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People fear to dispute the agency's interpretation of its power or express doubts about the absolute primacy of its mission lest they be made into examples. The concept of "intent" has become so attenuated that it provides no limitation on prosecution.".
In Out of Bounds, feminist Helen Lenskyj presents an insightful examination of the links between women's participation in sports and the control of their reproductive capacity and sexuality. She identifies the female frailty myth, the illusion of male athletic superiority and the concept of compulsory heterosexuality as powerful determinants of "masculinity" and "femininity" in the realm of sport. Looking at developments from the 1880's to the 1980's, Lenskyj discusses medical views of women's health and physical potential and examines the social attitudes and practices that keep girls and women from participating in the full range of sports and physical activities. Topics include contact sports, self-defence, fitness, bodybuilding and women-only sport. Photographs, memorabilia and eye-opening information covering 100 years reveals the missing links between women, sport and sexuality.
From WNBA MVP, Olympic gold medalist, and global ambassador to the Special Olympics Elena Delle Donne comes the third novel in a middle grade series with as much heart as there is game. Elle is finally finding her groove and is excited about how her year is turning out. But when her team loses a major game against their rivals, Elle doesn’t know if basketball is worth it anymore. It feels like she can’t win—even when she’s improving and doing well, everyone always expects more from her. With her changing attitudes on basketball, will she let everyone she knows down if she decides to take a break?
When Cat Crandall ditches her career in advertising to take a job teaching painting workshops in exotic locations, she's hoping to be sent to Tuscany or maybe France. Instead, she's assigned to lead a group of aspiring artists through the backcountry of the isolated Boyd Dude Ranch in Wyoming. Mack Boyd is in the middle of the best bronc-riding season of his life when his mother asks him to help lead an artists' retreat at the ranch. Mack might be able to ride a wild stallion to a standstill, but he can't say no to his family. It doesn't take long for Mack to figure out that artists are a lot harder to herd than cattle--especially when they're led by a spitfire of a city girl who doesn't like to be bossed around. Cat Crandall is nothing but trouble--so why is he so drawn to her?
What’s Going on Out There?Author Steve Taylor takes trips to the edge of the church envelope and sends us back what he’s finding inside the emerging church around the globe. From the revival of ancient spiritual practices to the rise of multimedia, each of his posts sketches a view of the body of Christ in wild flux. Topics include: birth; pilgrimage; community; creativity; DJing; and leading and following.
Dr. Carl E. James is well known for his work in the area of the sociology of sport. Race in Play is on the continuum of his earlier research in the sociology of sport, youth, race, and education. James takes the reader on an edifying walk through the structural and institutional community which supports and sustains sports, while at the same time making individual links between sports, schooling, and career aspirations among youth. He also explores issues of race, radicalised minority youth, and Black men and women in sport.
There's a reason they're known as the Survival Squad... The Tiger Patrol are on an expedition out on the wild and desolate moors when a new member runs off. Soon they're all in trouble - they're completely lost, and they have no way of contacting anyone for help... This is where their training kicks in - are they prepared to survive outdoors?
The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts —many of which have never before been published—by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.
A cultural theory of the interface as a relation that is both ubiquitous and elusive, drawing on disciplines from cultural theory to architecture. In this book, Branden Hookway considers the interface not as technology but as a form of relationship with technology. The interface, Hookway proposes, is at once ubiquitous and hidden from view. It is both the bottleneck through which our relationship to technology must pass and a productive encounter embedded within the use of technology. It is a site of contestation—between human and machine, between the material and the social, between the political and the technological—that both defines and elides differences. A virtuoso in multiple disciplines, Hookway offers a theory of the interface that draws on cultural theory, political theory, philosophy, art, architecture, new media, and the history of science and technology. He argues that the theoretical mechanism of the interface offers a powerful approach to questions of the human relationship to technology. Hookway finds the origin of the term interface in nineteenth-century fluid dynamics and traces its migration to thermodynamics, information theory, and cybernetics. He discusses issues of subject formation, agency, power, and control, within contexts that include technology, politics, and the social role of games. He considers the technological augmentation of humans and the human-machine system, discussing notions of embodied intelligence. Hookway views the figure of the subject as both receiver and active producer in processes of subjectification. The interface, he argues, stands in a relation both alien and intimate, vertiginous and orienting to those who cross its threshold.
Don't miss Past Lying, the twisty new Karen Pirie thriller 'Incredibly suspenseful' Sunday Mirror __________ 'There are lots of things that ran in families, but murder wasn't one of them . . .' When a teenage joyrider crashes a stolen car and ends up in a coma, a routine DNA test could be the key to unlocking the mystery of a twenty-year-old murder inquiry. Detective Chief Inspector Karen Pirie is an expert at solving the unsolvable. With each cold case closed, justice is served. So, finding the answer should be straightforward, but it's as twisted as the DNA helix itself. Meanwhile Karen finds herself irresistibly drawn to another case, one that she has no business investigating. And as she pieces together decades-old evidence, Karen discovers the most dangerous kinds of secrets. Secrets that someone is willing to kill for . . . An atmospheric, gripping mystery from the number one bestseller. __________ Praise for Val McDermid: 'Brilliant . . . Sensational . . . Unforgettable' Guardian 'Compulsively readable' Irish Times 'As good a psychological thriller as it is possible to get' Sunday Express This is the fourth book in the bestselling Karen Pirie series.