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The selections of the poems contained herein were written over a period of many decades. These poems reflect the times that we have lived and will be living. Most of them are based on true feelings and events that have taken place during my life and yours in this society and other countries. I truly hope that you will enjoy them and I truly thank you for sharing these precious moments and poems with me. Also, please keep an open mind when reading them, and if you can think about some of the events that have taken place in our world, understand that there are always pros and cons to any given occurrence in our world. Remember that there is a destiny that connects all mankind. No one stands alone. Whatever vibes you send will be channeled in different directions into our universe. With due respect, I know and understand that we do not hold on to the same values and belief systems. Please keep an open mind. Open your hearts and spiritual beliefs and allow Mother Nature’s wind to blow into a time with me. I believe that whatever you send into the lives and experiences of others will certainly, at some point or another, have an effect on us, whether we accept the outcome(s) or not; it is so written.
New from celebrated poet and performer Anne Waldman - an edgy, visionary collection that meditates on gender, existence, passion and activism Mythopoetics, shape shifting, quantum entanglement, Anthropocene blues, litany and chance operation play inside the field of these intertwined poems, which coalesced out of months of protests with some texts penned in the streets. Anne Waldman looks to the imagination of mercurial possibility, to the spirits of the doorway and of crossroads, and to language that jolts the status quo of how one troubles gender and outwits patriarchy. She summons Tarot's Force Arcana, the passion of the suffragettes, and various messengers and heroines of historical, hermetic, and heretical stance, creating an intersectionality of lived experience: class, sexuality, race, politics all enter the din. These are experiments of survival.
A poetry collection that both illustrates what mindfulness is and encourages young, growing minds to be present, from poet and educator Georgia Heard, with art by Isabel Roxas. Poets have long observed the world in a mindful way. They point out beauty we might have missed, draw our attention to our inner thoughts, and call us to see our society in new ways. But as daily life become more and more chaotic, children grow distracted. According to the CDC, 9.4% of children have ADHD and 7% have anxiety/depression. And these numbers continue to climb. As treatment doctors recommend healthy eating, physical activity, plenty of sleep, and mindfulness techniques. Georgia Heard is a poet and educator—and she has long had her own meditation practice. In My Thoughts Are Clouds, she uses poetry to demonstrate what mindfulness is and gives kids—and their parents and teachers—accessible ways to learn mindfulness tools.
This is a ‘Whole Earth Catalog’ for the 21st century: an impressive and wide-ranging analysis of what’s wrong with our societies, organizations, ideologies, worldviews and cultures – and how to put them right. The book covers the finance system, agriculture, design, ecology, economy, sustainability, organizations and society at large.
A revelatory, indispensable collection of poems from Jane Hirshfield that centers on beauty, time, and the full embrace of an existence that time cannot help but steal from our arms. Hirshfield is unsurpassed in her ability to sink into a moment’s essence and exchange something of herself with its finite music—and then, in seemingly simple, inevitable words, to deliver that exchange to us in poems that vibrate with form and expression perfectly united. Hirshfield’s poems of discovery, acknowledgment of the difficult, and praise turn always toward deepening comprehension. Here we encounter the stealth of feeling’s arrival (“as some strings, untouched, / sound when a near one is speaking. / So it was when love slipped inside us”), an anatomy of solitude (“wrong solitude vinegars the soul, / right solitude oils it”), a reflection on perishability and the sweetness its acceptance invites into our midst (“How suddenly then / the strange happiness took me, / like a man with strong hands and strong mouth”), and a muscular, unblindfolded awareness of our shared political and planetary fate. To read these startlingly true poems is to find our own feelings eloquently ensnared. Whether delving into intimately familiar moments or bringing forward some experience until now outside words, Hirshfield finds for each face of our lives its metamorphosing portrait, its particular, memorable, singing and singular name. Love in August White moths against the screen in August darkness. Some clamor in envy. Some spread large as two hands of a thief who wants to put back in your cupboard the long-taken silver.
