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Over The Anvil We Stretch contains swampy, powerful poems that are as exciting as the pocket knife you got for your birthday, the three legged frog on the lawn and the jar of marbles your mother kept in the kitchen. Mojgani's poems are the sound of the river and the stars burning above. He manages to capture the axe in the stump with blood still on the handle. Anis Mojgani has drawn a map of the country in the shape of his wild surreal poems. These are memories of a life, captured through the blue green filter of the bayou. Mojgani's latest poems are tinged with the sound of crickets spying on us in the darkness. They move forward honestly, brutally and sweetly. The reader will be led into briar patches as well as the moonlight just on the other side. Anvil is a book of poetic truth, packed with humor and insight. It is a juggling act of the epic and the intimate. I read it and it echoes. Shut up so I can hear more. -David Gordon Green, filmmaker, All the Real Girls and The Pineapple Express Anis Mojgani, Andrea Gibson, and other young poets of their talent are the future of American poetry and frankly, that fills me with joy! --Thomas Lux, Guggenheim Fellow & recipient of the Kingsley Tufts Poetry Award for his book Split Horizons He’s probably the best poetry slammer alive. The intellect, optimism and humility with which he speaks feel like proof of the relevance of “spoken word” as a genre. He processes the world in slices of beauty, frustration and sympathy... -Willamette Week Newspaper
Science, birds, Billy the Kid, and lots of feathers surround The Feather Room, Anis Mojgani’s follow up to his Pushcart-nominated work, Over the Anvil We Stretch. In The Feather Room, Mojgani further explores storytelling in poetic form while traveling farther down the path of magic realism, endowing his tales with a greater sense of fantasy and brightness. The work recounts loss and heartbreak while discovering lightness and beauty on the other side. Throughout the book, Mojgani opens tree trunks to reveal chandeliers. He leads us through the rooms inside himself, using poems to part curtains and paint walls. He is lifting windows to let the fantasy indoors. Anis Mojgani, Andrea Gibson, you and other young poets of their talent are the future of American poetry and frankly, that fills me with joy! --Thomas Lux, Guggenheim Fellow & recipient of the Kingsley Tufts Poetry Award for his book Split Horizons Mojgani is not your typical national poetry slam champion...The playfulness, startling originality, and lyric optimism are all gravy. He's simply the best there is right now. -Taylor Mali, “The Last Time As We Are" Anis shook the dust off me and everyone else in the audience with the beauty of his words. -Saul Williams, “Said the Shotgun to the Head”
A beautiful exploration of grief by one of the top selling poets in America. Anis Mojgani's In the Pockets of Small Gods explores what we do with grief, long after the initial sadness has faded from our daily lives: how we learn to carry it without holding it, how our joy and our pain touch, and at times need one another. His latest collection of poetry touches on many kinds of sorrow, from the suicide of a best friend to a broken marriage to the current political climate. Mojgani swings between the surreal imagery and direct vulnerability he is known for, all while giving the poems a direct frankness, softening whatever the weight may be. A book of leaves and petals as opposed to a book of stones, In the Pockets of Small Gods encapsulates the human experience in a way that is both deeply personal and astoundingly universal.
World renowned performer and top-selling author and two-time National Slam Poetry Champion, Anis Mojgani has combed through out-of-print editions to put together Songs From Under the River, a best-of collection for his third Write Bloody release. Popular poems (Some with over 200,000 "Likes" on YouTube) such as "Direct Orders", "Shake the Dust", "Here Am I" and more, are collected here alongside lost poems, favorite poems and new unpublished works. The book showcases what audiences have come to expect from Anis—uplifting words, playful surrealism, and the journey through imagination. Songs From Under the River allows fans and new readers alike the chance to follow the trajectory of Anis' development, themes, and style of work over his 15 year career.
Pushcart Prize Nominee, two-time National Poetry Slam Individual Champion, and winner of the World Cup Poetry Slam, Anis Mojgani captivates with The Pocketknife Bible, which builds the bridge between a grown-up book for children and a children's picture book for adults, seeking to answer these questions through the author's poems and pictures: What if your future life came to you as a child in dreams? What if you wrote down those dreams in words and pictures, in the language we spoke as children but forgot once grown? What if as an adult you unearthed this book of dreams and prophecy from your past and translated them out of that long lost tongue into poems that those now grown could understand?
