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oUTER-aRT is a movement set up by Florentin Smarandachein 1990's (as a protest against random modern art, where anything could mean... art!) and consists in making art as ugly as possible, as wrong as possible, or as silly as possible, and generally as impossible as possible!It is an upside-down art!... to do art in the way it is not supposed to be done...Manifestos and anti-manifestos, essays, interviews, together with a printed oUTER-aRT Gallery are to be found in this (outer-)album of (outer-)painting, (outer-)drawings, (outer-)collages, (outer-)photos.He used computer programs and mathematical algorithms to design some of them.
oUTER-aRT is a movement set up by Florentin Smarandachein 1990's (as a protest against random modern art, where anything could mean... art!) and consists in making art as ugly as possible, as wrong as possible, or as silly as possible, and generally as impossible as possible!It is an upside-down art!... to do art in the way it is not supposed to be done...Manifestos and anti-manifestos, essays, interviews, together with a printed oUTER-aRT Gallery are to be found in this (outer-)album of (outer-)painting, (outer-)drawings, (outer-)collages, (outer-)photos.He used computer programs and mathematical algorithms to design some of them.
Unification of Art Theories (UAT), proposed by the author, considers that every artist should employ - in producing an artwork ¿ ideas, theories, styles, techniques and procedures of making art barrowed from various artists, teachers, schools of art, movements throughout history, but combined with new ones invented, or adopted from any knowledge field (science in special, literature, etc.), by the artist himself.The artist can use a multi-structure and multi-space. The distinction between Eclecticism and Unification of Art Theories (UAT) is that Eclecticism supposed to select among the previous schools and teachers and procedures - while UAT requires not only selecting but also to invent, or adopt from other (non-artistic) fields, new procedures. In this way UAT pushes forward the art development. Also, UAT has now a larger artistic database to choose from, than the 16-th century Eclecticism, since new movements, art schools, styles, ideas, procedures of making art have been accumulated in the main time. Like a guide, UAT database should periodically be updated, changed, enlarged with new invented or adopted-from-any-field ideas, styles, art schools, movements, experimentation techniques, artists. It is an open increasing essay to include everything that has been done throughout history. This album presents a short panorama of commented art theories, together with experimental digital images using adopted techniques from various fields, in order to inspire the actual artists to choose from, and also to invent or adopt new procedures in producing their artworks.
Because I have, finally, before my eyes two significant works- your volume, Destiny (published last year although it was written 20 years ago!) and a more special work, Outer-Art, that we have to talk about without fail later on-, we can start interviewing you.
“Outer-Art” is a movement set up as a protest against, or to ridicule, the random modern art which states that everything is… art! It was initiated by Florentin Smarandache, in 1990s, who ironically called for an upside-down artwork: to do art in a way it is not supposed to be done, i.e. to make art as ugly, as silly, as wrong as possible, and generally as impossible as possible!
Outer-Art is a movement set up as a protest against, or to ridicule, the random modern art which states that everything is art! It was initiated by Florentin Smarandache, in 1990s, who ironically called for an upside-down artwork: to do art in a way it is not supposed to be done, i.e. to make art as ugly, as silly, as wrong as possible, and generally as impossible as possible. Read manifestos and anti-manifestos for outer-art, essays, interviews, together with a small virtual Outer-Art Gallery at:http://www.gallup.unm.edu/~smarandache/a/outer-art.htm. Excerpts from his (outer-)art theory: The way of how not to write, which is an emblem of paradoxism, was later on extended to the way of how not to paint, how not to design, how to not sculpture, until the way of how not to act, or how not to sing, or how not to perform on the stage thus: all reversed. Only negative adjectives are cumulated in the outer-art: utterly awful and uninteresting art; disgusting, execrable, failure art; garbage paintings: from crumpled, dirty, smeared, torn, ragged paper; using anti-colors and a-colors; naturalist paintings: from wick, spit, urine, feces, any waste matter; misjudged art; self-discredited, ignored, lousy, stinky, hooted, chaotic, vain, lazy, inadequate art (I had once misspelled rat instead of art); obscure, unremarkable, syncopal art; para-art; deriding art expressing inanity and emptiness; strange, stupid, nerd art, in-deterministic, incoherent, dull, uneven art... as made by any monkey! the worse the better!Art in America journal, USA, Art Book column, pp. 94, 160, May 2003.
A book entirely handwritten!
Science and technology in art using computer programs. Composed, found, changed, modified, alternated computer-programmed images.The album contains the cycles: Egyptian Hieroglyphs, Radio Diagrams, TV Show, Electrical Circuits, and Marine Fauna.
“Outer-Art” is a movement set up as a protest against, or to ridicule, the random modern art which states that everything is… art! It was initiated by Florentin Smarandache, in 1990s, who ironically called for an upside-down artwork: to do art in a way it is not supposed to be done, i.e. to make art as ugly, as silly, as wrong as possible, and generally as impossible as possible!
Abstract: This pseudo-album contains all kind of abnormal, bad, ill, un-artistical drawings; that is why it is called "Dysdrawings" and it is part of the oUTER-aRT. “Outer-Art” is a movement set up as a protest against, or to ridicule, the random modern art which states that everything is… art! It was initiated by Florentin Smarandache, in 1990s, who ironically called for an upside-down artwork: to do art in a way it is not supposed to be done, i.e. to make art as ugly, as silly, as wrong as possible, and generally as impossible as possible. (Hugues Desaert) Keywords: outer-art, dysdrawings, undrawings, counterdrawings bad drawings, childish drawings, ineffectual drawings, vapid drawings.