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Shakespeare's plays are permeable to the contexts in which they are performed: they take on and speak to local concerns. Ours As We Play It takes a close look at several contemporary Australian productions of three Shakespearean plays; exploring masculinity and madness in Hamlet , the role of landscape and the multiple roles of Rosalind in .
Shakespeare's plays are permeable to the contexts in which they are performed: they take on and speak to local concerns. Early modern audiences would have experienced the humour and resonance of local identification with the plays just as we do, although the content of that identification in Australia today is uniquely our own.
Evidence Unseen: Finding the Faith to Overcome is an exhibition of how an African American man successfully navigated the highs and lows of life in America. Frank Clay Jr.’s memoir tells his life’s story of overcoming challenges personally, corporately, racially, and more. Clay shares intimate details of his life that include growing up in Philly in the 1960s in the midst of gang life, learning tough lessons while navigating adulthood through college, serving his country, and tackling career challenges in both corporate America and entrepreneurship. Throughout his narrative, Clay’s story of perseverance and determination reminds others—especially African American males—that they too can rely on their faith and grit to put the past behind them, triumph over obstacles, create a loving family unit, and ultimately realize a divine purpose. This inspiring memoir captures the essence of a man’s journey from childhood to manhood as he overcame adversity and challenges to attain the American dream.
Never widely available in his lifetime, Ludlam's essays and opinions of theatre reveal a complex mind focused on theatrical invention.
Onion Songs is a collection of 42 short stories spanning the writing career of Steve Rasnic Tem, with an emphasis on the bizarre, the offbeat and the meditative. Here Tem confronts the big questions of human experience (aging, death, identity, relationships) like a collector digging deep in the clutter of an attic and pulling out only the most unexpected and most telling finds. His style tersely poetic, Tem is able to give fine reproductions of the texture of everyday life while writing with all the invention of unrestrained nightmare. The mindscapes contained here, where circus clowns cling to meaningless office jobs, skeletons fall like snow, ‘true unicorns’ rummage in garbage piles, and fires are liable to break out at any moment, first engage us deeply where things ache most, then compel us to keep reading with a beauty that, for all its strangeness, we finally recognize as human. *** “Tem lets his characters, their situations, and their emotions creep up slowly on the reader. His style is thoughtful and poetic, and the tension he builds effectively sustains well-crafted plots. He has found a perfect balance between the bizarre and the straight-forward…” — Publishers Weekly (starred review) “Consistent in quality and diverse in content, as impressive as it is impressionistic… Onion Songs is the strongest collection of short stories that I’ve read in the last year. – Peter Tennant in Black Static “The 42 stories in this collection showcase the often bizarre, always enlightening works of one of the most distinctive voices in imaginative literature. Tem’s prose paints vivid and compelling images. His stories feature people who contemplate death, sanity, love, loss, and other human issues from original points of view.” –Library Journal
Living with her Babby after her parents’ death, 10-year-old Dinah Ash is invited to train at Leningrad’s legendary Vaganova Ballet School. In the world of elite dance, she works hard, falls in love, and weathers the Soviet Union’s ubiquitous antisemitism, but despite an impressive talent, she quickly learns that dancers of her “profile” don’t make prima ballerinas. Love of Leningrad, ballet, friends, family, and books sustain Dinah until history intervenes. The Soviet war in Afghanistan, the rise of perestroika, and a re-emergence of Nazism leave her vulnerable and exposed. Realizing escape is her only option, she applies for refugee status in America. Dinah’s adjustment to life in the US is a test as much of her identity as of her perseverance. Is who she is something Dinah can forge on her own? Or is identity imposed by upbringing, public opinion, and the myths of our cultures? As Dinah struggles with the questions of religion, race, and worth, her choices and the people she encounters will determine whether the dream of a better life can survive the weight of the past.
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New Zealand children from 1840 to 1890 were subjected to an unusual combination of agrarian existence and an industrial social philosophy in the newly formed schools. When schools became more universal in the expanding industrial society, a new emphasis on the control of children developed, and from 1920 onward, adult supervision in the form of heavily organized sports and playgrounds encroached more and more on the untrammeled freedom of the rural environment. Returning to his home country of New Zealand, Brian Sutton-Smith documents the relationship between children's play and the actual process of history. Drawing on interviews with hundreds of informants from every province and school district of New Zealand, the author illuminates for the first time the various social, cultural, historical, and psychological context in which children's play occurs. He treats both formal and informal play, as well as the play of both boys and girls.