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Informed by firsthand experience on the battlefronts of Iraq and Syria, Abdoh captures the horror, confusion, and absurdity of combat from a seldom-glimpsed perspective that expands our understanding of the war novel.
"Saleh, the narrator of Out of Mesopotamia, is a middle-aged Iranian journalist who moonlights as a writer for one of Iran's most popular TV shows but cannot keep himself away from the front lines in neighboring Iraq and Syria. There, the fight against the Islamic State is a proxy war, an existential battle, a declaration of faith, and, for some, a passing weekend affair. After weeks spent dodging RPGs, witnessing acts of savagery and stupidity, Saleh returns to his civilian life of Tehran bookstore readings and trendy art openings and finds it to be an unbearably dislocating experience. Pursued by the woman who broke his heart, his official handler from state security (who wants him for questioning over a suspicious volume of Proust), and the screenwriters with whom he is supposed to be collaborating, Saleh has reason to flee again from everyday life--but not necessarily to discard it. Surrounded by men whose willingness to achieve martyrdom both fascinates and appalls him, Saleh struggles to make sense of himself and the turmoil that surrounds him."--Provided by publisher.
Modern-day archaeological discoveries in the Near East continue to illuminate man's understanding of the ancient world. This illustrated handbook describes the culture, history, and people of Mesopotamia, as well as their struggle for survival and happiness.
An amply illustrated book fascinates by explaining what ancient artifacts tell us about the origins of Iraq.
Readers learn about life in the world's earliest civilization, known as Mesopotamia, from 6000-539 B.C.
Discusses the people, land, culture, religion, and legacy of ancient Mesopotamia, which is now known as the country of Iraq.
The roots of our modern world lie in the civilization of Mesopotamia, which saw the development of the first urban society and the invention of writing. The cuneiform texts reveal the technological and social innovations of Sumer and Babylonia as surprisingly modern, and the influence of this fascinating culture was felt throughout the Near East. Early Mesopotamia gives an entirely new account, integrating the archaeology with historical data which until now have been largely scattered in specialist literature.
Described by the editor as unpretentious roamings on the odd little byways of the history of ancient Mesopotamia, these 15 articles were originally published in the French journal L'Histoire and are designed to serve as an introductory sampling of the historical research on the lost civilization. Chapters explore cuisine, sexuality, women's rights, architecture, magic and medicine, myth, legend, and other aspects of Mesopotamian life. Originally published as Initiation a l'Orient ancien . Annotation copyrighted by Book News, Inc., Portland, OR
Informed by firsthand experience on the battlefronts of Iraq and Syria, Abdoh captures the horror, confusion, and absurdity of combat from a seldom-glimpsed perspective that expands our understanding of the war novel. "Abdoh's powerful novel follows an Iranian war reporter who is torn between his wearying job on the front lines and a civilian existence that he finds increasingly alienating. The book is as much a reflection on memory and art as it is a war story, and Abdoh's writing captures beautifully the absurdity of both the battlefield and modern life." —New York Times Book Review, Editors' Choice Saleh, the narrator of Out of Mesopotamia, is a middle-aged Iranian journalist who moonlights as a writer for one of Iran's most popular TV shows but cannot keep himself away from the front lines in neighboring Iraq and Syria. There, the fight against the Islamic State is a proxy war, an existential battle, a declaration of faith, and, for some, a passing weekend affair. After weeks spent dodging RPGs, witnessing acts of savagery and stupidity, Saleh returns to civilian life in Tehran but finds it to be an unbearably dislocating experience. Pursued by his official handler from state security, opportunistic colleagues, and the woman who broke his heart, Saleh has reason to again flee from everyday life. Surrounded by men whose willingness to achieve martyrdom both fascinates and appalls him, Saleh struggles to make sense of himself and the turmoil in his midst. An unprecedented glimpse into "endless war" from a Middle Eastern perspective, Out of Mesopotamia follows in the tradition of the Western canon of martial writers—from Hemingway and Orwell to Tim O'Brien and Philip Caputo—but then subverts and expands upon the genre before completely blowing it apart. Drawing from his firsthand experience of being embedded with Shia militias on the ground in Iraq and Syria, Abdoh gives agency to the voiceless while offering a meditation on war that is moving, humane, darkly funny, and resonantly true