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In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
Set in Africa, it is the story of Dinesen's years in Africa--together with Shadows on the Grass. Copyright © Libri GmbH. All rights reserved.
Not Out of Africa has sparked widespread debate over the teaching of revisionist history in schools and colleges. Was Socrates black? Did Aristotle steal his ideas from the library in Alexandria? Do we owe the underlying tenets of our democratic civilizaiton to the Africans? Mary Lefkowitz explains why politically motivated histories of the ancient world are being written and shows how Afrocentrist claims blatantly contradict the historical evidence. Not Out of Africa is an important book that protects and argues for the necessity of historical truths and standards in cultural education.For this new paperback edition, Mary Lefkowitz has written an epilogue in which she responds to her critics and offers topics for further discussion. She has also added supplementary notes, a bibliography with suggestions for further reading, and a glossary of names.
Beautiful and historic African carpets, baskets, and other textiles provide the design inspiration for these 16 sophisticated knitted cardigans, pullovers, and sweater vests. Intended for seasoned knitters, these projects use domino, double knitting, entrelac, intarsia, and stranded two-color techniques worked in fingering-weight yarns. The Shoowa Vest, the African Domino Pullover, and the Arrowheads Cropped Pullover show off fancy stitching, while other designs feature colors borrowed from the mud-dried fabrics of Mali, the block patterns of Ghana, or motifs from Nigeria, Sierra Leone, Zaire, and Zimbabwe. African animals decorate the Giraffe Vest and Zebra Cardigan, and elsewhere leaping antelope and birds in flight are used in repeating patterns. Full instructions and charted patterns for at least two adult sizes are provided for each design and high-quality photographs of the finished pieces showcase these classic additions to any wardrobe.
Nigeria, once a hopelessly beleaguered society, has risen from the ashes and is a spiritually revived nation. One of the main contributors to this book states: "It is safe to say that the Church and effectual prayers have kept our nation from complete anarchy and genocide. The impact of Christianity is evident wherever you go. If you look a little deeper, listen a little closer, you will see and hear the myriad changes that are subtlety transforming our nation into a nation that truly fears the Lord." The miraculous is evident in the church of Nigeria. Out of Africa offers the testimony of numerous Nigerian pastors who are making a difference for God all over the world. Learn from churches who are experiencing a radical move of God.
Keith B. Richburg was an experienced and respected reporter who had paid his dues covering urban neighborhoods in Washington D.C., and won praise for his coverage of Southeast Asia. But nothing prepared him for the personal odyssey that he would embark upon when he was assigned to cover Africa. In this powerful book, Richburg takes the reader on an extraordinary journey that sweeps from Somalia to Rwanda to Zaire and finally to South Africa. He shows how he came to terms with the divide within himself: between his African racial heritage and his American cultural identity. Are these really my people? Am I truly an African-American? The answer, Richburg finds, after much soul-searching, is that no, he is not an African, but an American first and foremost. To those who romanticize Mother Africa as a black Valhalla, where blacks can walk with dignity and pride, he regrets that this is not the reality. He has been there and witnessed the killings, the repression, the false promises, and the horror. "Thank God my nameless ancestor, brought across the ocean in chains and leg irons, made it out alive," he concludes. "Thank God I am an American."
Judith Thurman’s brilliant, National Book Award–winning biography of Isak Dinesen—now with a new foreword by the author A brilliant literary portrait, Isak Dinesen remains the only comprehensive biography of one of the greatest storytellers of our time. Dinesen’s magnificent memoir, Out of Africa, established her as a major twentieth-century author, who was twice nominated for the Nobel Prize. With exceptional grace, Judith Thurman’s classic work explores Dinesen’s life. Until the appearance of this book, the life and art of Isak Dinesen have been—as Dinesen herself wrote of two lovers in a tale—“a pair of locked caskets, each containing the key to the other.” Judith Thurman has provided the master key to them both.
Isak Dinesen takes up the absorbing story of her life in Kenya begun in the unforgettable Out of Africa, which she published under the name of Karen Blixen. With warmth and humanity these four stories illuminate her love both for the African people, their dignity and traditions, and for the beauty and wildness of the landscape. The first three were written in the 1950s and the last, 'Echoes from the Hills', was written especially for this volume in the summer of 1960 when the author was in her seventies. In all they provide a moving final chapter to her African reminiscences.