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A spectacular treasury of 150 classic nursery rhymes and new discoveries, featuring a star-studded roster of seventy-seven illustrators. Nursery rhymes have entertained and comforted children for centuries. Over the Hills and Far Away is a unique collection of rhymes and verse from across the globe—rhymes from the English-speaking world as well as verse that entered English from Chinese, Latino, African, and other cultures. With illustrations from seventy-seven artists, many celebrated throughout the world, and some just emerging, this volume is truly an adventure in language, image, and imagination. A magnificent gift for little ones hearing these verses for the first time as well as a wonderful book for family sharing across generations.
This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.
In her study of the unsuccessful nineteenth-century emigrant, Tamara S. Wagner argues that failed emigration and return drive nineteenth-century writing in English in unexpected, culturally revealing ways. Wagner highlights the hitherto unexplored subgenre of anti-emigration writing that emerged as an important counter-current to a pervasive emigration propaganda machine that was pressing popular fiction into its service. The exportation of characters at the end of a novel indisputably formed a convenient narrative solution that at once mirrored and exaggerated public policies about so-called 'superfluous' or 'redundant' parts of society. Yet the very convenience of such pat endings was increasingly called into question. New starts overseas might not be so easily realizable; emigration destinations failed to live up to the inflated promises of pro-emigration rhetoric; the 'unwanted' might make a surprising reappearance. Wagner juxtaposes representations of emigration in the works of Charles Dickens, Wilkie Collins, Frances Trollope, and Charlotte Yonge with Australian, New Zealand, and Canadian settler fiction by Elizabeth Murray, Clara Cheeseman, and Susanna Moodie, offering a new literary history not just of nineteenth-century migration, but also of transoceanic exchanges and genre formation.
Each issue contains a mounted photograph.