Download Free Pacific University Tells Us Its Story Book in PDF and EPUB Free Download. You can read online Pacific University Tells Us Its Story and write the review.

Pacific on the Rise: The Story of California's First University tells the story of University of the Pacific from its earliest days in Santa Clara through the years in San Jose, the move to Stockton and the gradual expansion into a major comprehensive university. Drawing on primary sources and interviews with more than 150 members of the Pacific community, Philip N. Gilbertson provides a record of the past for Pacificans to learn of Pacific's rich heritage and its lessons for the future, and to engage alumni and members of the Pacific community in this fascinating experience called Pacific. "It is a great story I think you will enjoy," says Gilbertson. "A history should enrich knowledge, add understanding, revive memories, and intensify the bond with a particular past, the life and legacy of University of the Pacific. I hope that this history will do that for you."
Foreword INDIES 2020 Book of the Year Award (BRONZE Winner for Religion) "[A] powerful work. . . . Provides a road map for any Christian seeking greater racial justice."--Publishers Weekly Reconciliation is not true reconciliation without justice! Brenda Salter McNeil has come to this conviction as she has led the church in pursuing reconciliation efforts over the past three decades. McNeil calls the church to repair the old reconciliation paradigm by moving beyond individual racism to address systemic injustice, both historical and present. It's time for the church to go beyond individual reconciliation and "heart change" and to boldly mature in its response to racial division. Looking through the lens of the biblical narrative of Esther, McNeil challenges Christian reconcilers to recognize the particular pain in our world so they can work together to repair what is broken while maintaining a deep hope in God's ongoing work for justice. This book provides education and prophetic inspiration for every person who wants to take reconciliation seriously. Becoming Brave offers a distinctly Christian framework for addressing systemic injustice. It challenges Christians to be everyday activists who become brave enough to break the silence and work with others to dismantle systems of injustice and inequality.
Poetry. In SETTING THE FIRES by Darlene Pagán, fire is a literal combustion and a hunger that claims both the natural world and the human heart. Whether in the passion between lovers, the wonder of childhood, the threat of violence, or in the seeds of inspiration, fire is an element of loss and destruction necessary for renewal and cleansing. "Oh, Darlene Pagán, where have you been all my reading life with your hard-hitting poems, your luminous words, your insights and mesmerizing cadences, your stories, your quirky visions, your lines so sharp and well- honed they glint like a knife edge as they cut through to the heart, your singular strategies with language, metaphor, with silences and syntax, your way of looking at the world? Here are poems I've been hungering to read, the poet I've been waiting to discover."--Julia Alvarez "A lively sensibility is at work and play in SETTING THE FIRES. Irreverent and fully American, these poems are crackling with irrepressible humor and an eye for the quirky detail. I also admire their clear language and scope of subject matter, from childhood to adulthood, from the personal to the political, they leave a record of a self wide awake to the world."--Dorianne Laux
Illuminating the intimate, human faces of war, this unique series of short stories by award-winning author Katey Schultz questions the stereotypes of modern war by bearing witness to the shared struggles of all who are touched by it. Numerous characters-returning U.S. soldier and pragmatic jihadist, Afghan mother and listless American sister, courageous amputee and a ghost that cannot let go-appear in Flashes of War, which captures personal moments of fear, introspection, confusion, and valor in one collection spanning nations and perspectives. Written in clear, accessible language with startling metaphors, this unforgettable journey leaves aside judgment, bringing us closer to a broader understanding of war by focusing on individuals, their motivations, and their impossible decisions. Flashes of War weaves intimate portrayals of lives affected by the War on Terror into a distinctive tapestry of emotional resonance. It builds bridges, tears them down, and sends out a universal plea for reconnection. "Katey Schultz has written an amazing book. What emerges from these stories is a chorus of voices-American, Afghan, Iraqi-and this chorus enlarged my sense of a war that has defined an American decade. Flashes Of War is the work of a bold, ambitious, and brilliant young author who is writing stories few others in American fiction have really yet tackled." - Doug Stanton, author of New York Times Bestsellers Horse Soldiers and In Harm's Way Katey Schultz grew up in Portland, Oregon, and is most recently from Celo, North Carolina. She is a graduate of the Pacific University MFA in Writing Program and recipient of the Linda Flowers Literary Award from the North Carolina Humanities Council. She lives in a 1970 Airstream trailer bordering the Pisgah National Forest. This is her first book.
THE STORY: When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
After author Shannon Huffman Polson's parents are killed by a wild grizzly bear in Alaska's Arctic, her quest for healing is recounted with heartbreaking candor in North of Hope. Undergirded by her faith, Polson's expedition takes her through her through the wilds of her own grief as well as God's beautiful, yet wild and untamed creation--ultimately arriving at a place of unshaken hope. She travels from the suburbs of Seattle to the concert hall, performing Mozart's Requiem with the Seattle Symphony, to the wilderness of Alaska--where she retraces their final days along an Arctic river. This beautifully written book is for anyone who has experienced grief and is looking for new ways to understand overwhelming loss. Readers will find empathy and understanding through Polson's journey. North of Hope is also for those who love the outdoors and find solace and healing in nature, as they experience Alaska's wild Arctic through the author's travels.
Nine short essays exploring the K’iche’ Maya story of creation, the Popol Vuh. Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world’s creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth. Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh—while implicated in deep social crisis—nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.
In poems that range from New England to the Southwest, Without My Asking, takes its cue from Psalms 90's petition--"teach us to number our days." That biblical sense of limits--of what we can know and not know--and, ultimately, the mystery of before and after that encloses our existence is the center around which these poems turn, both seasonally and from day-to-day. In poems that attend to the events of our lives--from the deaths of parents to hummingbirds at a bird feeder--these poems work to utter "Yes" to all that happens, that "peculiar affirmative" that recognizes, as Elizabeth Bishop says, "Life's like that . . . also death."