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After losing its ball out the window, a small mammal comes up with a clever solution to try to retrieve it.
Alfred Hitchcock's Rear Window comes to mind when looking at Gail Albert Halaban's book of photographers of city dwellers peering into their neighbours' windows, Out My Window. The photographs are views across streets, alleyways and airshafts, peering through windows to reveal intimate portraits. These beautiful voyeuristic pictures capture both the intimacy and remoteness of living in proximity to so many strangers. Out My Window can be seen as an exploration of the contradictory impulses of metropolitan life: the desire to connect and the desire to be left alone.
There are many similar houses, cats, dogs, and people but each one has a way of expressing its individuality.
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The story of Phyllis Lyon and Del Martin, one of San Francisco's most well-known and politically active lesbian couples.
THE GLOBAL BESTSELLER Sitting quietly in his room in an old people's home, Allan Karlsson is waiting for a party he doesn't want to begin. His one-hundredth birthday party to be precise. The Mayor will be there. The press will be there. But, as it turns out, Allan will not . . . Escaping (in his slippers) through his bedroom window, into the flowerbed, Allan makes his getaway. And so begins his picaresque and unlikely journey involving criminals, several murders, a suitcase full of cash, and incompetent police. As his escapades unfold, Allan's earlier life is revealed. A life in which - remarkably - he played a key role behind the scenes in some of the momentous events of the twentieth century. Translated by Roy Bradbury.
This informative and provocative study focuses on the centrality of departure in the texts of five major American women novelists. An important moment in many novels and poems by American women writers occurs when a central character looks out a window or walks out the door of a house. These acts of departure serve to convey such values as the rejection of constraining social patterns, the search for individual fulfillment, and the entry into the political. Janis Stout examines such moments and related patterns of venture and travel in the fiction of five major American novelists of the 20th century: Mary Austin, Willa Cather, Anne Tyler, Toni Morrison, and Joan Didion. Stout views these five writers within a spectrum of narrative engagements with issues of home and departure—a spectrum anchored at one end by Sarah Orne Jewett and at the other by Marilynne Robinson, whose Housekeeping posits a vision of female transience. Through the Window, Out the Door ranges over an expansive territory. Moving between texts as well as between texts and contexts, Stout shows how women writers have envisioned the walls of physical and social structures (including genres) as permeable boundaries, drawing on both a rhetoric of liberation and a rhetoric of domesticity to construct narrative arguments for women's right to move freely between the two. Stout concludes with a personal essay on the dilemmas of domesticity and the ambivalence of departure.
Jamie is a young housing officer on a rough East London estate. His work is sometimes frustrating, but the tenants he tries to help - by turns exasperating, funny, heroically brave or dangerously hostile - can make it all worth while. Friendship and romance blossom too, in Ben Richards' exuberant, gripping first novel.
In this text a mother and baby look through a window at a wilderness. With each page the boy grows and the scene changes, by the time he is 20 the view is of a city. He gets married and has a child and moves to the country, where father and child look through the window at the wilderness outside.