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In The One Percenter Code, best-selling Motorbooks author and editor of Easyriders magazine Dave Nichols takes up where he left off in One Percenter: The Legend of The Outlaw Bikers. Nichols takes readers inside the world of outlaw motorcycle clubs and pulls back the secretive curtain on the biker lifestyle. He explores the concept of brotherhood, ultimately arriving at a new definition of family and community in the process. Being a member of a one percenter motorcycle club requires extreme discipline; in this book, Nichols shows us what that life offers in return. Nichols delves into the one percenter code of conduct and honor and finds something that is sorely lacking in modern society. In this book, he shows us how we can apply those values in our own lives. The world of the outlaw biker has its own rough-hewn rules of order, and The One Percenter Code acts as a guidebook to that truth-, honor-, and brotherhood-based world.
Property Outlaws puts forth the intriguingly counterintuitive proposition that, in the case of both tangible and intellectual property law, disobedience can often lead to an improvement in legal regulation. The authors argue that in property law there is a tension between the competing demands of stability and dynamism, but its tendency is to become static and fall out of step with the needs of society. The authors employ wide-ranging examples of the behaviors of “property outlaws”—the trespasser, squatter, pirate, or file-sharer—to show how specific behaviors have induced legal innovation. They also delineate the similarities between the actions of property outlaws in the spheres of tangible and intellectual property. An important conclusion of the book is that a dynamic between the activities of “property outlaws” and legal innovation should be cultivated in order to maintain this avenue of legal reform.
From the infamous pirate Jean Laffite and the storied couple Bonnie and Clyde, to less familiar bandits like train-robber Eugene Bunch and suspected murderer Leather Britches Smith, Legendary Louisiana Outlaws explores Louisiana's most fascinating fugitives. In this entertaining volume, Keagan LeJeune draws from historical accounts and current folklore to examine the specific moments and legal climate that spawned these memorable characters. He shows how Laffite embodied Louisiana's shift from an entrenched French and Spanish legal system to an American one, and relates how the notorious groups like the West and Kimbrell Clan served as community leaders and law officers but covertly preyed on Louisiana's Neutral Strip residents until citizens took the law into their own hands. Likewise, the bootlegging Dunn brothers in Vinton, he explains, demonstrate folk justice's distinction between an acceptable criminal act (operating an illegal moonshine still) and an unacceptable one (cold-blooded murder). Recounting each outlaw's life, LeJeune also considers their motives for breaking the law as well as their attempts at evading capture. Running from authorities and trying to escape imprisonment or even death, these men and women often relied on the support of ordinary citizens, sympathetic in the face of oppressive and unfair laws. Through the lens of folk life, LeJeune's engaging narrative demonstrates how a justice system functions and changes and highlights Louisiana's particular challenges in adapting a system of law and order to work for everyone.
IN A WORLD WHERE THE WEAK ARE PREYED UPON... ...crime goes unpunished and evil runs rampant in the streets, who will stand up to chaos and fight for justice? There is only one: an outlaw biker with dead set principles and dangerous methods that always get the job done. Asking nothing in return, he sets out for war in the name of the people, regardless of creed or colour. These are the stories of an outlaw about to douse the criminal world in gasoline and strike the match. He’s a one man wrecking ball... today’s Robin Hood, protector of the people. For more info, check out: http://ryanwickham.konline.ca/
ñA thief, a junkie IÍve been / committed every known sin,î Miguel Pinero sings in ñA Lower East Side Poem.î Part observer, part participant in the turbulent goings-on in his Nuyorican barrio, Miguel PiÐero blasted onto the literary scene and made waves in the artistic current with his dramatic interpretations of the world around him through experimental poetry, prose, and plays. Portrayed by actor Benjamin Bratt in the 2001 feature film ñPiÐero,î the poetÍs works are as rough and gritty as the New York City underworld he wrote about and loved. ñSo here I am, look at me / I stand proud as you can see / pleased to be from the Lower East / a street fighting man / a problem of this land / I am the Philosopher of the Criminal Mind / a dweller of prison time / a cancer of RockefellerÍs ghettocide / this concrete tomb is my home.î His depictions of pimp bars, drug addiction, petty crime, prison culture and outlaw life all drawn from first-hand experience astound the faint-hearted, as PiÐero poetizes an outlaw vernacular meant to shock proper, bourgeois culture. This long-awaited collection includes previously published and never-before-published poems; ten plays, including ñShort Eyes,î which was later made into a film and won the 1973-1974 New York Drama CriticsÍ Circle Award for Best American Play, ñThe Sun Always Shines for the Cool,î and ñEulogy for a Small Time Thief.î A co-founder of the Nuyorican PoetÍs Cafe, PiÐero died at the age of 41, leaving behind a compelling legacy of poetry and plays that reveal the harsh, impoverished lives of his urban Puerto Rican community.
This book is an overview and analysis of the global tradition of the outlaw hero. The mythology and history of the outlaw hero is traced from the Roman Empire to the present, showing how both real and mythic figures have influenced social, political, economic and cultural outcomes in many times and places. The book also looks at the contemporary continuations of the outlaw hero mythology, not only in popular culture and everyday life, but also in the current outbreak of global terrorism.
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Offers a comprehensive thematic introduction to a wide range of medieval writings about the outlaw-hero from a series of different historical perspectives. By the fifteenth century, churchmen were complaining that laypeople preferred to hear stories about Robin Hood rather than to listen to the word of God. But what was the attraction of this outlaw for contemporary audiences? The essays collected here seek to examine the outlaw's legend in relation to late medieval society, politics and piety. They set out the different types of evidence which give us access to representations of Robin and his men in the pre-Reformation period, ask whether stories about the outlaw had any basis in reality and explore the many different purposes for which his legend was adapted. The volume is divided into six parts: the sources for the medieval legend of Robin Hood and its origins; social structure; social conflict; kingship, law and warfare; piety and the church; and the outlaw's legend in Wales and Scotland. Key issues addressed by its essays include the dating of the surviving tales, attitudes to social hierarchy, representations of gender and masculinity, the extent to which the tales drew upon or shaped contemporary attitudes towards law and justice, the development of Robin Hood plays and games, and whether the legend emerged from or appealed to particular social groups. It not only sheds new light on a character who, whether "real" or not, is one of the most important and memorable figures in the history of medieval England but also explores the extent to which the outlaw became popular in Scotland and Wales.
Robin Hood is a national English icon. He is portrayed as a noble robber, who, along with his band of merry men, is said to have stolen from the rich and given to the poor. His story has been reimagined many times throughout the centuries. Readers will be introduced to some of the candidates who are thought to have been the real Robin Hood, before journeying into the fifteenth century and learning about the various ‘rymes of Robyn Hode’ that were in existence. This book then shows how Robin Hood was first cast as an earl in the sixteenth century, before discussing his portrayals as a brutish criminal in the eighteenth century. Then learn how Robin Hood became the epitome of an English gentleman in the Victorian era, before examining how he became an Americanized, populist hero fit for the silver screen during the twentieth century. Thus, this book will take readers on a journey through 800 years of English cultural and literary history by examining how the legend of Robin Hood has developed over time