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Glass has long transformed the architectural landscape. From the Crystal Palace through to the towering glass spires of today's cities, few architectural materials have held such immense symbolic resonance in the modern era. The Age of Glass explores the cultural and technological ascension of glass in modern and contemporary architecture. Showing how the use of glass is driven as much by changing cultural concerns as it is by developments in technology and style, it traces the richly interwoven material, symbolic, and ideological histories of glass to show how it has produced and dispersed meaning in architecture over the past two centuries. The book's chapters focus on key moments within the modern history of architecture, moments when glass came to the forefront of architectural thought, and which illustrate how glass has been used at different times to project different cultural ideas. A wide range of topics are explored – from the tension between expressionism and functionalism, to the persistent theme of glass and social class, to how glass has reflected political ideas from Nazism through to today's global consumer capitalism. The book also grapples with current arguments about sustainability, while, taking into account the advent of digital LED screens and 'smart glass', offering new cultural perspectives on the future and asking what glass architecture will signify in the digital age. Combining close readings of buildings with insights drawn from research, plus good storytelling and strong contemporary relevance, The Age of Glass offers a fascinating new perspective on modern architecture and culture.
This reference documents and analyzes periods of contemporary American social history such as the roaring twenties, the depression years, World War II, and the 60s. There are 10 volumes altogether and each includes: a chronology of the decade; subject chapters with background essays; subject-specific chronologies and alphabetically arranged items depicting the people, ideas, and facts important during that period.
“A practical guide to choosing, salvaging, refreshing and reusing materials such as wood, metal, stone and glass.” —The Chicago Tribune Anytime you’re checking out Craigslist, cleaning the basement, or patrolling the springtime garage sales, you’ll encounter opportunities to collect and reclaim usable building materials. If you exercise good judgement and know a few salvage tricks, you can take advantage of these chances to obtain free (or nearly free) project supplies and put them to work in your house. When you build with secondhand stuff, you’ll save money and reduce pressure on your local landfill. You’ll also help curb the consumption of brand-new materials that need to be manufactured from raw resources and shipped across the country or around the world. But perhaps best of all, when you use salvaged materials to build your home projects, you’ll get unique results and original outcomes that satisfy you in a way that new stuff just can’t. Building with Secondhand Stuff is about making good decisions and learning specific techniques for getting unusable material into useful condition. It covers wood, glass, metal, windows, plumbing fixtures, hardware, and much more. Practically any material can be reclaimed using the tools and techniques you’ll learn in this helpful book, and all for a fraction of the cost of buying new materials at a building center. Praise for Building with Secondhand Stuff “How can you get a new look—or a new shed, garage, outbuilding or playhouse for the kids—for cheap or for free? Start with the ideas in Building with Secondhand Stuff. If you’re looking for something old to lend a new look, then look here first.” —Georgia Times Union
This is not a biography of Ayn Rand. Nor is it a learned treatise on her philosophic system, Objectivism. It is a speculatoin on what the world might be like if Objectivism catches on worldwide. - from the introduction.
In Deep Design, David Wann explores a new way of thinking about design, one that asks "What is our ultimate goal?" before the first step has even been taken. Designs that begin with such a question -- whether in products, buildings, technologies, or communities -- are sensitive to living systems, and can potentially accomplish their mission without the seemingly unavoidable side effects of pollution, erosion, congestion, and stress. Such "deep designs" meet the key criteria of renewability, recyclability, and nontoxicity. Often based on natural systems, they are easy to understand and implement, and provide more elegant approaches to getting the services and functions we need. Wann presents information gleaned from interviews with more than fifty innovative designers in a wide variety of fields, and describes numerous case studies that explain the concept and practice of deep design.
Buried renaissance of Root, Sullivan, Roebling, W. Homer, Eakins, Ryder, others. 12 illustrations.