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J.J. Anselmi’s Out Here on Our Own tells the story of Rock Springs, Wyoming, a mining boomtown with a history of brutal racial violence, widespread addiction, prostitution, and a staggeringly high per-capita suicide rate—yet a place that has proved remarkably resilient. Anselmi stitches together an array of original interviews with people who’ve seen those things firsthand, tracing the boom-bust trajectory of a town known for its corruption, vice, and violence. Amid such horrors as the massacre of Chinese miners in 1885 and the ongoing methamphetamine and opioid epidemics, the town has fought hard to keep its identity of rugged individualism intact. In 2022 Rock Springs is slipping into yet another bust. Anselmi’s narrative offers searing personal accounts of a community in crisis, whose problems are fanned by severely limited mental health resources, dying industries, and Wyoming’s still-pervasive idea that people should deal with their troubles alone. In a community’s own words, Out Here on Our Own depicts a place that’s as tough and weathered as the sagebrush and sandstone surrounding it.
In twenty heavy chapters, this book chronicles Anselmi's experiences growing up as a straight edge, BMX-riding metalhead in Rock Springs, Wyoming, a place with one of the highest per capita suicide rates in the United States. His grandpa was a well-known businessman and politician in the area, and was featured in a 1977 60 Minutes episode for his alleged connections to organized crime. This is only the beginning of Anselmi's heavy saga, and it interweaves all of the social and personal history one might expect from a story like this--including Black Sabbath, Pantera, and Metallica logo tattoos, explorations in LSD, metal, and BMX culture, self-loathing and sobriety, and--finally--a very unique perspective on what it means to live in a heavy fucking world.
Realistic and practical advice for parents of college-age kids. Parents whose kids are away at college have a tough tightrope to walk: they naturally want to stay connected to their children, yet they also need to let go. What's more, kids often send mixed messages: they crave space, but they rely on their parents' advice and assistance. Not surprisingly, it's hard to know when it's appropriate to get involved in your child's life and when it's better to back off. You're On Your Own (But I'm Here If You Need Me) helps parents identify the boundaries between necessary involvement and respect for their child's independence.
Publishes for the first time the World War I letters of Nora Saltonstall, a young woman from a prominent New England family who left her comfortable circumstances to volunteer for service on the Western Front.
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
"The authors tell the story of the Association of Minority Health Professions Schools and the hard-won influence that it built in American politics and health care. This story speaks to the history of Black people's exclusion from medical fields and to racial inequities in health"--
'This atmospheric debut looks like a rural Irish coming-of-age novel, but it’s cleverer, darker, more unreliable.' Daily Mail AN IRISH INDEPENDENT BEST BOOK OF THE YEAR AN IRISH INDEPENDENT CRITICS CHOICE FOR CHRISTMAS WINNER OF THE BERYL BAINBRIDGE BEST FIRST NOVEL AWARD, 2020/2021 AN IRISH TIMES, IRISH INDEPENDENT and SUNDAY INDEPENDENT 'TITLE TO LOOK OUT FOR IN 2020' Katie, Maeve and Evelyn have been friends forever. Outspoken, unpredictable and intoxicating, Evelyn is the undisputed leader of the trio. But Katie’s dream of escaping their tiny rural town for a new life in Dublin confronts her with a choice: to hold onto a friendship that has made her who she is, or risk leaving her best friend behind. Told from Katie’s witty, quirky perspective and filled with unforgettable characters, this moving, immersive and very funny study of sisterhood takes a keen-eyed look at the delights and complexities of female friendship, the corrosive power of jealousy and guilt, and the people and places that shape us. Compellingly readable and effortlessly sharp, fizzing with the voices of rural Ireland, this is an unmissable novel from a dazzling new talent.