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A vital and timely reminder that modern life owes as much to outlandish thinking as to dominant ideologies What do the Nag Hammadi library, Dan Brown’s The Da Vinci Code, speculative feminist historiography, Marcus Garvey’s finances, and maps drawn by asylum patients have in common? Jonathan P. Eburne explores this question as never before in Outsider Theory, a timely book about outlandish ideas. Eburne brings readers on an adventure in intellectual history that stresses the urgency of taking seriously—especially in an era of fake news—ideas that might otherwise be discarded or regarded as errant, unfashionable, or even unreasonable. Examining the role of such thinking in contemporary intellectual history, Eburne challenges the categorical demarcation of good ideas from flawed, wild, or bad ones, addressing the surprising extent to which speculative inquiry extends beyond the work of professional intellectuals to include that of nonprofessionals as well, whether amateurs, unfashionable observers, or the clinically insane. Considering the work of a variety of such figures—from popular occult writers and gnostics to so-called outsider artists and pseudoscientists—Eburne argues that an understanding of its circulation and recirculation is indispensable to the history of ideas. He devotes close attention to ideas and texts usually omitted from or marginalized within orthodox histories of literary modernism, critical theory, and continental philosophy, yet which have long garnered the critical attention of specialists in religion, science studies, critical race theory, and the history of the occult. In doing so he not only sheds new light on a fascinating body of creative thought but also proposes new approaches for situating contemporary humanities scholarship within the history of ideas. However important it might be to protect ourselves from “bad” ideas, Outsider Theory shows how crucial it is for us to know how and why such ideas have left their impression on modern-day thinking and continue to shape its evolution.
A free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. While portrayals of immigrants and their descendants in France and throughout Europe often center on burning cars and radical Islam, Citizen Outsider: Children of North African Immigrants in France paints a different picture. Through fieldwork and interviews in Paris and its banlieues, Jean Beaman examines middle-class and upwardly mobile children of Maghrébin, or North African immigrants. By showing how these individuals are denied cultural citizenship because of their North African origin, she puts to rest the notion of a French exceptionalism regarding cultural difference, race, and ethnicity and further centers race and ethnicity as crucial for understanding marginalization in French society.
A broad cultural history of the postwar US, this book traces how middle-class white Americans increasingly embraced figures they understood as outsiders and used them to re-imagine their own cultural position as marginal and alienated. Romanticizing outsiders and becoming rebels, middle-class whites denied the contradictions between self-determination and social connection.
This four-volume work provides provocative critical analyses of 160 of the best popular music albums of the past 50 years, from the well-known and mainstream to the quirky and offbeat. The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations contains critical analysis essays on 160 significant pop music albums from 1960 to 2010. The selected albums represent the pop, rock, soul, R&B, hip hop, country, and alternative genres, including artists such as 2Pac, Carole King, James Brown, The Beatles, and Willie Nelson. Each volume contains brief sidebars with biographical information about key performers and producers, as well as descriptions of particular music industry topics pertaining to the development of the album over this 50-year period. Due to its examination of a broad time frame and wide range of musical styles, and its depth of analysis that goes beyond that in other books about essential albums of the past and present, this collection will appeal strongly to music fans of all tastes and interests.
I’m Not Like Everybody Else is a collection of short stories and poetry that explores how the rainy North-West can create anti-heroes and rebel spirits. Drawing from the music and culture of the region, Richard explores themes of isolation, focusing on rebellious thoughts and actions from a cast of characters that have been marginalised and driven to the edge of society. “Manchester, you are in my blood, I can never leave you.” The book was written in an unplanned and spontaneous frenzy and at a time of extreme emotional turmoil for the author. I’m Not Like Everybody Else expresses themes of isolation through the eyes of those who are alienated by society: murderers, psychopaths, the homeless, the falsely accused, cross-dressers and fatalistic revisionists. “I’m not like everybody else. I feel that strong urge for isolation too.” Inspired by Irvine Welsh and Charles Bukowski, Richard’s second collection will be enjoyed by readers based in the North-West, as well as fans of poetry and short stories, and his first collection, I Wasn’t Made For These Times.