A dazzling collection of essays on how the best poems work, from the master poet and popular essayist "Poetry," Jane Hirshfield has said, "is language that foments revolutions of being." In ten eloquent and highly original explorations, she unfolds some of the ways this is done--by the inclusion of hiddenness, paradox, and surprise; by a perennial awareness of the place of uncertainty in our lives; by language's own acts of discovery; by the powers of image, statement, music, and feeling to enlarge in every direction. Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among others, Hirshfield reveals how poetry's world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged.
Poetry is something that we all share, each time that we think a thought. We think in poetry, only some of us are not able to put it in words but thoughts of poetry live in our hearts. We are filled with emotions and that is what poetry is. You need to just open your heart to the words written for they are the words coming from a heart just like you. From our pain and our sacrifices to our joy and happiness, when you read this we will be able to see that we are all the same seeking love and a dream that we can claim. There are times when we may feel lost and there is nothing that we can do. The truth is that there will always be options for us to choose. Only with our ever changing emotions at the time we are blind to see. For every action there is an opposite reaction. There are things that we know that we can do yet we get caught up in the things that we are going through. There are times when we are happy and times when we are sad. It is a delicate balance in the lives that we live. Each of us will need to come to grips with the way that we feel. We are never alone although we think at the time that we are alone. We need to find the courage to reach out and say that we are here. Is there anyone out there that care about the lives that we live? At the end of the day if we listen closely we will be able to hear a voice saying that I am here, you are not alone. Ever changing emotions is what will live in our hearts. We just have to decide the things that we want to do and find the courage to follow them through. The Life that I have had to live has been very difficult but the love in my heart kept me strong even when I sometimes may have felt alone. I have cried my share of tears and I have suffered many years but I kept the love in my heart. We are human and we make mistakes but as long as we live there will always be another road for us to take. I pray that the poems that you are reading help you to understand that we all go through lifes ever changing emotions. We have to live in the moment and if that moment continues to last then we should remember that our lives are made up of our past, present and our future. For as long as we live we can change the way that we feel. Love and forgiveness is what we should always hold most precious in our lives. Love and forgiveness can forever live in our hearts. Poetry is something that we all share, each time that we think a thought. We think in poetry, only some of us are not able to put it in words but thoughts of poetry live in our hearts. We are filled with emotions and that is what poetry is. You need to just open your heart to the words written for they are the words coming from a heart just like you. From our pain and our sacrifices to our joy and happiness, when you read this we will be able to see that we are all the same seeking love and a dream that we can claim.
A remarkable Pocket Poets anthology of poems from around the world and across the centuries about illness and healing, both physical and spiritual. From ancient Greece and Rome up to the present moment, poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing gathers a treasury of such poems, tracing the many possible journeys of physical and spiritual illness, injury, and recovery, from John Donne’s “Hymne to God My God, In My Sicknesse” and Emily Dickinson’s “The Soul has Bandaged moments” to Eavan Boland’s “Anorexic,” from W.H. Auden’s “Miss Gee” to Lucille Clifton’s “Cancer,” and from D.H. Lawrence’s “The Ship of Death” to Rafael Campo’s “Antidote” and Seamus Heaney’s “Miracle.” Here are poems from around the world, by Sappho, Milton, Baudelaire, Longfellow, Cavafy, and Omar Khayyam; by Stevens, Lowell, and Plath; by Zbigniew Herbert, Louise Bogan, Yehuda Amichai, Mark Strand, and Natalia Toledo. Messages of hope in the midst of pain—in such moving poems as Adam Zagajewski’s “Try to Praise the Mutilated World,” George Herbert’s “The Flower,” Wisława Szymborska’s “The End and the Beginning,” Gwendolyn Brooks’ “when you have forgotten Sunday: the love story” and Stevie Smith’s “Away, Melancholy”—make this the perfect gift to accompany anyone on a journey of healing. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
"Wallace Fowlie here gives us his third book of memoirs--the best yet. "Sites" in thematically focused on places that have marked Fowlie's life and affected his way of looking at the world. This brilliantly written book exhibits great clarity and elegant simplicity, virtues that only an experienced--and good--writer can achieve. Although "Sites" has a strong unfolding narrative pattern that encourages you to read it from beginning to end, it can be browsed in to good purpose, for you can read any chapter out of sequence and still relish it. "Sites" significantly contributes to the theory and practice of autobiography."--George Core