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In his richly detailed, beautifully illustrated history of Shakespeare's most popular play - the first comprehensive study of A Midsummer Night's Dream in the theatre - Gary Jay Williams covers four hundred years of landmark productions in Europe, the United States, and Canada as well as important opera, dance, and film adaptations. Williams shows how the visual and musical vocabularies of production can be read as cultural texts and how these mediative texts determine this play's available meanings from generation to generation. His account, then, is the story of our imaginative and astonishing uses of Shakespeare's play. Williams offers detailed theatrical and cultural analyses of the productions of David Garrick, Ludwig Tieck, Elizabeth Vestris, Charles Kean, Harley Granville-Barker, Sir Herbert Beerbohm Tree, Max Reinhardt, Peter Brook, Liviu Ciulei, and other artists. His engaging, intelligent study will be invaluable to scholars and teachers of Shakespeare and theatre history and to professional directors, designers, critics, and actors.
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
A Midsummer Night's Dream is one of Shakespeare's most widely studied comedies. This guide offers students an introduction to its critical and performance history, including notable stage productions, TV, and film versions as well as opera and ballet. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of A Midsummer Night's Dream retains R. A. Foakes' text and has been extensively updated by him. In the Introduction to what is widely acknowledged as Shakespeare's most popular comedy, Foakes describes the two main traditions in the play's stage history, one emphasising charm and innocence, the other stressing darker suggestions of violence and sexuality. He shows that both are necessary to a full understanding of the play. For this edition the editor has added a new account of important theatrical productions and scholarly criticism on the play that have appeared in recent years. The reading list has also been revised and updated.
This study traces the response to "A Midsummer Night's Dream" from Shakespeare's day to the present, including critics from Britain, Europe and America.
Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.