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The plantation household was, first and foremost, a site of production. This fundamental fact has generally been overshadowed by popular and scholarly images of the plantation household as the source of slavery's redeeming qualities, where 'gentle' mistresses ministered to 'loyal' slaves. This book recounts a very different story. The very notion of a private sphere, as divorced from the immoral excesses of chattel slavery as from the amoral logic of market laws, functioned to conceal from public scrutiny the day-to-day struggles between enslaved women and their mistresses, subsumed within a logic of patriarchy. One of emancipation's unsung consequences was precisely the exposure to public view of the unbridgeable social distance between the women on whose labor the plantation household relied and the women who employed them. This is a story of race and gender, nation and citizenship, freedom and bondage in the nineteenth century South; a big abstract story that is composed of equally big personal stories.
None but those who resided in the South during the time of slavery can realize the terrible punishments that were visited upon the slaves. Virtue and self-respect were denied them.-Octavia Albert in The House of BondageWith a fiery, righteous rage, former slave Octavia Albert set about, after Emancipation, collecting the true stories of those that "terrible institution" affected most. That raw material gave rise to The House of Bondage, a refutation to Uncle Tom's Cabin, and an answer to other works of literature of the period that purported to show the horror of slavery even though their authors had never set foot in the South. First published in 1890, this is an important example of a sadly small genre: 19th-century literature by African-American women.With its straightforward and heartbreaking litany of cruelty at the hands of slaveowners, families forever divided, and the harsh effects of particularly hard labor, this is an unforgettable work that should be read by every American who thinks he knows his nation's history.Teacher and social activist OCTAVIA V. ROGERS ALBERT (1853-c.1890) was born into slavery in Georgia; after Emancipation, she studied at Atlanta University.
First published in the United States in 1967 and in Britain in 1968, House of Bondage presented images from South Africa that shocked the world. The young African photographer had left his country at 26 to find an audience for his stunning exposure of the system of racial dominance known as apartheid. In 185 photographs, Cole's book showed from the vantage point of the oppressed how the system closely regulated and controlled the lives of the black majority. He saw every aspect of this oppression with a searching eye and a passionate heart. House of Bondage is a milestone in the history of documentary photography, even though it was immediately banned in South Africa. In a Chicago Tribune review of 1967 Robert Cromie described it as "one of the frankest books ever done on South Africa--with photographs by a native of that country who would be most unwise to attempt to return for some years." Cole died in exile in 1990 as the regime was collapsing, never knowing when his portrait of his homeland would finally find its way home. Not until the Apartheid Museum in Johannesburg mounted enlarged pages of the book on its walls in 2001 were his people able to view these pictures, which are as powerful and provocative today as they were 50 years ago.
Slave rebellions have been studied in considerable detail, but this volume examines other patterns of slave resistance, concentrating on runaway slaves and the communities some of them formed. These essays show us who the runaways were, suggest when and where they went, and who harboured them.
Healing, deliverance, and blessings have already been provided for us through the redeeming works of Jesus Christ. Even though we read it and hear it, many people still havent experienced it. I believe most people truly have a desire to live a life free from the bondage of their past, but most people dont know how to obtain true freedom. Out of the House of Bondage: A Journey to Freedom! will cause you to see the importance of breaking generational bondage and will teach you how to come out of and exchange the generational bondage for Gods abundant life. You will learn how to use the word of God, create prayer strategies, and use decrees and declarations to create and possess the greater life that God has promised. Though your beginnings were small, your latter shall be greater!
Setting out to correct the inaccuracies of most previously written accounts of slavery, teacher and social activist Octavia Albert presents the personal narratives of former slaves, along with her own incisive commentary. Like many antebellum slave narratives, her early interviews depictcruel punishments, divided families, and the debilitating effects of unusually harsh labor. But as Albert came to see herself as a public advocate for social change, her focus shifted to the condition and progress of former slaves. The later interviews reflect her insistence that every Christianpersonally take some responsibility for slavery's legacies and lessons.
Of Human Bondage (1915) is a novel by W. Somerset Maugham. Inspired by his experiences as an orphan and young student, Maugham composed his masterpiece. Adapted several times for film, Of Human Bondage is a story of tragedy, perseverance, and the eternal search for happiness which drives us as much as it haunts our every move. Orphaned as a boy, Philip Carey is raised in an affectionless household by his aunt and uncle. Although his Aunt Louisa tries to make him feel welcome, William proves an uncaring, vindictive man. Left to fend for himself most days, Philip finds solace in the family’s substantial collection of books, which serve as an escape for the imaginative boy. Sent to study at a prestigious boarding school, Philip struggles to fit in with his peers, who abuse him for his intelligence and club foot. Despite his struggles, he perseveres in his studies and chooses his own path in life, moving to Heidelberg, Germany and denying his uncle’s wish that he attend Oxford. As he struggles to become a professional artist, Philip learns that one’s dreams are often unsubstantiated in the world of the living. Of Human Bondage is a tale of desire, disappointment, and romance by a master stylist with a keen sense of the complications inherent to human nature. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham’s Of Human Bondage is a classic work of British literature reimagined for modern readers.
Out of the House of Bondage, first published in 1986, focuses not on slave rebellions, which were of crucial importance but not common occurrences, but on the day-to-day patterns of resistance that directly affected the lives of slaves. It examines acts of resistance in both the Americas and Africa, and widens the study of runaways and resistance and uses runaways as a means to further analyse slavery and the wider slave population.
@Published in 1919 when Lewis was only twenty, these early poems give an insight into the author's youthful agnosticism. The poems are written in various metrical forms, but are unified by a central idea, expressing his conviction that nature was malevolent and beauty the only true spirituality. Preface by Walter Hooper.@@
The Deep Throat star’s raw account of life after leaving the porn industry, featuring an introduction by feminist icon Gloria Steinem. Portrayed by today’s biggest movie stars, screen legend Linda Lovelace was just twenty-three when she became the queen of porn in the blockbuster movie Deep Throat. Her bestselling memoir Ordeal laid bare the nightmare of terror, rape and perversity she suffered during the making of the film. Now she tells the harrowing and compelling story of how she survived to build a different kind of life. In her own candid words, Linda describes her escape from a brutal past to become a wife and mother, proving she could be more than a sex object who spent her days in fear. Step by step she gained control of her own future. Honest, at times shocking, and in the end inspiring, this is an unforgettable portrait of a woman who learned to believe in herself.