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Continually occupied by its indigenous peoples, as well as a siren to waves of pioneers, the Northwest has long fostered a sense of isolation and opportunity. Alice Wheeler's subjects embody both. Internationally known for her photographs of Nirvana, Bikini Kill, and the punk-feminist bands of Riot Grrl, Wheeler is drawn to people and landscapes that possess unique strength and beauty. Hers are the lesser-seen realities of Seattle's history over the last three decades: not the incessant rain and coffeehouse earnestness represented in films and sitcoms, but the glory of the drag scene; the devastation of AIDS; the freedom of choice celebrated at Hempfest and protest rallies; brilliant sunsets and radiant clouds; and a music scene that for decades has captivated devotees internationally. This is her first monograph.
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Are creatures of the night and all manner of supernatural beings drawn to certain locations in the natural world? In the Midwestern village of Beth-Hill located in southern Ohio, the population is made up of its fair share of common citizens...and much more than its share of supernatural residents. Take a walk on the wild side in this unusual place where imagination meets reality. Ten years ago, Orien, crown prince of the Seleighe, was captured by his mortal enemies, locked in a dungeon. Six years into Orien's sentence, the Healer's brother Cullen disobeyed his mistress's orders to kill him and turned him into a vampire instead, thus sealing both their fates for all eternity. Now both Orien and Cullen are set free. But a secret only Cullen knows lies locked inside his mind, threatening to drive him mad before he can uncover the identity of a traitor--the very elf who betrayed Orien and left them both to die in darkness.
It's a powerful combination of the world's best literature and superior reading and skills instruction! Prentice Hall Literature Timeless Voices, Timeless Themes helps students grasp the power and beauty that lies within the written word, while the program's research-based reading approach ensures that no child is left behind.
From the author of the national bestseller Dead Man Walking comes a brave and fiercely argued new book that tests the moral edge of the debate on capital punishment: What if we’re executing innocent men? Two cases in point are Dobie Gillis Williams, an indigent black man with an IQ of 65, and Joseph Roger O’Dell. Both were convicted of murder on flimsy evidence (O’Dell’s principal accuser was a jailhouse informant who later recanted his testimony). Both were executed in spite of numerous appeals. Sister Helen Prejean watched both of them die.As she recounts these men’s cases and takes us through their terrible last moments, Prejean brilliantly dismantles the legal and religious arguments that have been used to justify the death penalty. Riveting, moving, and ultimately damning, The Death of Innocents is a book we dare not ignore.
Elizabeth Bowen was a prolific writer; her publishing career spanned five decades and during this time she wrote ten novels, over one hundred short stories and countless reviews and journal articles. While earlier novels are now acknowledged as Modernist texts, her later novels can be read through the lens of postmodernism; they can be considered variously as romantic fiction, marriage novels, war time spy thrillers and psychological drama but, throughout her novels, she consistently questioned notions of identity, sexuality and the loss of innocence. A World of Lost Innocence: The Fiction of Elizabeth Bowen offers a reading of Elizabeth Bowen’s fiction which focuses specifically on this loss, foregrounding the psychological conflicts experienced by her protagonists. It examines the subject not only across the range of her fiction, but also in relation to her unfolding narrative structures through a chronologically based discussion of her novels and selected short stories, interwoven with biographical information and drawing on unpublished letters. This book investigates the dominant kinds of innocence that Bowen represents throughout her fiction: the innocence attributed to childhood, sexual innocence and sexual morality, and political innocence, and argues that the transition from innocence to experience plays an important role in the epistemological journey faced both by Bowen’s characters and her readers.
Like the majority of children living in the global South today, a large number of Vietnamese youths work to help support their families. International human rights organizations have focused on these children, seeking to bring their lives into line with an understanding of childhood that is generally accepted in the developed world. In this ethnographic study, Rachel Burr draws on her daily observations of working children in Hanoi and argues that these youngsters are misunderstood by the majority of agencies that seek to help them. Most aid programs embrace a model of childhood that is based on Western notions of individualism and bountiful resources. They further assume that this model is universally applicable even in cultures that advocate a collective sense of self and in countries that do not share the same economic advantages. Burr presents the voices and experiences of Vietnamese children in the streets, in a reform school, and in an orphanage to show that workable solutions have become lost within the rhetoric propagated by aid organizations. The reality of providing primary education or adequate healthcare for all children, for instance, does not stand a chance of being achieved until adequate resources are put in place. Yet, organizations preoccupied with the child rights agenda are failing to acknowledge the distorted global distribution of wealth in favor of Western nations. Offering a unique, firsthand look at the experiences of children in contemporary Vietnam, this book also provides a broad analysis of how internationally led human rights agendas are often received at the local level.