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Fabulous true stories of the most amazing women in history. They were cool and courageous, self–reliant and sharp–witted, daring and determined. They were the exciting, inspiring, and totally Outrageous Women of the Renaissance. These remarkable women forged their own paths, made their own rules––and rocked the world! Among the outrageous women you′ll meet are: ∗ Joan of Arc––the bold warrior who at age 17 became commander–in–chief of the French army and led her country′s charge against the invading English. ∗ Elisabetta Sirani––the lightning–quick painter who opened an all–female art school and became an international sensation. ∗ Grace O′Malley––the mother of three who ruled the high seas as Ireland′s pirate queen and freedom fighter. ∗ Christina of Sweden––the eccentric Swedish monarch who awakened her country to the wonders of Renaissance art, science, and literature. ∗ Gracia Mendes Nasi––the Spanish humanitarian and philanthropist whose "underground railroad" saved the lives of countless persecuted Jews.
Some were feisty and fiery. Others were cool and dangerous. All were incredibly courageous. Outrageous Women of The Middle Ages took on the challenge of their world--and didn't worry about ruffling a few feathers. Among the outrageous women you'll meet are: * Eleanor of Aquitaine--queen of France and later England, she led a group of women on the Second Crusade and created her own financial system * Lady Murasaki Shikibu--besides being a wife and mother, she learned the "forbidden" language of Chinese and wrote the world's first novel * Aud the Deep-Minded--a Viking wise woman and explorer who led her clan, grandchildren and all, on a risky voyage from Scotland to Iceland * Hildegarde of Bingen--the German nun who, late in life, became a composer, a botanist, and founded convents * Damia al-Kahina--a nomadic freedom fighter, skilled at peacemaking and war, who kept her North African homeland free
This guide to the feisty women of medieval times profiles 200 of these fair and unfair damsels from around the world. There's English rose Hilda of Whitby, Viking leader Aud the Deep-Minded and Wu Zhao of China, who chose to concubine, connive, murder and machiavelli her way to a 50 year reign.
Discusses the various roles women took on during the Renaissance.
Piquant and witty collection excavates 200 pyramid-builders, poets, poisoners, physicians, power brokers and panderers of ancient times.
A "lively and engaging" history of the Middle Ages (Dallas Morning News) from the acclaimed historian William Manchester, author of The Last Lion. From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth: the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains. "Manchester provides easy access to a fascinating age when our modern mentality was just being born." --Chicago Tribune
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
"[A] tart, funny, lurid little bomb of a book. It's all p.c., of course, but not at all predictable, and a lot of righteous information gets dispersed in record time." -- BUST Magazine We were Guerillas before we were Gorillas. From the beginning, the press wanted publicity photos. We needed a disguise. No one remembers, for sure, how we got our fur, but one story is that at an early meeting, an original Girl, a bad speller, wrote 'Gorilla' instead of 'Guerilla.' It was an enlightening mistake. It gave us our mask-ulinity. Ever wonder about the abundance of naked male statues in the Classical section of your favorite museum? Did you know medieval convents were hotbeds of female artistic expression? And how did those "bad boy" artists of the twentieth century make it even harder for a girl to get a break? Thanks to the Guerrilla Girls, those masked feminists whose mission it is to break the white male stronghold over the art world, art history--as we know it--is history. Taking you back through the ages, the Guerrilla Girls demonstrate how males (particularly white males) have dominated the art scene, and discouraged, belittled, or obscured women's involvement. Their skeptical and hilarious interpretations of "popular" theory are augmented by the newest research and the expertise of prominent feminist art historians. "Believe-it-or-not" quotations from some of the "experts" are sprinkled throughout, as are the Guerrilla Girls' signature masterpieces: reproductions of famous art works, slightly "altered" for historic accuracy and vindication. This colorful reinterpretation of classic and modern art, as outrageous as it is visually arresting, is a much-needed corrective to traditional art history, and an unabashed celebration of female artists.
How to Do It shows us sixteenth-century Italy from an entirely new perspective: through manuals which were staples in the households of middlebrow Italians merely trying to lead better lives. Addressing challenges such as how to conceive a boy, the manuals offered suggestions such as tying a tourniquet around your husband's left testicle. Or should you want to goad female desires, throw 90 grubs in a liter of olive oil, let steep in the sun for a week and apply liberally on the male anatomy. Bell's journey through booklets long dismissed by scholars as being of little literary value gives us a refreshing and surprisingly fun social history. "Lively and curious reading, particularly in its cascade of anecdote, offered in a breezy, cozy, journalistic style." —Lauro Martines, Times Literary Supplement "[Bell's] fascinating book is a window on a lost world far nearer to our own than we might imagine. . . . How pleasant to read his delightful, informative and often hilarious book." —Kate Saunders, The Independent "An extraordinary work which blends the learned with the frankly bizarre." —The Economist "Professor Bell has a sly sense of humor and an enviably strong stomach. . . . He wants to know how people actually behaved, not how the Church or philosophers or earnest humanists thought they should behave. I loved this book." —Christopher Stace, Daily Telegraph
In this book, Muir explores an era of cultural innovation that promoted free inquiry in the face of philosophical and theological orthodoxy, advocated libertine morals, critiqued the tyranny of aristocratic fathers over their daughters, and expanded the theatrical potential of grand opera. In so doing, he reveals the distinguished past of today's culture wars, including debates about the place of women in society, the clash between science and faith, and the power of the arts to stir emotions.