witness to Israelite religion as practised before 600 BCE. Far from being monotheistic, this religion was a fascinating polytheistic paganism, close to the religion of the surrounding Canaanites. In this religion, Yahweh, far from being God as understood by modern western monotheism, was a distinctive tribal deity. This book will be of particular interest to the large numbers of western people who come from a broadly Christian or Jewish background but have left those faiths behind to explore paganism or New Age spirituality. ,
"MacMullen...has published several books in recent years which establish him, rightfully, as a leading social historian of the Roman Empire. The current volume exhibits many of the characteristics of its predecessors: the presentation of novel, revisionist points of view...; discrete set pieces of trenchant argument which do not necessarily conform to the boundaries of traditional history; and an impressive, authoritative, and up-to-date documentation, especially rich in primary sources...A stimulating and provocative discourse on Roman paganism as a phenomenon worthy of synthetic investigation in its own right and as the fundamental context for the rise of Christianity.”--Richard Brilliant, History "MacMullen’s latest work represents many features of paganism in its social context more vividly and clearly than ever before.”--Fergus Millar, American Historical Review "The major cults...are examined from a social and cultural perspective and with the aid of many recently published specialized studies...Students of the Roman Empire...should read this book.”--Robert J, Penella, Classical World "A distinguished book with much exact observation...An indispensable mine of erudition on a grand theme.” Henry Chadwick, Times Literary Supplement Ramsay MacMullen is Dunham Professor of History and Classics at Yale University and the author of Roman Government’s Response to Crisis, A.D. 235-337 and Roman Social Relations, 50 B.C. to A.D. 284
A Chronicle of the Last Pagans is a history of the triumph of Christianity in the Roman Empire as told from the perspective of the defeated: the adherents of the mysteries, cults, and philosophies that dominated Greco-Roman culture. With a sovereign command of the diverse evidence, Pierre Chuvin portrays the complex spiritual, intellectual, and political lives of professing pagans after Christianity became the state religion. While recreating the unfolding drama of their fate--their gradual loss of power, exclusion from political, military, and civic positions, their assimilation, and finally their persecution--he records a remarkable persistence of pagan religiosity and illustrates the fruitful interaction between Christianity and paganism. The author points to the implications of this late paganism for subsequent developments in the Byzantine Empire and the West. Chuvin's compelling account of an often forgotten world of pagan culture rescues an important aspect of our spiritual heritage and provides new understanding of Late Antiquity.
‘No one in this city has believed in me for two thousand years. I’m unknown and unloved. And I’m very, very ill.’ He sighed, and the sound chilled her blood. ‘Give me your hand.’ Dionysus, god of wine and divine ecstasy, is reborn in modern Rome. He doesn’t understand how or why he’s come to be here – a pagan god in a city where he has no believers. But when he meets fifteen-year-old Grace during a chance encounter in the Ghetto, he realises he has found his first new follower. This is the beginning of Grace’s secret life, as she and her friends overcome scepticism and fear to become his worshippers, drinking his wine and taking part in bacchanals across the city. As the melancholy god lives out his exile, his teenage followers find they have everything to lose. And after the first bloodshed, they know that there’s no turning back...
With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.
Historically authentic,"The Chronicles of Iona: Exile" plunges the reader into the world of sixth-century Scotland and Ireland, the veritable Dark Ages-a world on the brink of either collapse or creation, poised between myth and history.
The award-winning Pagan Chronicles are international bestsellers. And the action-packed epic continues with the adventures of Babylonne - as feisty, funny and irresistible as her famous father. 'The quality and pace of Jinks's writing is flawless ... a triumph.'- Sydney Morning Herald.