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Grant Morrison's THE INVISIBLES has been hailed as an ambitious comics masterpiece, the key to Morrison's entire body of work, and the inspiration for THE MATRIX. But it's also frequently written off as incomprehensible.Using a conversational, accessible style, Patrick Meaney (director of GRANT MORRISON: TALKING WITH GODS) opens up THE INVISIBLES through in-depth analysis that makes sense of the series's complicated ideas, fractured chronology, and delirious blend of fiction and reality. Meaney also explores how the series's fictional conspiracy theories fare in the wake of 9/11 and the War on Terror. The book includes an extensive interview with Grant Morrison and an introduction by Timothy Callahan (author of GRANT MORRISON: THE EARLY YEARS).From Sequart Research & Literacy Organization. More info at http://Sequart.org
WINNER OF THE 2019 GOLDSMITHS PRIZE • SHORTLISTED FOR THE 2019 BOOKER PRIZE • A NEW YORKER BEST BOOK OF 2019 • A NEW YORK TIMES NOTABLE BOOK OF 2019 • A TIME MUST-READ BOOK OF 2019 "This book has its face pressed up against the pane of the present; its form mimics the way our minds move now toggling between tabs, between the needs of small children and aging parents, between news of ecological collapse and school shootings while somehow remembering to pay taxes and fold the laundry."—Parul Sehgal, New York Times Baking a multitude of tartes tatins for local restaurants, an Ohio housewife contemplates her four kids, husband, cats and chickens. Also, America's ignoble past, and her own regrets. She is surrounded by dead lakes, fake facts, Open Carry maniacs, and oodles of online advice about survivalism, veil toss duties, and how to be more like Jane Fonda. But what do you do when you keep stepping on your son's toy tractors, your life depends on stolen land and broken treaties, and nobody helps you when you get a flat tire on the interstate, not even the Abominable Snowman? When are you allowed to start swearing? With a torrent of consciousness and an intoxicating coziness, Ducks, Newburyport lays out a whole world for you to tramp around in, by turns frightening and funny. A heart-rending indictment of America's barbarity, and a lament for the way we are blundering into environmental disaster, this book is both heresy―and a revolution in the novel.
"Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another's hands. Read The Sentence and then do just that."—USA Today, Four Stars In this New York Times bestselling novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors. Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
Suddenly, comics are everywhere: a newly matured art form, filling bookshelves with brilliant, innovative work and shaping the ideas and images of the rest of contemporary culture. In Reading Comics, critic Douglas Wolk shows us why this is and how it came to be. Wolk illuminates the most dazzling creators of modern comics-from Alan Moore to Alison Bechdel to Dave Sim to Chris Ware -- and introduces a critical theory that explains where each fits into the pantheon of art. Reading Comics is accessible to the hardcore fan and the curious newcomer; it is the first book for people who want to know not just what comics are worth reading, but also the ways to think and talk and argue about them.
The enlightened notion of displaying the decomposed elements of a sentence pictorially has had a long history in the U.S. The pedagogical idea was developed by Stephen Watkins Clark in his 1847 book with the mouthful-of-a-title A Practical Grammar: In Which Words, Phrases & Sentences are Classified According to Their Offices and Their Various Relationships to Each Another - a true sentence diagramming challenge! Clark's scheme of deploying the parts of a sentence into stacked and adjacent cartoon-like balloons or bubbles was improved upon in Higher Lessons in English Grammar, (first edition 1877) by Alonzo Reed and Brainerd Kellogg of Brooklyn Polytechnic Institute. Their "geometry of grammar" - as it has been called - is predicated on the idea that students would better learn how to structure sentences if they could see them drawn as linear graphic structures.
What was it like to grow up on a farm during the Great Depression? As a child who did so, Ms. Zimmer answers that it was a better place than most. Following an introduction to her family and the setting, an historic home in the beautiful Finger Lakes region of New York State, the chapters reveal the skills and resourcefulness that carried the family successfully through those difficult years. The story, told through tales, some humourous, some sad, follows the season as the year rolls around. Lovers of the Finger Lakes Region should find this book of interest, as will senior citizens anywhere.
Entitled "Silence Of Pain" the manuscript is about an African American girl from Louisiana endures abuse at the hands of her schizophrenic mother, an absent father and the torment it brought into their family lives. At the age of five-years old and born the first of three children in Jonesville, La; this young girl was forced to endure pain, loneliness, loss and self-worth. This young girl's family was poor and had to raise their own cattle and crops in order to make a living. After the murder of a daughter, being drugged and hit in the head with an axe; her mother was diagnosed as a paranoid schizophrenic. At the age of sixteen years old, she entrapped a young man by getting pregnant. After moving out of her grandparents' home, she moved with her baby daddy only to find herself in an abusive relationship. At the age of two years old, her son thigh was mysteriously broken, therefore, she finds herself under an investigation and accused of child abuse. At the age of twenty-years old, she continued to go through the torment of her mother and the effect it had on their family lives. At the age of twenty one, she enrolled in a community college. Upon completion of her college courses and finding a job working in a Nursing Facility, she left her son's dad to live on her own. At the age of twenty four, she had worked at the Nursing Facility for two years; she was charged with a crime that she didn't perpetrate. By the age of twenty eight years old, her mother had recover from her illness, so she moved to Houston, Texas to escape any future episodes of her mother's torments and nightmare of being charged with a crime that she didn't perpetrate. Thinking that she would have a better life living in Texas; she was stalked, drugged, escaped death, and got caught up in an on the job scheme that cost her career which led her to become depressed and wanting to kill herself. Throughout her hard times, she regained her health and strength through prayer, friends, and self-motivation that allowed her to succeed in her daily life. Finally, she established a stronger bond with Christ to find solutions for both the physical and mental problems that she was facing.