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An unparalleled tour of the Art Deco-style architecture, interiors, decoration, and art objects of Havana, this colorful book shows the work of Cuban artists, open to the winds of change and to outside influences, who filtered the movement born in Paris through the dazzling beauty of Caribbean nature and made the art their own.
A HELLO SUNSHINE x REESE WITHERSPOON BOOK CLUB PICK "A beautiful novel that's full of forbidden passions, family secrets and a lot of courage and sacrifice."--Reese Witherspoon After the death of her beloved grandmother, a Cuban-American woman travels to Havana, where she discovers the roots of her identity--and unearths a family secret hidden since the revolution... Havana, 1958. The daughter of a sugar baron, nineteen-year-old Elisa Perez is part of Cuba's high society, where she is largely sheltered from the country's growing political unrest--until she embarks on a clandestine affair with a passionate revolutionary... Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee with her family during the revolution. Elisa's last wish was for Marisol to scatter her ashes in the country of her birth. Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba's tropical, timeless beauty and its perilous political climate. When more family history comes to light and Marisol finds herself attracted to a man with secrets of his own, she'll need the lessons of her grandmother's past to help her understand the true meaning of courage.
Showcasing the colorful buildings and iconic classic cars of Havana, this verse picture book follows a Cuban boy and his family on their road trip into the city.
She's been kidnapped and beaten, lives under surveillance, and can only get online—in disguise—at tourist hotspots. She's a blogger, she's a Cuban, and she's a worldwide sensation. Yoani Sánchez is an unusual dissident: no street protests, no attacks on big politicos, no calls for revolution. Rather, she produces a simple diary about what it means to live under the Castro regime: the chronic hunger and the difficulty of shopping; the art of repairing ancient appliances; and the struggles of living under a propaganda machine that pushes deep into public and private life. For these simple acts of truth-telling her life is one of constant threat. But she continues on, refusing to be silenced—a living response to all who have ceased to believe in a future for Cuba.
A top US diplomat’s compelling memoir of her years in Cuba and the tumultuous relationship between the two countries: “Unparalleled insight.” —Culture Trip After the US embassy in Havana was closed in 1961, relations between the countries broke off. A thaw came in 1977 with the opening of a de facto embassy in Havana, the US Interests Section—where Vicki Huddleston would later serve under Presidents Clinton and George W. Bush. In her memoir of a diplomat at work, she tells gripping stories of face-to-face encounters with Fidel Castro and the initiatives she undertook, like the transistor radios she furnished to ordinary Cubans. Along with inside accounts of dramatic episodes such as the Elián González custody battle, Huddleston also evokes the charm of the island country and her warm affection for the Cuban people. Uniquely qualified to explain the inner workings of US-Cuba relations, Huddleston examines the Obama administration’s diplomatic opening of 2014, the mysterious “sonic” brain and hearing injuries suffered by US and Canadian diplomats serving in Havana, and the rescinding of the diplomatic opening under the Trump administration. She recounts missed opportunities for détente, and the myths, misconceptions, and lies that have long pervaded US-Cuba relations. Our Woman in Havana is essential reading for everyone interested in Cuba, including the thousands of Americans visiting the island every year, as well as policymakers and observers who study the stormy relationship with our near neighbor. “Anyone interested in the nitty-gritty of policy-making in Washington, and any young foreign service officer intrigued by worldly adventures will thoroughly enjoy.” —Ambassador Joseph Wilson, author of The Politics of Truth: Inside the Lies that Led to War and Betrayed My Wife’s CIA Identity
When a history teacher decides to throw out an old, threadbare Cuban flag, he doesn’t plan for the air of suspicion that quickly descends on him… A woman’s attempt to register ownership of her family home draws her into a bureaucratic labyrinth that requires a grasp of higher mathematics to fully comprehend… On the day of their graduation, a group of students spend the night drinking around the ‘Fountain of Youth’, ironically celebrating the bright future that doesn’t await them… The stories gathered in this anthology reflect the many complex challenges Havana’s citizens have had to endure as a result of their country’s political isolation – from the hardships of the ‘Special Period’, to the pitfalls of Cuba’s schizophrenic currency system, to the indignities of becoming a cheap tourist destination for well-heeled Westerners. Moving through various moments in its recent history, as well as through different neighbourhoods – from the prefab, Soviet-era maze of Alamar, to the bars and nightclubs of the Malecón and Vedado – these stories also demonstrate the defiance of Havana: surviving decades of economic disappointment with a flair for the comic, the surreal and the fantastical that remains as fresh as the first dreams of revolution. Translated from the Spanish by Orsola Casagrande and Séamas Carraher.
Out of Havana provides an uncommon ordinary woman's insight into the last half century of Cuba's tumultuous recent history. More powerfully than an academic study or historical account, it allows us intimately to grasp the enthusiasm, commitment and sense of promise that defined many average Cubans' experience of the 1959 Revolution and the first triumphant decades of the Castro regime. As the story shifts into the final decades of the last century (the 1980s Mariel Boatlift, the so-called "special period in time of peace" [from 1991 to the end of the decade], and the 1994 Balseros or Rafters Crisis), it starts gradually to reveal, with understated yet relentless eloquence, an ultimately insuperable rift between the high-flown official rhetoric of uncompromising struggle and revolutionary sacrifice and the harsh conditions and cruelly absurd situations that the protagonist, along with the majority of Cubans, begin routinely to live out. It is a rare and important document, a unique personal chronicle of an everyday Cuban reality that most Americans continue to know only fragmentarily.
Cuba was a playground for the wealthy in the 1950s. It was a place to bask in the sun during the day, and enjoy many fine nightclubs, restaurants, theaters, and casinos after the sun went down. Many wealthy Americans traveled to Cuba for both business and pleasure. In January of 1959, everything changed. I was a little girl in Cuba at that time. I was living a life of luxury with practically anything that my little heart desired. My family had a chauffeur and homes in the city, in the country, and at the beach. I had my own nanny. I had parents and grandparents that loved me and lived close by so that I could see them almost every day. I was truly living a fairy-tale existence. In what seemed like the blink of an eye, my world came crashing down around me. Fidel Castro took over Cuba and made devastating changes to the country - and to the lives of those who lived there. The fairy tale quickly came to an end. Many difficult decisions had to be made by my parents and by many others. The world that we knew no longer existed. We had to leave loved ones and property behind. We had to move forward to a new life in a different country, with different customs, and a different language - and there was no turning back.
A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.
An exploration of Havana's history and its paradoxes: a city where architectural treasures survive among the crumbling tenements; where a vibrant street life takes place amidst shortages; and where revolutionary politics, machismo and a thriving black market co-exist.