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Arizona’s San Pedro Valley is a natural corridor through which generations of native peoples have traveled for more than 12,000 years, and today many tribes consider it to be part of their ancestral homeland. This book explores the multiple cultural meanings, historical interpretations, and cosmological values of this extraordinary region by combining archaeological and historical sources with the ethnographic perspectives of four contemporary tribes: Tohono O’odham, Hopi, Zuni, and San Carlos Apache. Previous research in the San Pedro Valley has focused on scientific archaeology and documentary history, with a conspicuous absence of indigenous voices, yet Native Americans maintain oral traditions that provide an anthropological context for interpreting the history and archaeology of the valley. The San Pedro Ethnohistory Project was designed to redress this situation by visiting archaeological sites, studying museum collections, and interviewing tribal members to collect traditional histories. The information it gathered is arrayed in this book along with archaeological and documentary data to interpret the histories of Native American occupation of the San Pedro Valley. This work provides an example of the kind of interdisciplinary and politically conscious work made possible when Native Americans and archaeologists collaborate to study the past. As a methodological case study, it clearly articulates how scholars can work with Native American stakeholders to move beyond confrontations over who “owns” the past, yielding a more nuanced, multilayered, and relevant archaeology.
From the lush forests of Appalachia to the frozen tundra of Alaska, and from the tallgrass prairies of the Midwest to the subtropical rainforests of Hawaii, the United States harbors a remarkable array of ecosystems. These ecosystems in turn sustain an exceptional variety of plant and animal life. For species such as salamanders and freshwater turtles, the United States ranks as the global center of diversity. Among the nation's other unique biological features are California's coast redwoods, the world's tallest trees, and Nevada's Devils Hole pupfish, which survives in a single ten-by-seventy-foot desert pool, the smallest range of any vertebrate animal. Precious Heritage draws together for the first time a quarter century of information on U.S. biodiversity developed by natural heritage programs from across the country. This richly illustrated volume not only documents those aspects of U.S. biodiversity that are particularly noteworthy, but also considers how our species and ecosystems are faring, what is threatening them, and what is needed to protect the nation's remaining natural inheritance. Above all, Precious Heritage is a celebration of the extraordinary biological diversity of the United States.
This classic text on Maori culture collects indigenous New Zealand songs recorded over a period of 40 years by a respected Maori leader and distinguished scholar. The essence of Maori culture and its musical tradition is exhibited in the original song texts, translations, audio CDs, and notes from contemporary scholars featured in this new edition. This rare cultural treasure makes accessible a fleeting moment in Maori history when traditional practices and limited experience with the outside world allowed indigenous songs and customs to flourish.
This is a must-read for anyone interested in learning about the African tribal mind and its interpretation of the world as dominated by Eurocentric ideals. In a brutally honest and yet reflective writing, Mr. Kirunda offers his critique with a uniquely African perspective. Written in the authors third languageEnglish this book attempts to use simple yet powerful reasoning to advocate a paradigm shift in the way Ugandans look at their Tribal, Religious and European/Colonial heritages. In an analytical and creative style rare to many African writings, Mr. Kirunda vividly describes his tribal life and the impact his parents had on his worldview. He then offers an unusually cold and intimate analysis of: the cultural confusion within the Uganda society, his personal hypothesis of why the Americans, Germans and Japanese are economically and intellectually developed, the two hindrances to development in Uganda, and his personal creative proposal of The Fourth Heritage as a way to integrate the triple heritages and also solve the two hindrances. Lastly, he generalizes his thesis to accommodate Kantian moral philosophies and offers a thrilling discussion of the scientific account of humanitys origin in East Africa and what that means for our human heritage.
Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other. In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today. Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.