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A REESE'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * BELLETRIST BOOK CLUB PICK * INDIE NEXT SELECTION * LIBRARY READS SELECTION * AMAZON EDITORS' CHOICE * WASHINGTON POST BEST OF THE YEAR The "terrifying, wise, tender, and thrilling" (R.O. Kwon) adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West. In the year of our Lord 1894, I became an outlaw. The day of her wedding, 17 year old Ada's life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all. Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.
A “compulsively readable” history of how Waylon Jennings, Willie Nelson, and Kris Kristofferson redefined country music (Publishers Weekly, starred review). Outlaw delves into the country music scene of the late ’60s and early ’70s, when three rebels—Waylon Jennings, Willie Nelson, and Kris Kristofferson found themselves in Music City writing songs and vying for record deals. Channeling the unrest of the times, all three Country Music Hall of Famers resisted the music business’s unwritten rules and emerged as leaders of the outlaw movement that ultimately changed the recording industry. This account offers a broad portrait of the outlaw movement in Nashville that includes a diverse secondary cast of characters, such as Johnny Cash, Rodney Crowell, Kinky Friedman, and Billy Joe Shaver, among others. With archival photographs throughout, Outlaw is a comprehensive examination of a fascinating shift in country music, and the three unbelievably talented musicians who forged the way. “[An] engaging cultural history . . . a fascinating chronicle.” —The Washington Post “Riveting.” —The Wall Street Journal
Includes excerpt from Diary of a 5th grade outlaw: The friend thief.
NATIONAL BESTSELLER • A riveting, adrenaline-fueled tour of a vast, lawless, and rampantly criminal world that few have ever seen: the high seas. There are few remaining frontiers on our planet. But perhaps the wildest, and least understood, are the world's oceans: too big to police, and under no clear international authority, these immense regions of treacherous water play host to rampant criminality and exploitation. Traffickers and smugglers, pirates and mercenaries, wreck thieves and repo men, vigilante conservationists and elusive poachers, seabound abortion providers, clandestine oil-dumpers, shackled slaves and cast-adrift stowaways—drawing on five years of perilous and intrepid reporting, often hundreds of miles from shore, Ian Urbina introduces us to the inhabitants of this hidden world. Through their stories of astonishing courage and brutality, survival and tragedy, he uncovers a globe-spanning network of crime and exploitation that emanates from the fishing, oil, and shipping industries, and on which the world's economies rely. Both a gripping adventure story and a stunning exposé, this unique work of reportage brings fully into view for the first time the disturbing reality of a floating world that connects us all, a place where anyone can do anything because no one is watching.
This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."
The New York Times bestselling self-portrait of a flawed but determined Jesse James: rebel, outlaw, gearhead, artist, entrepreneur, lost son, and fiercely committed father. Jesse James is everything you imagined him to be—and more than you ever expected. He has led a violent life. He’s survived lower depths, faced harder times, and beaten down more private demons than most—and lived to tell his story with honesty, introspection, and humility. He’s tough as nails and riding hard through life, with plenty of wisdom to share about taking a hit and coming back up. In American Outlaw, Jesse reveals all: from his volatile upbringing and troubled relationship with his father to his wild days of car thieving and juvenile detention; from knocking heads as a rock ’n’ roll bodyguard to his destructive drinking and barroom brawling; from building an empire from the ground up to marriages marked with both happiness and gut-wrenching pain; from living inside the hottest level of paparazzi hell to rehab and making peace with his past.
New York Timesbestselling author Ted Dekker brings an exotic tale of adventure and creates his most memorable character ever. The story of how I, Julian Carter, and my precious two-year old son, Stephen, left Atlanta Georgia and found ourselves on a white sailboat, tossed about like a cork on a raging sea off of Australia's northern tip in 1963, is harrowing. But it pales in comparison to what happened deep in the jungle where I was taken as a slave by a savage tribe unknown to the world. Some places dwell in darkness so deep that even God seems to stay away. There, my mind was torn in two by the gods of the earth. There, one life ended so another could begin. Some will say I was a fool for making the choices I made. But they would have done the same. They, too, would have embraced death if they knew what I knew, and saw through my eyes. My name is Julian and this is my story. But more, it is the story of my son who was born to change the world. From deep in the impenetrable jungles where New York Times bestselling author Ted Dekker was born and raised, comes OUTLAW, an epic adventure of two worlds that perhaps only he could write. Full of harrowing twists, sweeping violence, and wild love, Outlaw takes us beyond the skin of this world to another unseen.
