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Rome's greatest poet, famous for his love elegies, and his narrative poem, "Metamorphoses".
Through Mandelbaum's poetic artistry, this gloriously entertaining achievement of literature-classical myths filtered through the worldly and far from reverent sensibility of the Roman poet Ovid-is revealed anew. " An] extraordinary translation...brilliant" (Booklist). With an Introduction by the Translator.
A delightfully ghoulish array of specters and sorceresses, witches and ghosts, hags and apparitions haunt these pages–a literary parade of phantoms and shades to add to the revelry of All Hallow’s Eve. From Homer to Horace, Pope to Poe, Randall Jarrell to James Merrill, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.
A beautiful hardcover Pocket Poets anthology of poems inspired by the art and architecture of the Eternal City. Poems of Rome ranges across the centuries and contains the work of poets from many cultures and times, from ancient Rome to contemporary America. Designed to accompany readers visiting the city--whether in person or in imagination--the book is divided into sections by place. Its pages lead the reader from the Roman Forum to the Colosseum, from the Vatican to the Villa Sciarra, from the Pantheon to the Palatine Hill, all seen through the eyes of poets who have been dazzled by these glorious sites for centuries. The poets range from Horace and Ovid to Pasolini and Pavese, and from Byron and Keats and Rilke to James Merrill, Adrienne Rich, Derek Walcott, and Jorie Graham, in a collection of international talent as scintillating as the great city itself.
An utterly delightful collection of responses to poems written across the centuries, these modern poems are not only engaging themselves but also capable of casting surprising new light on the poems that inspired them.
* In size, price, and elegant packaging, these books will ideal gifts * Beautiful 3-colour jacket designed to give a uniform look * Unique and highly distinctive black and white pattern on each spine * Full cloth, flexible covers * Sewn Binders * Silk Ribbon Markers and Headbands * Gold Stamping on front and spine * Decorative patterned endpapers * Newly designed typographic settings in classic typefaces * Portable format-size 61/4 x 4 ins (15. 75 x 10. 25 cm) * Cream-wove acid-free paper * 256pp each volume
Poems About Sculpture is a unique anthology of poems from around the world and across the ages about our most enduring art form. Sculpture has the longest memory of the arts: from the Paleolithic era, we find stone carvings and clay figures embedded with human longing. And poets have long been fascinated by the idea of eternity embodied by the monumental temples and fragmented statues of ancient civilizations. From Keats’s Grecian urn and Shelley’s “Ozymandias” to contemporary verse about Maya Lin’s Vietnam Veterans Memorial and Janet Echelman’s wind-borne hovering nets, the pieces in this collection convert the physical materials of the plastic arts—clay, wood, glass, marble, granite, bronze, and more—into lapidary lines of poetry. Whether the sculptures celebrated here commemorate love or war, objects or apparitions, forms human or divine, they have called forth evocative responses from a wide range of poets, including Homer, Ovid, Shakespeare, Baudelaire, Rilke, Dickinson, Yeats, Auden, and Plath. A compendium of dazzling examples of one art form reflecting on another, Poems About Sculpture is a treat for art lovers of all kinds.
Poets from around the world celebrate the universal appeal of the comforts of home in this unique anthology. Whether inhabited or remembered, whether solitary or teeming with family, whether a refuge from the world or a connection to a community, home is essential to the self. The poems in this anthology invite us into urban apartments and cozy cottages, stately mansions and hermits’ huts. We watch a medieval housewife explain how she has spent her day; we join with Robert Herrick as he gives thanks for his “humble roof . . . weatherproof”; we peep in on Amy Lowell in the bath and John Donne in his bed, and join Joy Harjo at the kitchen table. Home can mean many things: from Horace’s rural farm to Billy Collins’s favorite armchair, from Milton’s “blissful bower” in Paradise to Imtiaz Dharker’s “Living Space” in the slums of Mumbai. Mary Oliver imagines her dream house, Emily Dickinson dwells in possibility—"a fairer House than Prose," and a wide range of displaced poets long for their home countries: Ovid, Joachim du Bellay, Kapka Kassabova, Mahmoud Darwish, and even Jules Supervielle feeling “Homesick for the Earth.” Wherever you happen to dwell or whatever your idea of domestic bliss, you are sure to find visions that resonate in No Place Like Home. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
Ovid’s famous mock epic—a treasury of myth and magic that is one of the greatest literary works of classical antiquity—is rendered into fluidly poetic English by world-renowned translator Allen Mandelbaum. Roman poet Ovid’s dazzling cycle of tales begins with the creation of the world and ends with the deification of Caesar Augustus. In between is a glorious panoply of the most famous myths and legends of the ancient Greek and Roman world—from Echo’s passion for Narcissus to Pygmalion’s living statue, from Perseus’s defeat of Medusa to the fall of Troy. Retold with Ovid’s irreverent flair, these tales are united by the theme of metamorphosis, as men and women are rendered alien to themselves, turned variously to flowers, trees, animals, and stones. The closest thing to a central character is love itself—a confounding, transforming, irrational force that makes fools of gods and mortals alike. The poem’s playful verses, both sensually earthy and wittily sophisticated, have reverberated through the centuries, inspiring countless artists and writers from Shakespeare to the present. Frequently translated, imitated, and adapted, The Metamorphoses has lost none of its power to provoke and entertain.