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'P. S. O'Hegarty (1879-1955)' provides an informative and lively biography of the Irish nationalist P.S. O'Hegarty, a major historical figure in the modern separatist movement. At the same time the book explores important issues within nationalism and Irish history, such as what is meant by 'nation' and national identity, cultural and political tolerance, Republican Liberalism, and the nature (as well as the clash) of religion and state.
Remembering the Irish Revolution chronicles the ways in which the Irish revolution was remembered in the first two decades of Irish independence. While tales of heroism and martyrdom dominated popular accounts of the revolution, a handful of nationalists reflected on the period in more ambivalent terms. For them, the freedoms won in revolution came with great costs: the grievous loss of civilian lives, the brutalisation of Irish society, and the loss of hope for a united and prosperous independent nation. To many nationalists, their views on the revolution were traitorous. For others, they were the courageous expression of some uncomfortable truths. This volume explores these struggles over revolutionary memory through the lives of four significant, but under-researched nationalist intellectuals: Eimar O'Duffy, P. S. O'Hegarty, George Russell, and Desmond Ryan. It provides a lively account of their controversial critiques of the Irish revolution, and an intimate portrait of the friends, enemies, institutions and influences that shaped them. Based on wide-ranging archival research, Remembering the Irish Revolution puts the history of Irish revolutionary memory in a transnational context. It shows the ways in which international debates about war, human progress, and the fragility of Western civilisation were crucial in shaping the understandings of the revolution in Ireland. It provides a fresh context for analysis the major writers of the period, such as Sean O'Casey, W. B. Yeats, and Sean O'Faolain, as well as a new outlook on the genesis of the revisionist/nationalist schism that continues to resonate in Irish society today.
Yeats Annual No. 10 finds new thresholds and margins in Yeats's thought and work. It concentrates upon his plays, his occult concerns with spiritualism and the Irish belief in an otherworld, and closely examines certain aspects of his textual state and the borders of his canon. 'The admirable Yeats Annual ... a powerful base of biographical and textual knowledge. Since 1982 the vade mecum of ... Yeats ... full of interest'. Bernard O'Donoghue, The Times Literary Supplement
This captivating book delves into the secretive world of the Irish Republican Brotherhood (IRB) and its profound impact on Ireland’s political landscape between 1914 and 1924. With the aid of new documentation, Ranelagh unravels the true influence of the oath-bound society without which the 1916 Rising might never have taken shape. For Michael Collins, the IRB was the true custodian of the Irish Republic, and the only body he pledged his loyalty to, but its legacy remains obscured by its intense secrecy. This book re-introduces the IRB as the organisation that created and furnished the IRA, influenced the result of the critical 1918 election, and changed the face of Irish history. From Éamon de Valera’s recollections of how he first learned of the Treaty to narratives from Nora Connolly O’Brien, Emmett Dalton et al, testimonies from key figures paint a vivid picture of the IRB’s inner workings and external influence. A fascinating exploration of secret societies, political manoeuvres, and personal sacrifices, The Irish Republican Brotherhood 1914–1924 casts new light on a pivotal chapter in Ireland’s quest for independence.
Long overshadowed by fellow republicans Patrick Pearse and James Connolly, Tom Clarke was the man who made the Easter Rising possible.During an extraordinary life dedicated to Irish freedom he rose from humble origins and endured thirty years of struggle, imprisonment and exile before becoming a master conspirator in the Easter Rising. Endowed with a charisma and moral ascendancy, he held together a disparate group of followers and they, in turn, recognised his indispensable leadership by insisting that his name alone should have pride of place on the Proclamation. It was a gesture that, in a sense, guaranteed Clarke immortality; it also proved to be also his death warrant.But death held no terrors for Clarke who was to die satisfied in the belief that, with the sight of a tricolour flying over the GPO, he had changed the course of Irish history.
"This book was crying out to be written." The Irish Times "Scandalously readable." Literary Review James Joyce's relationship with his homeland was a complicated and often vexed one. The publication of his masterwork Ulysses - referred to by The Quarterly Review as an "Odyssey of the sewer" - in 1922 was initially met with indifference and hostility within Ireland. This book tells the full story of the reception of Joyce and his best-known book in the country of his birth for the first time; a reception that evolved over the next hundred years, elevating Joyce from a writer reviled to one revered. Part reception study, part social history, this book uses the changing interpretations of Ulysses to explore the concurrent religious, social and political changes sweeping Ireland. From initially being a threat to the status quo, Ulysses became a way to market Ireland abroad and a manifesto for a better, more modern, open and tolerant, multi-ethnic country.
This is a guide to over 100 years of Irish history. It is a sustained analysis of its constitutional and revolutionary politics and contributes to our understanding of the causes and consequences of constitutional and revolutionary politics there.
The present work is a composite biography that provides a forum to most of those who have been associated with the Abbey Theatre from the beginning to the present time: actresses, actors, playwrights, men of letters, producers, directors, stage carpenters, house electricians, and supporters of the theatre. It is hoped that the method used in this book will give a different impression from that of previous histories of the Theatre, and on balance probably a truer one.