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What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation as a whole. Why does recovering the remains of servicepeople matter? Soldier Dead examines this question and provides a thorough analysis of the processes of recovery, identification, return, burial, and remembrance of the dead. Sledge traces the ways in which the handling of our Soldier Dead has evolved over time and how these changes have reflected not only advances in technology and capabilities but also the shifting attitudes of the public, government, and military. He also considers the emotional stress experienced by those who handle the dead; the continuing efforts to retrieve bodies from Korea and elsewhere; and how unresolved issues regarding the treatment of enemy dead continue to affect U.S. foreign relations. Skillfully incorporating excerpts from interviews, personal correspondence and diaries, military records, and journalistic accounts-as well as never-before-published photographs and his own reflections-Michael Sledge presents a clear, concise, and compassionate story about what the dead mean to the living. Throughout Soldier Dead, the voices of the fallen are heard, as are those of family members and military personnel responsible for the dead before final disposition. At times disturbing and at other times encouraging, they are always powerful as they speak of danger, duty, courage, commitment, and care.
On 12 May 2009 Margaret Evison's son Lieutenant Mark Evison of 1st Battalion Welsh Guards, died of wounds sustained whilst leading a patrol in Helmand Province. Hailed a hero, Mark's death was a national sacrifice, his grave to be one of many in the identical, ordered rows in a military cemetery. But to his mother Margaret it was the most intimate of griefs. In Death of a Soldier, she attempts to reconcile her own unanswerable sense of loss with the idea that her son died for a good cause.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
Based on his Pulitzer Prize-winning story, Jim Sheeler's unprecedented look at the way our country honors its dead; Final SaluteIs a stunning tribute to the brave troops who have lost their lives in Iraq and Afghanistan and to the families who continue to mourn them They are the troops that nobody wants to see, carrying a message that no military family ever wants to hear. It begins with a knock at the door. "The curtains pull away. They come to the door. And they know. They always know," said Major Steve Beck. Since the start of the war in Iraq, marines like Major Beck found themselves thrown into a different kind of mission: casualty notification. It is a job Major Beck never asked for and one for which he received no training. They are given no set rules, only impersonal guidelines. Marines are trained to kill, to break down doors, but casualty notification is a mission without weapons. For Beck, the mission meant learning each dead marine's name and nickname, touching the toys they grew up with and reading the letters they wrote home. He held grieving mothers in long embraces, absorbing their muffled cries into the dark blue shoulder of his uniform. He stitched himself into the fabric of their lives, in the simple hope that his compassion might help alleviate at least the smallest piece of their pain. Sometimes he returned home to his own family unable to keep from crying in the dark. In Final Salute, Pulitzer Prize-winning journalist Jim Sheeler weaves together the stories of the fallen and of the broken homes they have left behind. It is also the story of Major Steve Beck and his unflagging efforts to help heal the wounds of those left grieving. Above all, it is a moving tribute to our troops, putting faces to the mostly anonymous names of our courageous heroes, and to the brave families who have made the ultimate sacrifice for this country. Final Saluteis the achingly beautiful, devastatingly honest story of the true toll of war. After the knock on the door, the story has only begun.
This book is the story of one death among many in the war in eastern Ukraine. Its author is a historian of war whose brother was killed at the frontline in 2017 while serving in the Ukrainian Armed Forces. Olesya Khromeychuk takes the point of view of a civilian and a woman, perspectives that tend to be neglected in war narratives, and focuses on the stories that play out far away from the warzone. Through a combination of personal memoir and essay, Khromeychuk attempts to help her readers understand the private experience of this still ongoing but almost forgotten war in the heart of Europe and the private experience of war as such. This book will resonate with anyone battling with grief and the shock of the sudden loss of a loved one.
Digte. Addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity
“Riveting. . . a testament to a misconceived war, and to the ease with which ordinary men, under certain conditions, can transform into monsters.”—New York Times Book Review This is the story of a small group of soldiers from the 101st Airborne Division’s fabled 502nd Infantry Regiment—a unit known as “the Black Heart Brigade.” Deployed in late 2005 to Iraq’s so-called Triangle of Death, a veritable meat grinder just south of Baghdad, the Black Hearts found themselves in arguably the country’s most dangerous location at its most dangerous time. Hit by near-daily mortars, gunfire, and roadside bomb attacks, suffering from a particularly heavy death toll, and enduring a chronic breakdown in leadership, members of one Black Heart platoon—1st Platoon, Bravo Company, 1st Battalion—descended, over their year-long tour of duty, into a tailspin of poor discipline, substance abuse, and brutality. Four 1st Platoon soldiers would perpetrate one of the most heinous war crimes U.S. forces have committed during the Iraq War—the rape of a fourteen-year-old Iraqi girl and the cold-blooded execution of her and her family. Three other 1st Platoon soldiers would be overrun at a remote outpost—one killed immediately and two taken from the scene, their mutilated corpses found days later booby-trapped with explosives. Black Hearts is an unflinching account of the epic, tragic deployment of 1st Platoon. Drawing on hundreds of hours of in-depth interviews with Black Heart soldiers and first-hand reporting from the Triangle of Death, Black Hearts is a timeless story about men in combat and the fragility of character in the savage crucible of warfare. But it is also a timely warning of new dangers emerging in the way American soldiers are led on the battlefields of the twenty-first century.
A profoundly moving childhood memoir by one of the most widely acclaimed Black American writers of her generation Captured with astonishing beauty, through the eyes of a child, Soldier paints the battleground of June Jordan’s youth as the gifted daughter of Jamaican immigrants, struggling under the humiliations of racism, sexism, and poverty in 1940s New York. “There was a war on against colored people, against poor people,” Jordan writes, and she watches her mother turn inward in her suffering, her father lashing out, often violently, against his own daughter. She learns to harden herself, to be a “soldier,” while preserving a deep capacity for love and wonder. Poignantly exploring the nature of memory, imagination, and familial as well as social responsibility, Jordan re-creates the vivid world in which her identity as a social and artistic revolutionary was forged.
World War I marked the first war in which the United States government and military took full responsibility for the identification, burial, and memorialization of those killed in battle, and as a result, the process of burying and remembering the dead became intensely political. The government and military attempted to create a patriotic consensus on the historical memory of World War I in which war dead were not only honored but used as a symbol to legitimize America's participation in a war not fully supported by all citizens. In this book, the author unpacks the politics and processes of the competing interest groups involved in the three core components of commemoration: repatriation, remembrance, and return. This book emphasizes the inherent tensions in the politics of memorialization and explores how those interests often conflicted with the needs of veterans and relatives.
Step into a world filled with racist teenagers, masked assassins, cannibals, a telekinetic hitman, 100 warped Uncle Sams, automobiles with razor-sharp teeth, living graffiti, cartoons that walk and talk, a steroid-addicted pro-athlete, an angry black chic, a washed-up Barbara Walters clone, the threat of a war to end all wars, and a pissed-off zombie bitch out for revenge. When the police finally capture the number one suspect in the Bloody Mary Murders, a single-mother named Natasha Armstrong, nobody believes her story about her twelve-year search for the real killer, a murderous walking corpse who has no eyes but can still see, who moves like a bad stop-motion incarnation, but does so with ethereal grace. Nobody believes her when she tells them about all the bodies, or the people they used as game for the military-style obstacle courses that Bloody Mary and her soldiers, a ragtag group made up mostly of runaways, would build wherever they'd settle in any given town to recruit more soldiers and prepare for the end of civilization as we know it.