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This unique folio presents selections from the soundtrack of the critically acclaimed sequel, Paddington 2. Expertly arranged by composer Dario Marianelli for intermediate-level Piano, it includes unforgettable full-colour imagery from the film, a specially prepared foreword and an exclusive Piano duet arrangement to be enjoyed by pianists of all levels.
(Piano Solo Songbook). This unique folio presents selections from the soundtrack of the critically acclaimed sequel, Paddington 2 . Expertly arranged by composer Dario Marianelli for intermediate-level piano, it includes unforgettable full-color imagery from the film, a specially prepared foreword and an exclusive piano duet arrangement to be enjoyed by pianists of all levels. Songs include: Paddington Theme * The Pop-Up Book * A Shave, Sir? A Light Pomade? * Window Cleaning * The Book Is Stolen * Kangaroo Court * A Letter from Prison * Madame Kozlova's Story * What Are We Going to Do? * Jungle Jail * Escape Waltz * Ascension * Epilogue * The Pop-Up Book (Piano Duet).
Eldon Davis Rathburn (1916-2008), one of the most multi-dimensional, prolific, and endlessly fascinating composers of the twentieth century, wrote more music than any other Canadian composer of his generation. During a long and productive career that spanned seventy-five years, Rathburn served for thirty years as a staff composer with the National Film Board of Canada (1947-76), scored the first generation of IMAX films, and created a diverse catalogue of orchestral and chamber works. With the aid of extensive archival and documentary materials, They Shot, He Scored chronicles Rathburn's life and works, beginning with his formative years in Saint John, New Brunswick, and his breakthrough in Los Angeles in connection with Arnold Schoenberg and the LA Philharmonic Orchestra. The book follows his work at the NFB, his close encounters with some of the most celebrated international figures in his field, and his collaboration with the team of innovators who launched the IMAX film corporation. James Wright undertakes a close analytical reading of Rathburn's film and concert scores to outline his methods, compositional techniques, influences, and idiosyncratic approach to instrumentation, as well as his proto-postmodern proclivity for borrowing from diverse styles and genres. Authoritative and insightful, They Shot, He Scored illuminates the extraordinary career of an unsung creative force in the film and music industry.