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Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature
This fourth revised edition of Chinese Symbolism and Art Motifs, first published in Shanghai in 1941, features an introduction by Dr. Terence Barrow, has been completely reset and now uses the Pinyin pronunciation of Chinese names and words. The Eight Immortals, the five elements, the dragon and the phoenix, yin and yang—representations of these important cultural symbols are pervasive in Chinese literature, art and architecture. Without an understanding of their significance, much Chinese history, folklore and culture can't be fully appreciated. In this comprehensive handbook, C.A.S. Williams offers concise explanations—and over 400 illustrations—of these essential symbols and motifs. Arranged alphabetically for easy access, the book not only explains essential cultural symbols, accompanied by their Chinese characters, but also contains many articles on Chinese beliefs, customs, arts and crafts, food, agriculture, and medicine. This book has become a standard reference volume for students of China and Chinese culture. For those who are visiting China, Chinese Symbolism and Art Motifs is an indispensable guide to the Middle Kingdom's artistic and architectural wonders. For the general reader, it is a valuable compendium of fascinating sinological lore.
Written with reader accessibility in mind, this comprehensive handbook of symbolism in Chinese art and culture will be an invaluable resource for any student of Eastern art history, Chinese arts and crafts, and anyone interested in commonly held Chinese beliefs and their origins. In Chinese Symbolism & Art Motifs Fourth Edition, scholar C.A.S. Williams offers concise explanations of the essential symbols and motifs relevant to Chinese literature, arts & crafts, and architecture. This reference book has been a standard among students of Chinese culture and history since 1941 and, in its Fourth Edition, has been completely reset with Pinyin pronunciation of Chinese names and words. Organized alphabetically, enhanced by over 400 illustrations, and clearly written for accessibility across a variety of fields, this book not only explains symbols and motifs essential to any designer, art collector, or historian, but delves into ancient customs in religion, food, agriculture, and medicine. Some of the symbols and motifs explicated are: The Eight Immortals The Five Elements The Dragon The Phoenix Yin and Yang With Chinese Symbolism & Art Motifs, you can access hidden insights into the intentions behind works of Chinese craftsmanship, and the thorough explanations of each symbol accompanied by the historical origins from which they arose. It will complement your existing knowledge of any area of Chinese culture, or help you confidently explore new topics within the realm of Asian art and history.
We are a product of nature. Every single cell of our body is made of, and depends, on nature. Our inner soul is heavily influenced by nature. We feel sad if the sun is not shining for a few days, and feel pleasure when drawn to the wonder of flowers and uplifted by the song of birds. We came from nature; we are part of nature. In short, we are nature. Nature has been an intimate part of the human experience from the earliest times. Different religions and cultures, from all corners of the world, have honoured and worshipped nature in art, ritual and literature in their own unique ways. This book shows how we learn about our own human nature, our own sense of identity and how we fit into the larger scheme of life and spirit when we come to better understand how our human ancestors, through art, symbol and myth, expressed their relationship with the natural world.
"The Eight Immortals, the five elements, the dragon and the phoenix, yin and yang -- representations of these important cultural symbols are pervasive in Chinese art and architecture. Indeed, without an understanding of their significance, much Asian art cannot be fully appreciated." "In this comprehensive handbook, C.A.S. Williams offers concise explanations of these essential symbols and motifs. The book is an unabridged reprint of the third edition of Outlines of Chinese Symbolism and Art Motives, published in Shanghai in 1941, a work that has become a standard reference volume for students of China and Chinese culture." "Arranged alphabetically for easy access, the book not only explains essential cultural symbols, but also contains many articles on Chinese beliefs, customs, arts and crafts, food, agriculture, and medicine." "For those China-bound, Chinese Symbolism and Art Motifs is an indispensable guide to the Middle Kingdom's artistic and architectural wonders. For the general reader, it is an essential compendium of sinological lore. Book jacket."--Jacket.
Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.
This unique and authoritative guide describes more than 400 important Chinese symbols, explaining their esoteric meanings and connections. Their use and development in Chinese literature and in Chinese customs and attitudes to life are traced lucidly and precisely. `An ideal reference book to help one learn and explore further, while simultaneously giving greater insight into many other aspects of Chinese life ... the most authoritative guide to Chinese symbolism available to the general reader today ... a well-researched, informative and entertaining guide to the treasure trove of Chinese symbols.' - South China Morning Post
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, spacecraft, high-rise buildings, gridlocked free-ways and projections of general affluence. Socialist Realism was phased out by design and mixed- media techniques that were influenced by Western advertising. This lavishly illustrated study traces the development of the style and content of the Chinese propaganda poster in the decade of reform, from its traditional origins to its use as a tool for political and economic purposes.