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The village was asleep, with all the people behind the walls and through the windows and up the stairs of the little houses blind and deaf in their beds while anything might happen. Lewis headed down the middle of the road and he kept falling and had to remember to get back on his feet. He reached the churchyard and stood in the dark with the church even darker above him. –from The Outcast by Sadie Jones It’s 1957. Nineteen-year-old Lewis Aldridge is returning by train to his home in Waterford where he has just served a two-year prison term for a crime that shocked the sleepy Surrey community. Wearing a new suit, he carries money his father Gilbert sent — to keep him away, he suspects — and a straight razor. No one greets him at the station. Twelve years earlier, seven-year-old Lewis and his spirited mother Elizabeth are on the same train, bringing Gilbert home from war. Waterford is experiencing many such reunions, alcohol lubricating awkward homecomings and community gatherings. The most oppressive of these are the mandatory holiday parties hosted by the town’s leading industrialist Dicky Carmichael, Gilbert’s employer. With the Carmichael estate backing onto the Aldridge property, the attractive and popular Tamsin Carmichael and her precocious kid sister Kit are Lewis’s playmates, along with a gaggle of neighbourhood boys who (like Lewis) are fascinated by Tamsin. The children play thrilling and cruel games, mirroring the adults’ inebriated dysfunction. Though pleased to be reunited with Elizabeth, Gilbert is appalled by the coddling his son has received in his absence. No longer permitted to skip church for picnics by the river, Elizabeth and Lewis are steered back under the ever-judgmental gaze of Waterford society. Lewis continues to flourish, a naturally capable golden child. But iconoclastic Elizabeth, disappointed by Gilbert’s insistence on conformity, seeks refuge in the bottle. Then a sunny riverside picnic ends with Elizabeth dead and ten-year-old Lewis the only witness. A shattered Gilbert is incapable of providing comfort to his young son and the community of Waterford turns away from the traumatized child, now rendered a pariah by tragedy. Lewis is sent to boarding school, summoned home only for holidays. Gilbert remarries five months later to Alice, a compliant beauty who is not up to the task of parenting a damaged child. Years pass and Lewis, now a troubled teenager, is lost in dangerous and self-harming behaviours. When an incident with a local bully causes Lewis to be even further estranged from the community, Gilbert and Alice stand idly by as Lewis is tormented by the tyrannical Dicky. Enraged, Lewis commits a shocking crime against the whole of Waterford and is sent to prison. Two years later, upon his shamed return, the town continues to treat Lewis as an outcast. Only Tamsin’s little sister Kit, now a young woman, sees in him the golden boy he once was. She had become infatuated with Lewis years earlier when he had casually protected her from bullies and broken bicycle chains. But she now faces a much darker and more dangerous sort of bullying at the hands of her father. It is up to Lewis once again to rescue her, redeeming himself through tremendous courage and terrible sacrifice. And perhaps Kit holds the power to rescue him, too. Winner of the Costa First Novel Award and a finalist for the prestigious Orange Prize, Sadie Jones’s The Outcast introduces us to a clear and brave new voice in British fiction. The novel is a clarion call to us all, daring us to stand up to the bullies of our world, in whatever form they may take and — above all else — to love our children.
The Outcast Majority invites policymakers, practitioners, academics, students, and others to think about three commanding contemporary issues—war, development, and youth—in new ways. The starting point is the following irony: while African youth are demographically dominant, most see themselves as members of an outcast minority. The irony directly informs young people’s lives in war-affected Africa, where differences separating the priorities of youth and those of international agencies are especially prominent. Drawing on interviews with development experts and young people, Marc Sommers shines a light on this gap and offers guidance on how to close it. He begins with a comprehensive consideration of forces that shape and propel the lives of African youth today, particularly those experiencing or emerging from war. They are contrasted with forces that influence and constrain the international development aid enterprise. The book concludes with a framework for making development policies and practices significantly more relevant and effective for youth in areas affected by African wars and other places where vast and vibrant youth populations reside.
When a Roman ship is wrecked off the coast of Britain, an infant, Beric, is the only survivor. He is rescued by a British tribe who raise him as their own until they can no longer ignore his Roman ancestry. "How Beric survived...is not only incredible but gripping, convincing fiction." --"The Horn Book"
Rob was an ordinary college sophomore when a pitch-back portal opened up on campus and tried to kidnap his best friend. An act of heroism resulted in him being taken instead, and he was rewarded for his efforts by being transported to another world with nothing but a sword and the clothes on his back. On the first day, he almost died. On the second day, he almost died. On the third, he began to notice a worrying trend. And almost died Whether he encounters wolves, cliffs, dungeons, monsters, or diseases, every day is a struggle to survive. The one advantage he has is his newfound ability to gain Levels and Stats, making himself stronger in order to survive the hostile lands that he was unceremoniously dumped into. He'll have to gain knowledge of the innerworkings of the world and its magic - progressing both his strength and his knowledge - in order to stay alive long enough to get revenge on whoever kidnapped him away from everything he knew and loved. Overcoming the wilds is just the first step in his journey; the locals aren't fond of humans, and discovering the dark past behind this new world's history of war and strife changes everything. As far as isekai adventures go, Rob drew the short straw in many ways, but it'll take more than danger at every corner to keep him down. He'll carve out a place in this world with his bare hands if necessary. He'll survive, and then he'll thrive. Whether anyone wants him to or not. -- An Outcast On Another World puts a great focus on story and characterization, making it perfect for fans of traditional fantasy stories, while still including plenty of skills, stats, classes, and progression for LitRPG-lovers to enjoy. The LitRPG elements are incorporated into the main story to construct a cohesive world that's easy to immerse yourself in. Rob's progression is weak to strong, and victories aren't handed to him on a silver platter. No matter how powerful he gets, mid-combat ingenuity is essential to achieving victory. An Outcast In Another World has dark elements to its narrative, but I've included appropriate humor as a balance, and many readers have told me that some parts made them burst out laughing while other parts tugged at their heartstrings. I truly believe that I've constructed a memorable fantasy RPG story that all types can love, and that you'll enjoy reading it as much as I enjoyed writing it.
