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Jervey Tervalon's novel about young people in South Central Los Angeles grows out of his experience teaching in a high school there and his pain at the death of one of his favorite students.
Finalist for the Lincoln Prize! Traditional histories of the Civil War describe the conflict as a war between North and South. Kenneth W. Noe suggests it should instead be understood as a war between the North, the South, and the weather. In The Howling Storm, Noe retells the history of the conflagration with a focus on the ways in which weather and climate shaped the outcomes of battles and campaigns. He further contends that events such as floods and droughts affecting the Confederate home front constricted soldiers’ food supply, lowered morale, and undercut the government’s efforts to boost nationalist sentiment. By contrast, the superior equipment and open supply lines enjoyed by Union soldiers enabled them to cope successfully with the South’s extreme conditions and, ultimately, secure victory in 1865. Climate conditions during the war proved unusual, as irregular phenomena such as El Niño, La Niña, and similar oscillations in the Atlantic Ocean disrupted weather patterns across southern states. Taking into account these meteorological events, Noe rethinks conventional explanations of battlefield victories and losses, compelling historians to reconsider long-held conclusions about the war. Unlike past studies that fault inflation, taxation, and logistical problems for the Confederate defeat, his work considers how soldiers and civilians dealt with floods and droughts that beset areas of the South in 1862, 1863, and 1864. In doing so, he addresses the foundational causes that forced Richmond to make difficult and sometimes disastrous decisions when prioritizing the feeding of the home front or the front lines. The Howling Storm stands as the first comprehensive examination of weather and climate during the Civil War. Its approach, coverage, and conclusions are certain to reshape the field of Civil War studies.
My sister frowns in confusion. “I don’t see why we can’t uncomplicate it. You’ve found your mate, what do you mean ‘she belongs to Jace?’ Is she Jace’s mate?” “No,” I snarl, slamming my fists on the floor, feeling my beast make itself known again. Kayden sighs heavily. “She’s his slave.” Tyler Storm is supposed to lead every werewolf pack on the West Coast into an age of prosperity—but before he does that, he needs to get control of the explosive cocktail of predator blood in his veins. Controlling your inner wolf is hard enough without a vampiric bloodline complicating things. And then one night, he meets his destined mate... and she is at the feet of a rival Alpha. In chains. It’s enough to make anyone lose their head. Meanwhile, Abbygail has just about given up on anything better than trying to please the brute who slaughtered her parents, and hopefully not getting too many ribs kicked in next time he wants to work off some steam. She doesn’t realize that there’s more than sadism behind what’s happening to her: there’s a calculated shot at unseating a king and destroying a peace treaty generations in the making. The curse of a sacred bond that has been twisted and defiled descends on the two of them as Tyler loses control, and Abby discovers that she may have been down, but she wasn’t out. Not for good, anyway.
Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma. Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are devastating the family farm and all the farms nearby. While others flee from the dust bowl, Billie Jo is left to find peace in the bleak landscape of Oklahoma -- and in the surprising landscape of her own heart.
"'As I walked up the giant stairs, the hallway seemed to get brighter and brighter. I emerged onto the balcony. The sunlight was so blinding to my eyes that had been locked closed from insanity and pain or the weight of the Seroquel that I did not take in the whole scene at first. I looked at the sky. It was blue with small hints of grey, and the breeze was still while the clouds were large and puffy. The sky was calm and peaceful and gorgeous. My eyes squinted from brightness and slight nausea; I looked down from the second floor of the raised old house and realized the streets had morphed into rivers. I looked on with both disbelief and amazement.' As the whispers of Hurricane Katrina swirled through New Orleans, I did not even consider evacuating. The reason is simple. I did not have enough heroin to make it very far out of the city, without facing the impending doom of dope sickness. This is my story of the storm of the century. Follow me, sloshing through the storm's flood waters, searching for my next fix, with the slow realization that things will never be the same again. Eliza Player spent nearly ten years living in New Orleans, soaking up all the dirt and grime that the streets and her addiction had to offer, until Hurricane Katrina threatened that way of life forever. Since she came to her recovery, she graduated from the University of North Carolina at Charlotte, became a proud mother and wife, and has been writing about her past experiences in hopes to shed some light into places some feel are too dark."--P. [4] of cover.
For more than four decades, Twyla Tharp has been a phenomenon in American dance, a choreographer who not only broke the rules but refused to repeat her own successes. At the conclusion of Howling Near Heaven, Marcia Siegel writes about the thrill of watching Tharp choreograph in 1991: "Tharp's movement can be planned or spontaneous, personal, funny, hard as hell, precise enough to look thrown away. She doesn't so much invent or create it, she prepares for it. Crusty, driven, demanding, and admiring, she hurls challenges at the dancers. Brave, virtuosic, and cheerful, they volley back what she gives them and more. She watches them. They watch her. It's the most subtle form of competition and cooperation, a process so intuitive, so intimate, that no one can say whose dance it is in the end, and none of the parties to that dance can be removed without endangering its identity. The same is true for all theatrical dance making, all over the world, only most of it isn't so inspired or obsessed." Starting in the rebellious 1960s, Tharp tried her creative wings on minimalism, pedestrianism, and Dada, then abandoned both the avant-garde and the established modern dance. She thrilled a new audience with her witty version of jazz in Eight Jelly Rolls, then merged her dancers with the Joffrey Ballet for the sensational Deuce Coupe, to the music of the Beach Boys. She explored the classical world in Push Comes to Shove, for the American Ballet Theater and the celebrated Russian virtuoso Mikhail Baryshnikov. For her touring company in the 1970s and 1980s, an unprecedented fusion of modern dancers and ballet dancers, she created a superb repertory that included the theatrical full-length work The Catherine Wheel, the ballroom duets Nine Sinatra Songs, and the company showcase Baker's Dozen. Tharp has made movies, television specials, and nearly one hundred riveting dance works. Movin' Out, the dance show that reflected on the Vietnam era using the music of Billy Joel, ran on Broadway for three years and won Tharp a Tony award for Best Choreography. Howling Near Heaven is the first in-depth study of Twyla Tharp's unique, restless creativity, the story of a choreographer who refused to be pigeonholed and the dancers who accompanied her as she sped across the frontiers of dance.
They are man, and they are beast. Once again they stalk the night, eyes aflame, teeth flashing in vengeance. Malcolm, the young one, must choose between the familiar way of the human and the seductive howling of the wolf. Those who share his blood want to make him one of them. Those who fear him want him dead. Only one woman and one man want to help him. Even though they can't believe their ears, or their eyes.
After a tornado rips through her town, store owner Abigail comes across a piece of fabric from a wedding dress among the devastation. Abigail is moved to start collecting other swatches of fabric she finds - her neighbor's kitchen curtains, a man's necktie, a dog's bed - which she stashes in shopping bags. As she pursues her seemingly absurd quest, horrible realities spark the question, "What kind of a God would allow such tragedy?" As she struggles to reconcile her right to happiness amidst the destruction, Abigail begins piecing together a patchwork quilt from the salvaged fabric in hopes it will bring some peace. But a new relationship with Justin, a contractor, may require too much of her fragile heart. Will her pain and questions of faith give way to the courage to love?
A true story of men against the sea.