In the fall of 1865, the United States Army executed Confederate guerrilla Champ Ferguson for his role in murdering fifty-three loyal citizens of Kentucky and Tennessee during the Civil War. Long remembered as the most unforgiving and inglorious warrior of the Confederacy, Ferguson has often been dismissed by historians as a cold-blooded killer. In Confederate Outlaw: Champ Ferguson and the Civil War in Appalachia, biographer Brian D. McKnight demonstrates how such a simple judgment ignores the complexity of this legendary character. In his analysis, McKnight maintains that Ferguson fought the war on personal terms and with an Old Testament mentality regarding the righteousness of his cause. He believed that friends were friends and enemies were enemies—no middle ground existed. As a result, he killed prewar comrades as well as longtime adversaries without regret, all the while knowing that he might one day face his own brother, who served as a Union scout. Ferguson’s continued popularity demonstrates that his bloody legend did not die on the gallows. Widespread rumors endured of his last-minute escape from justice, and over time, the borderland terrorist emerged as a folk hero for many southerners. Numerous authors resurrected and romanticized his story for popular audiences, and even Hollywood used Ferguson’s life to create the composite role played by Clint Eastwood in The Outlaw Josey Wales. McKnight’s study deftly separates the myths from reality and weaves a thoughtful, captivating, and accurate portrait of the Confederacy’s most celebrated guerrilla. An impeccably researched biography, Confederate Outlaw offers an abundance of insight into Ferguson’s wartime motivations, actions, and tactics, and also describes borderland loyalties, guerrilla operations, and military retribution. McKnight concludes that Ferguson, and other irregular warriors operating during the Civil War, saw the conflict as far more of a personal battle than a political one.
Reading the Gospels without knowing the personality of Jesus is like watching television with the sound turned off. The result is a dry, two dimensional person doing strange, undecipherable things. In BEAUTIFUL OUTLAW, John Eldredge removes the religious varnish to help readers discover stunning new insights into the humanity of Jesus. He was accused of breaking the law, keeping bad company, heavy drinking. Of being the devil himself. He was so compelling and dangerous they had to kill him. But others loved him passionately. He had a sense of humor. His generosity was scandalous. His anger made enemies tremble. He'd say the most outrageous things. He was definitely not the Jesus of the stained glass. In the author's winsome, narrative approach, he breaks Jesus out of the typical stereotypes, just as he set masculinity free in his book, Wild at Heart. By uncovering the real Jesus, readers are welcomed into the rich emotional life of Christ. All of the remarkable qualities of Jesus burst like fireworks with color and brilliance because of his humanity. Eldredge goes on to show readers how they can experience this Jesus in their lives every day. This book will quicken readers' worship, and deepen their intimacy with Jesus.
O is for Outlaw is the fifteenth in the Kinsey Millhone mystery series by Sue Grafton. First there was a phone call from a stranger, then a letter showed up fourteen years after it was sent. That's how I learned I'd made a serious error in judgement and ended up risking my life . . .' The call comes on a Monday morning from a guy who scavenges defaulted storage units at auction. Last weekend he bought a stack. They had stuff in them – Kinsey stuff. For thirty bucks, he'll sell her the lot. Kinsey's never been one for personal possessions, but curiosity wins out and she hands over a twenty (she may be curious but she loves a bargain). What she finds amid childhood memorabilia is an old undelivered letter. It will force her to re-examine her beliefs about the break-up of her first marriage, about the honour of her first husband, about an old unsolved murder. And it will put her life in the gravest peril.