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Publius Papinius Statius was born in Neapolis (Naples) in about AD 50. The twelve books of his magnum opus, the Thebaid, were published in ca. 92. The Achilleid was begun in ca. 95 and left unfinished at his death in ca. 96. The present work, in three volumes, offers a revised text of the two epics with an apparatus criticus (volume I), a prose translation (volume II), and an extensive secondary apparatus accompanied by discussion of the manuscripts and previous editions (volume III).
Volume III of the present work on Statius' Thebaid and Achilleid is divided into two parts. The first part offers a sketch of the history of the textual transmission, a complete list of manuscripts, discussion of various previous editions, exposition of the views about the manuscripts which underly the present edition, and an orthographical index. The second part comprises a secondary apparatus, which tabulates further evidence from the manuscripts and all conjectures not recorded in the primary apparatus.
Publius Papinius Statius was born in Neapolis (Naples) in about AD 50. The twelve books of his magnum opus, the Thebaid, were published in ca. 92. The Achilleid was begun in ca. 95 and left unfinished at his death in ca. 96. The present work, in three volumes, offers a revised text of the two epics with an apparatus criticus (volume I), a prose translation (volume II), and an extensive secondary apparatus accompanied by discussion of the manuscripts and previous editions (volume III).
Composed at the end of the first century CE, Statius' Thebaid recounts the civil war in Thebes between the two sons of Oedipus, Polynices and Eteocles, and the horrific events that take place on the battlefield. Its author, the Roman poet Statius, employed a wide variety of Greco-Roman sourcesin order to narrate the Argive expedition against Thebes and the fratricidal war. Book 8 opens with the descent of the Argive seer Amphiaraus to the Underworld through a chasm of the earth; the soldiers mourn their seer's loss and elect a successor, Thiodamas, who placates Earth (Tellus) through aprayer, before the opening of the second day of hostilities. The book reaches its climax when fierce Tydeus is mortally wounded and dies having committed an act of cannibalism by eating his opponent's brains; Minerva leaves the battlefield in disgust, taking away from her protege the intended giftof immortality.In this volume, Augoustakis presents the first full-length edition of Thebaid 8, with text and apparatus criticus, and an English translation. A detailed introduction discusses the Argive/Theban myth in the Greek and Roman literary tradition and art, as well as the reception of the book insubsequent centuries, especially in Dante's Divine Comedy. The accompanying commentary provides useful notes which explore questions of interpretation and Statius' language and literary craft, with particular emphasis on the exploitation of various Greek and Latin intertexts in Statius'poetry.
This commentary examines in close detail Statius' mannered style and analyses the text as a system of intertextual references. Passages from Homer to Valerius Flaccus were exploited by Statius for his challenging adaptations of 'typical' scenes. The identification of these sources offers the key to interpret the poet's artistic intentions.
The epic poem the Thebaid by P. Papinius Statius, written about AD 80 to 92, deals with the fraternal strife between Oedipus' sons Eteocles and Polynices for the mastery of Thebes. Book VII describes the forced march of the Seven and their arrival at Thebes, Jocasta's vain attempt at mediation and Amphiaraus' spectacular katabasis. This book is the first which deals with Thebaid VII since Barth (1664) and Amar & Lemaire (1825-30). Apart from being a commentary in the philological sense, it examines in close detail the poet's mannered style and analyses the text as a system of intertextual references. In addition to Homer and Vergil, specific passages from Euripides, Lucan, Seneca and especially Valerius Flaccus were exploited by Statius to create his challenging imitation. The identification of these sources offers the key to interpret and evaluate the poet's artistic intentions. The Introduction discusses Statius' technique of multiple imitation. The information brought together has been made easily accessible by full indexes and an appendix listing the passages imitated by Statius.