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The volume provides a full literary and textual commentary on three of the verse epistles (Heroides) by the Roman poet Ovid (43 BC. – AD. 17): the letter of Canace to her brother-lover Macareus; of Laodamia to the war-hero Protesilaus; and of Hypermestra to Lynceus, the cousin whose life she recently spared. These three poems, together with the letters of Medea (recently the subject of a commentary in the same series) and Sappho, formed the last of Ovid’s three books of heroine letters. The introduction discusses Ovid’s innovative use both of his sources and of the epistolary form. A text with selective apparatus is provided for each of the three poems, and the detailed commentary is fully indexed.
A young woman accidentally turns in a private story from her journal instead of an English assignment and becomes a best-selling author almost overnight.
This volume is a collection of essays, written by authorities in the field, on many aspects of ancient rhetoric. These essays deal both with the theory of rhetoric and the practice of oratory and are quite diverse both in tone and audience envisioned. Some of them deal with very basic questions such as how good an orator should appear to be; others deal with very technical matters such as theoretical considerations of issue theory or "figured speeches". Some are focussed on the actual practice of oratory in speeches such as those of Cicero and Caesar; others deal with manifestations of oratory in historical works such as the Histories of Herodotus or reflections on the nature of oratory in works like the Dialogus of Tacitus. One considers parallel developments in rhetorical and artistic treatments of the legend of Busiris.
This volume examines the use of a central concept in the self-definition of any Greek speaking male: Andreia, the notion of courage and manliness. The nature and use of value terms quickly leads the researcher to core issues of cultural identity: through a combination of lexical or semantic and conceptual studies the discourse of manliness and its role in the construction of social order is studied, in a variety of authors, genres, and communicative situations. This book is of interest to students of the classical world, the history of values, gender studies, and cultural historians.
The reign of the Flavian emperors (69-96) saw the production of a large and varied body of Latin poetry: the epics of Valerius Flaccus, Silius Italicus and Statius, the Silvae of the same Statius, and the Epigrams of Martial. This poetry, long seen as derivative or decadent, is now increasingly appreciated for the daring originality of its responses both to the Latin literary tradition and to the contemporary Roman world. In the summer of 2003, the first-ever international conference on Flavian poetry, was held at Groningen, The Netherlands, bringing together leading scholars in the field from Europe, North America and Australasia. This volume offers a selection of the papers delivered on that occasion.
An examination of ancient Greek drama, and its relationship to the society in which it was produced. By focusing on the ways in which the plays treat gender, ethnicity, and class, and on their theatrical conventions, Edith Hall offers an extended study of the Greek theatrical masterpieces within their original social context.
Provides the necessary context to read elegiac and lyric poetry, designed for novice and experienced Classics and Latin students alike A Guide to Latin Elegy and Lyric explores the language of Latin poetry while helping readers understand the socio-cultural context of the remarkable period of Roman literary history in which the poetry was composed. With an innovative approach to this important area of classical scholarship, the authors treat elegy alongside lyric as they cover topics such as the Hellenistic influences on Augustan poetry, the key figures that shaped the elegiac tradition of Rome, the motifs of militia amoris ("the warfare of love") and servitium amoris (“the slavery of love”) in Latin love elegy, and more. Organized into ten chapters, the book begins with an introduction to the literary, political, and social contexts of the Augustan Age. The next six chapters each focus on an individual lyric and elegiac poet—Catullus, Horace, Tibullus, Propertius, Ovid, and Sulpicia—followed by a survey of several lesser-known poets and post-Augustan elegy and lyric. The text concludes with a discussion of major tropes and themes in Latin elegy and lyric, and an overview and analysis of key critical approaches in current scholarship. This volume: Includes full translations alongside the Latin throughout the text to illustrate discussions Analyzes recurring themes and tropes found in Latin poetry such as sexuality and gender, politics and patronage, myth and religion, wealth and poverty, empire, madness, magic, and witchcraft Reviews modern critical approaches to elegiac and lyric poetry including autobiographical realism, psychoanalysis, narratology, reception, and decolonization Includes helpful introductory sections: "How to Read a Latin Elegiac or Lyric Poem" and "How to Teach a Latin Elegiac and Lyric Poem" Provides information about each poet, an in-depth discussion of some of their poetry, and cultural and historical background Features a dedicated chapter on Sulpicia, offering readers an ancient female viewpoint on sex and gender, politics, and patronage Part of the acclaimed Blackwell Guides to Classical Literature series, A Guide to Latin Elegy and Lyric is the perfect text for both introductory and advanced courses in Latin elegy and lyric, accessible for students reading the poetry in translation, as well as for those experienced in Latin with an interest in learning a different approach to the subject.
This volume deals with aspects of orality and oral traditions in ancient Greece, specifically literature, rhetoric and society, and philosophy, and is a selection of refereed papers from the fourth biennial Orality and Literacy in Ancient Greece conference, held at the University of Missouri Columbia in 2000.
What is abortion? A convenience to society? A legal offense? Murder? The twentieth century is not the first to face these questions. Abortion was a common practice two thousand years ago. The young Christian church, growing up in influential centers of Greco-Roman culture, could not ignore the practice. How would church leaders define abortion? Gorman examines Christian documents in their Greco-Roman context, concluding that Christians held a consistent position throughout the church's first four hundred years.
This collection of essays examines the ways Ovid's diverse œuvre has been translated, rewritten, adapted, and responded to by a range of French and Francophone women from the Renaissance to the present. It aims to reveal lesser-known voices in Ovidian reception studies, and to offer a wider historical perspective on the complex question of Ovid and gender. Ranging from Renaissance poetry to contemporary creative-criticism, it charts an understudied strand of reception studies, emphasizing how a longer view allows us to explore and challenge the notion of a female tradition of Ovidian reception. The range of genres analysed here—poetry, verse and prose translation, theatre, epistolary fiction, autofiction, autobiography, film, creative critique, and novels—also reflect the diversity of the Ovidian texts in reception from the Heroides to the Metamorphoses, from the Amores to the Ars Amatoria, from the Tristia to the Fasti. The study brings an array of critical approaches to bear on well-known authors such as George Sand, Julia Kristeva, and Marguerite Yourcenar, as well as less-known figures, from contemporary writer Linda Lê to the early modern Catherine and Madeline Des Roches, exploring exile, identity, queerness, displacement, voice, expectations of modesty, the poetics of translation, and the problems posed by Ovid's erotized violence, to name just some of the volume's rich themes. The epilogue by translator and novelist Marie Cosnay points towards new eco-critical and creative directions in Ovidian scholarship and reception. Students and scholars of French Studies, Classics, Comparative Literature and Translation Studies will find much to interest them in this diverse collection of essays.