In 2020 angels of a high order started incarnating on Earth as humans. In early 2020 guards at Teotihuacan, an archeological site in Mexico, find eight fat handwritten notebooks on a ledge at the Palace of the Jaguars. They purport to be the journal, and maybe last testament, of an American, age 69, hiding out in the high desert of New Mexico and on the run from intelligence agencies. He sums up his life spent with a most unusual colleague named Blaise. The journal entries span seven months in 2019 then end as 2020 begins, but they cover the history of the Earth. Offered in a matter-of-fact manner, the writer's revelations grow increasingly alarming and hard to credit. Wormholes on the Earth. Pleiadian influence in human evolution. Hyperdimensional Light grids. Clairvoyant scientists. Shapeshifting Ascended Masters. Accounts of planetwide psychic access. An apparitional theater of mythic figures. Angels 60 billion years old on the verge of human incarnation. Yet the journals, written with warmth, fondness, and amusement, read like the memoir of truly one man's best friend, Blaise yet this Blaise is too big, too old, too vast to be a human. What then? And who wrote the journals? He seems untraceable. In 2023 the notebooks passed to Dartmouth College professor Frederick Graham Atkinson, Ph.D., who, starting in 2025, prepared them for publication, adding helpful editorial notes. The journals, though never intended for publication by their author and it's a miracle they survived the desert and years in a dusty unused office, Dr. Atkinson states, offer an unusual, often inspiring, and mostly astonishing report of the inner affairs of planet, culture, myth, humanity, the spiritual world, and where it's all heading.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Who's Who of Canadian Women is a guide to the most powerfuland innovative women in Canada. Celebrating the talents and achievement of over 3,700 women, Who's Who of Canadian Women includes women from all over Canada, in all fields, including agriculture, academia, law, business, politics, journalism, religion, sports and entertainment. Each biography includes such information as personal data, education, career history, current employment, affiliations, interests and honours. A special comment section reveals personal thoughts, goals, and achievements of the profiled individual. Entries are indexed by employment of affilitation for easy reference. Published every two years, Who's Who of Canadian Women selects its biographees on merit alone. This collection is an essential resource for all those interested in the achievements of Canadian women.
The horrific 1955 slaying of fourteen-year-old Emmett Till marks a significant turning point in the history of American race relations. An African American boy from Chicago, Till was visiting relatives in the Mississippi Delta when he was accused of "wolf-whistling" at a young white woman. His murderers abducted him from his great-uncle's home, beat him, then shot him in the head. Three days later, searchers discovered his body in the Tallahatchie River. The two white men charged with his murder received a swift acquittal from an all-white jury. The eleven essays in Emmett Till in Literary Memory and Imagination examine how the narrative of the Till lynching continues to haunt racial consciousness and to resonate in our collective imagination.The trial and acquittal of Till's murderers became, in the words of one historian, "the first great media event of the civil rights movement," and since then, the lynching has assumed a central place in literary memory. The international group of contributors to this volume explores how the Emmett Till story has been fashioned and refashioned in fiction, poetry, drama, and autobiography by writers as diverse as William Bradford Huie, James Baldwin, Langston Hughes, Gwendolyn Brooks, Audre Lorde, Anne Moody, Nicolás Guillén, Aimé Césaire, Bebe Moore Campbell, and Lewis Nordan. They suggest the presence of an "Emmett Till narrative" deeply embedded in post-1955 literature, an overarching recurrent plot that builds on recognizable elements and is as legible as the "lynching narrative" or the "passing narrative." Writers have fashioned Till's story in many ways: an the annotated bibliography that ends the volume discusses more than 130 works that memorialize the lynching, calling attention to the full extent of Till's presence in literary memory. Breaking new ground in civil rights studies and the discussion of race in America, Emmett Till in Literary Memory and Imagination eloquently attests to the special power and artistic resonance of one young man's murder.