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This literary work dives deep into rough waters, it bravely explores the minefield of confusion & conflict that clouds Africa’s socio-economic, political, and cultural atmospheres and environments. Undoubtedly, it offers a powerful editorial commentary backed up with interrogations, debates, and symposiums. It also provides the reader with a comprehensive assessment of some of the troubling, teething, complex and traumatizing issues confronting humanity today. Those intriguing but true-life stories inspire the writer to emulate the dynamic eagle’s eye view, giving him the courage to dive deeper, to play and investigate some of the socio-political, cultural nightmares and quandaries that have been causing African conflicts and confusion for years. Additionally, it makes hopeful suggestions to solve some enigmas, ensuring the success and survival of today’s and the yet-unborn generation. A Market analyst, in-fused with journalist traits, dissecting issues from culture 2 fashion. A critic with in-depth analysis on geo-politics, socio-political affairs with suggestions & synthetic solutions; In addition to recommendations, sharpened with emphasis to re-engineering global planetary society. Hole-in background on international market strategies; MBA -- International Marketing -- London School of International Business; Corporate Member of International Export Association and Journalism; London School of Journalism – Diploma. Journalistic field: 1. Sportswriter: (a) Football (b) tennis – lawn/ table (c) boxing (d) golf (e) volleyball (f) athleticism. 2. Correspondent: (a) Parliament (b) Diplomatic 3. General reporter: (a) Courts reporter (b) Culture & Fashion Specialty: (a) Script (2) Speech write-ups, (b) Investigative reporting. Interest: (1) Freelance journalism (2) business, i.e., entrepreneurship. *travel & adventurism Graduate of Ecole Schultz—Geneve: (1) commerce (2) langue (3) Computer science.
The Outrageous Juan Rana Entremeses translates a selection of Juan Rana's interludes for the first time, highlighting their literary complexity and providing historical context for the many double meanings and innuendos they contain.
I want to tell you a story. And it's true. That's what makes it a good fucking story, right, 'cause all the best stories are true. Fleet Street. 1969. The Sun rises. James Graham's ruthless, red-topped play leads with the birth of this country's most influential newspaper – when a young and rebellious Rupert Murdoch asked the impossible and launched its first editor's quest, against all odds, to give the people what they want. Ink premiered at the Almeida Theatre in London before transferring to the West End and later Broadway. It was nominated for both the Olivier and Tony Award for Best New Play. This new edition features an introduction by Harry Derbyshire.
All of us have hidden parts within us. These are the things about ourselves that we do not seeour haunting darkness and our illuminating light. We often hide from our own flaws. But we also can hide from our own undeveloped talents and vital spirit. Most of us would like to discover a more whole and complete self. To do this, we must clearly see the accurate reflection of ourselves in the people and objects around us. What it takes is to discover our unseen but true reflection in the cosmic mirror. Come join us. Begin your journey down a new path. In this fascinating self-empowerment guide, coauthors Gary Gemmill, Ph.D. and George Kraus, Ph.D. provide a template for our transformation and growth. One of the most important books of our generation. "In a word, powerful. Clearly illustrates the profundity and absurdity of our relationships with others. Takes the reader beyond the polarities of our conflicts with others to a place of renewal and hope for a more unified and peaceful world. Philip Lichtenberg, Ph.D., Director of the Gestalt Therapy Institute of Philadelphia and author of Encountering Bigotry: Befriending Projecting Persons in Everyday Life
Foran's book is the first major biography with access to family letters and archives: the definitive, detailed, intimate portrait of Mordecai Richler, the lion of Canadian literature, and the turbulent, changing times that nurtured him. It is also an extraordinary love story that lasted half a century. Mordecai Richler won multiple Governor General's Literary Awards, the Giller Prize, the Commonwealth Writers' Prize, among others, as well as many awards for his children's books. He also wrote Oscar-nominated screenplays. His influence was larger than life in Canada and abroad. In Mordecai, award-winning novelist and journalist Charles Foran brings to the page the richness of Mordecai's life as young bohemian, irreverent writer, passionate and controversial Canadian, loyal friend and deeply romantic lover. He explores Mordecai's distraught childhood, and gives us the "portrait of a marriage"—the lifelong love affair with Florence, with Mordecai as beloved father of five. The portrait is alive and intimate—warts and all.

TIME For Kids BIG Book of Why Crazy, Cool & Outrageous answers the questions that kids commonly ask and adults can rarely answer. Why are our eyes different colors? Why do we put candles on a birthday cake? Why do we high five our friends? Why do elephants have big ears?

Packed with hundreds of new brain busting questions with easy to understand answers that made the first Big Book of Why a bestseller. The book is divided by subject area - humans, animals, environment/nature, technology and space - and written in an upbeat manner, each answer is accompanied by either a photo or an illustration to show the reasons why.

TIME For Kids Book of Why Crazy, Cool & Outrageous is a must-have book to satisfy the most curious of kids. Kids will be desperate to shar what they've learned with their parents, teachers, and friends...and anyone else who will listen!

"The Outrage" by Annie Vivanti. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The term "queer cinema" is often used to name at least three cultural events: 1) an emergent visual culture that boldly identifies as queer; 2) a body of narrative, documentary, and experimental work previously collated under the rubric of homosexual or lesbian, gay, bisexual, and trans (LGBT) cinema; 3) a means of critically reading and evaluating films and other visual media through the lens of sexuality. By this expansive account, queer cinema encompasses more than a century of filmmaking, film criticism, and film reception, and the past twenty-five years have seen the idea of "queer cinema" expand further as a descriptor for a global arts practice. As the first of its kind, The Oxford Handbook of Queer Cinema treats these three currents as art and critical practice, bringing the canon of queer cinema together with a new generation of makers and scholars. The Handbook's contributors include scholars who research the worldwide canon of queer cinema, those who are uniquely positioned to address three decades of its particular importance, and those best positioned to ponder the forms it is taking or may take in our new century, namely digital media that moves in new circuits. In eight sections, they explore the many forms that queer cinema takes across time, discussing narrative, experimental, documentary, and genre filmmaking, including pornography. Likewise, although the study of cinema and media is not restricted to a single method, chapters showcase the unique combination of textual analysis, industrial and production history, interpretation, ethnography, and archival research that this field enables. For example, chapters analyze the ways in which queer cinema both is and is not self-evidently an object for study by examining films that reinforce negative understandings of queerness alongside those that liberate the subject; and by naming the films that are newly queered, while noting that many queerly-made texts await discovery. Finally, chapters necessarily assert that queer cinema is not an Anglophone phenomenon, nor is it restricted to the medium of film.