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Line in the Sand details the dramatic transformation of the western U.S.-Mexico border from its creation at the end of the Mexican-American War in 1848 to the emergence of the modern boundary line in the first decades of the twentieth century. In this sweeping narrative, Rachel St. John explores how this boundary changed from a mere line on a map to a clearly marked and heavily regulated divide between the United States and Mexico. Focusing on the desert border to the west of the Rio Grande, this book explains the origins of the modern border and places the line at the center of a transnational history of expanding capitalism and state power in the late nineteenth and early twentieth centuries. Moving across local, regional, and national scales, St. John shows how government officials, Native American raiders, ranchers, railroad builders, miners, investors, immigrants, and smugglers contributed to the rise of state power on the border and developed strategies to navigate the increasingly regulated landscape. Over the border's history, the U.S. and Mexican states gradually developed an expanding array of official laws, ad hoc arrangements, government agents, and physical barriers that did not close the line, but made it a flexible barrier that restricted the movement of some people, goods, and animals without impeding others. By the 1930s, their efforts had created the foundations of the modern border control apparatus. Drawing on extensive research in U.S. and Mexican archives, Line in the Sand weaves together a transnational history of how an undistinguished strip of land became the significant and symbolic space of state power and national definition that we know today.
The first phase of the Civil War was fought west of the Mississippi River at least six years before the attack on Fort Sumter. Starting with the passage of the Kansas-Nebraska Act in 1854, Jay Monaghan traces the development of the conflict between the pro-slavery elements from Missouri and the New England abolitionists who migrated to Kansas. "Bleeding Kansas" provided a preview of the greater national struggle to come. The author allows a new look at Quantrill's sacking of Lawrence, organized bushwhackery, and border battles that cost thousands of lives. Not the least valuable are chapters on the American Indians’ part in the conflict. The record becomes devastatingly clear: the fighting in the West was the cruelest and most useless of the whole affair, and if men of vision had been in Washington in the 1850s it might have been avoided.
South of the Border, West of the Sun is the beguiling story of a past rekindled, and one of Haruki Murakami’s most touching novels. Hajime has arrived at middle age with a loving family and an enviable career, yet he feels incomplete. When a childhood friend, now a beautiful woman, shows up with a secret from which she is unable to escape, the fault lines of doubt in Hajime’s quotidian existence begin to give way. Rich, mysterious, and quietly dazzling, in South of the Border, West of the Sun the simple arc of one man’s life becomes the exquisite literary terrain of Murakami’s remarkable genius.
The Chicano characters in Richard Yañez's debut story collection live in El Paso's Lower Valley but inhabit a number of borders—between two countries, two languages, and two cultures, between childhood and manhood, life and death. The teenaged narrator of "Desert Vista" copes with a new school and a first love while negotiating the boundaries between his family's tenuous middle-class status and the working-class community in which they have come to live. Tony Amoroza, the protagonist of "Amoroza Tires," wrestles with the grief from his wife's death until an unexpected legacy fills him with new faith. María del Valle, "La Loquita," the central character of "Lucero's Mkt.," crosses the border into madness while her neighbors watch, gossip, and try to offer—or refuse—aid. Yañez writes with perfect understanding of his borderland setting, a landscape where poverty and violence impinge on traditional Mexican-American values, where the signs of gang culture strive with the ageless rituals of the Church. His characters are vivid, unique, fully authentic, searching for purpose or identity, for hope or meaning, in lives that seem to deny them almost everything. Yañez's world is that of the Southwestern Chicanos, but the fears and yearnings of his characters are universal.
In the last half of the 1850s, the Virginia counties of Cabell and Wayne became immersed in the national debate over slavery. Located only a stone’s throw away from the free state of Ohio, some western Virginians practiced and defended slavery, and the contentiousness between supporters and those who opposed the institution increased dramatically as the nation moved closer to civil war. When the conflict erupted in 1861, disorder was the order of the day. Although the overwhelming majority of voters in Cabell and Wayne counties opposed the Ordinance of Secession, the most prominent and influential citizens in the area favored leaving the Union. When the state seceded, some who had opposed this step now cast their loyalty with Virginia rather than the Union. During and after the Civil War, dozens of skirmishes, raids, and armed encounters occurred in this border area, and the lengthy struggle only ended with the statewide Democratic victory in the 1870 election. Federal supporters in Cabell and Wayne counties lived through years of terror. Their efforts to save the Union and create the new state of West Virginia, and their willingness to die on behalf of the country ensured its survival from the greatest conflict in the history of the United States. Table of Contents Acknowledgments xiii Introduction 1 1 – The Antebellum Years in Cabell and Wayne Counties 3 2 – The Institution of Slavery on the Border 13 3 – The Road to Armed Conflict 33 4 – The Battle of Barboursville 55 5 – Lawlessness Abounds 73 6 – The Raid on Guyandotte 103 7 – Reaping the Whirlwind 119 8 – The Darkest Hour of our Perils 147 9 – Piatt’s Zouaves 179 10 – Outrages and Fiendish Acts 207 11 – Welcome to Western Virginia 229 12 – The Plough Stands Still 247 13 – Depredations of the Most Shameful Character 275 14 – The War Ends? 307 15 – Federal Occupation 327 Epilogue 349 Notes 361 Bibliography 411 Index 421 About the Author 443
Garland's coming-of-age autobiography that established him as a master of American realism.
Adapted for the Paramount+ miniseries Lawmen: Bass Reeves, directed by Taylor Sheridan and starring David Oyelowo 2022 Oklahoma Book Award Finalist for Fiction 2021 National Indie Excellence Award Finalist Set in 1884, Hell on the Border tells the story of Deputy U.S. Marshal Bass Reeves at the peak of his historic career. Famous for being a crack shot as well as for his nonviolent tendencies, Reeves uses his African American race to his strategic advantage. Along with a tramp or cowboy disguise, Reeves appears so nonthreatening that he often positions himself close enough to the outlaws he is pursuing to arrest them without bloodshed. After a series of heroic feats of capturing and killing infamous outlaws--most notably Jim Webb--and an introduction to Belle Starr, Reeves finds himself in the Fort Smith jail, charged with murder. This second book in the Bass Reeves Trilogy investigates what really happened when Reeves made the greatest mistake of his life on the heels of his greatest achievements.