You’ve heard the story before: an orphaned boy, raised by a wise old man, comes to a fuller knowledge of his magic and uses it to fight the great evil threatening his world. But what if that hero were destined to become the new dark lord? The Academy of Chaenbalu has stood against magic for centuries. Hidden from the world, acting from the shadows, it trains its students to detect and retrieve magic artifacts, which it jealously guards from the misuse of others. Because magic is dangerous: something that heals can also harm, and a power that aids one person may destroy another. Of the academy’s many students, only the most skilled can become avatars—warrior thieves, capable of infiltrating the most heavily guarded vaults—and only the most determined can be trusted to resist the lure of magic. More than anything, Annev de Breth wants to become one of them. But Annev carries a secret. Unlike his classmates who were stolen as infants from the capital city, Annev was born in the village of Chaenbalu, was believed to be executed, and then unknowingly raised by his parents’ killers. Seventeen years later, he struggles with the burdens of a forbidden magic, a forgotten heritage, and a secret deformity. When Annev is subsequently caught between the warring ideologies of his priestly mentor and the Academy’s masters, he must finally decide whether to accept the truth of who he really is ... or embrace the darker truth of what he may one day become.
Conjure, hoodoo, rootwork - these are all names for southern American folk magic. Conjure first emerged in the days of slavery and plantations and is widely considered among the most potent forms of magic. Its popularity continues to increase, both in the United States and worldwide. This book is a guide to using conjure to achieve love, success, safety, prosperity, and spiritual fulfillment. Author Starr Casas, a hereditary master of the art, introduces readers to the history and philosophy of conjure and provides practical information for using it. Featuring Casas's own rituals, spells, and home recipes, the book provides useful information suitable for novices and seasoned practitioners alike. In its pages, you'll learn about: Bone reading Candle burning Conjure bags Building your own conjure altar At last, a book that answers every questions you had about Conjure but were afraid to ask! Old Style Conjure is an absolute treasure. It?s a must-read for every practitioner of the ancient arts and a must-have for every magical library! - Dorothy Morrison, author of Everyday Magic, The Craft and Utterly Wicked.
Halifax’s former Poet Laureate Afua Cooper and photographer Wilfried Raussert collaborate in this book of poems and photographs focused on everyday Black experiences. The result is a jambalaya — a dialogue between image and text. Cooper translates Raussert’s photos into poetry, painting a profound image of what disembodied historical facts might look like when they are embodied in contemporary characters. This visual and textual conversation honours the multiple layers of Blackness in the African diaspora around North America and Europe. The result is a work that amplifies black beauty and offers audible resistance.
A Constellation of Half-Lives is a collection of poems that attempt to reconcile the crisis of living on a collapsing planet with the unreasonable joy of loving and the pleasure of being alive. With careful precision and an exquisite eye for detail, poet Seema Reza examines what it means to be a mother, a daughter, and an American in a time of war. Through second-person poems she questions whether the beauty of this world outweighs its fragility and risk.
New York Times bestselling nonfiction writer and poet Cristin O’Keefe Aptowicz’s How to Love the Empty Air reaches new heights in her revelatory seventh collection of poetry. Continuing in her tradition of engaging autobiographical work, How to Love the Empty Air explores what happens when the impossible becomes real?for better and for worse. Aptowicz’s journey to find happiness and home in her ever-shifting world sees her struggling in cities throughout America. When her luck changes?in love and in life?she can’t help but “tell the sun / tell the fields / tell the huge Texas sky.... / tell myself again and again until I believe it.” However, the upward trajectory of this new life is rocked by the sudden death of the poet’s mother. In the year that follows, Aptowicz battles the silencing power of grief with intimate poems burnished by loss and a hard-won humor, capturing the dance that all newly grieving must do between everyday living and the desire “to elope with this grief, / who is not your enemy, / this grief who maybe now is your best friend. / This grief, who is your husband, / the thing you curl into every night, / falling asleep in its arms...” As in her award-winning The Year of No Mistakes, Aptowicz counts her losses and her blessings, knowing how despite it all, life “ripples boundless, like electricity, like joy / like... laughter, irresistible and bright, / an impossible thing to contain.”