"A modern retelling of the Scarlet letter."--Cover.
Uncovering the truth could cost them their lives. Since entering the Safe Lands, Mason has focused on two things: finding a way to free his village from captivity, and finding a cure for the disease that ravages many within the walls of the Safe Lands. After immune-suppressive drugs go missing in the clinic, Mason discovers his coworker, Ciddah, may know more about the Safe Lands than imagined … and may have an agenda of her own. At the same time, Mason’s brother Levi is focused on a way to free the remaining Glenrock captives, while Mason’s younger brother Omar decides to take the rebellion against the Sale Lands into his own hands as a vigilante. Soon all three brothers are being watched closely—and when Mason stumbles onto a shocking secret about the Safe Lands meds, his investigation just might get those closest to him liberated.
Ruth Galloway uncovers the bones of what might be a notorious Victorian child murderess and a baby snatcher known as "The Childminder" threatens modern-day Norfolk in this irresistible mystery from Elly Griffiths. The service of the Outcast Dead is held annually in Norwich, commemorating the bodies in the paupers’ graves. This year’s proceedings hold special interest for forensic archaeologist Ruth Galloway, who has just unearthed the notorious Mother Hook, hanged in 1867 at Norwich Castle for killing multiple children. Now Ruth is reluctantly starring in a TV special, working alongside the alluring historian Dr. Frank Barker. Nearby, DCI Harry Nelson is investigating the case of three children found dead in their home when another child is abducted. A kidnapper dubbed the Childminder claims responsibility, but is the Childminder behind the deaths too? The team races to find out—and after a child close to everyone involved disappears, the stakes couldn’t be higher. “An uncommon, down-to-earth heroine whose acute insight, wry humor, and depth of feeling make her a thoroughly engaging companion.”—Erin Hart, Agatha– and Anthony Award–nominated author of Haunted Ground and Lake of Sorrows Elly Griffiths’s Ruth Galloway novels have been praised as “gripping” (Louise Penny), “highly atmospheric,” (New York Times Book Review), and “must-reads for fans of crime fiction” (Associated Press). She is the winner of the 2010 Mary Higgins Clark Award.
Iva and Noah want to enjoy their reclaimed bond, but first they have to kill the most powerful of demons…or die trying. Book five of Maggie’s Grove Not much worries Noah Wulfenbach, one of the most powerful shifters in North America, but questions about Iva Yamauchi’s recovery had made him anxious. He was vigilant in his caring for his mate, sitting beside her tree, talking to it—to her. Now that she’s back, Noah’s relief is matched only by his desire to drag the feisty dryad to his house to complete their mating bond. Iva is ready to make up for lost time, especially with the delicious Alpha Prime of the werewolves, her fated mate. She and Noah had only just recognized their connection when she was injured and broken, forced to retreat to her tree. She’s curious and excited to find out just how firmly she’s tied to Mr. Tall, Dark and Growly. Before Iva and Noah can explore the depth of their connection, supernatural hunters threaten the population of Maggie’s Grove. Together with the other town rulers, the fated pair must slay the demon-possessed leader of the hunters. Iva and Noah just found each other; they’re not ready to say goodbye…but they may not have a choice. One-click with confidence. This title is part of the Carina Press Romance Promise: all the romance you’re looking for with an HEA/HFN. It’s a promise! This book is approximately 86,000 words
“Complex . . . an atmosphere-filled adventure . . . with a fair quota of surprises . . . a winning combination of strong characters and colorful societies.”—Kirkus Reviews In the final book in the Tawny Man Trilogy, Fitz and the Fool are tested more severely than ever in a book the Monroe News-Star calls “a breathtaking ride from beginning to end.” FitzChivalry Farseer has become firmly ensconced in the queen’s court. Along with his mentor, Chade, and the simpleminded yet strongly skilled Thick, Fitz strives to aid Prince Dutiful on a quest that could secure peace with the Out Islands—and win Dutiful the hand of the Narcheska Elliania. The Narcheska has set the prince an unfathomable task: to behead a dragon trapped in ice on the isle of Aslevjal. Yet not all the clans of the Out Islands support their effort. Are there darker forces at work behind Elliania’s demand? Knowing that the Fool has foretold he will die on the island of ice, Fitz plots to leave his dearest friend behind. But fate cannot so easily be defied.