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An account of the birth of the first human being to be conceived outside the womb tells of the medical technology that made the Browns' hope of parenthood a reality.
A New York Times Notable Book “Stunning. . . a moving meditation. . . infused with mystery and wonder.” —Atlanta Journal-Constitution In a masterwork that both deepens and enlarges the world of her previous novels, acclaimed author Louise Erdrich captures the essence of a time and the spirit of a woman who felt compelled by her beliefs to serve her people as a priest. The Last Report on the Miracles at Little No Horse deals with miracles, crises of faith, struggles with good and evil, temptation, and the corrosive and redemptive power of secrecy. For more than a half century, Father Damien Modeste has served his beloved Native American tribe, the Ojibwe, on the remote reservation of Little No Horse. Now, nearing the end of his life, Father Damien dreads the discovery of his physical identity, for he is a woman who has lived as a man. To further complicate his quiet existence, a troubled colleague comes to the reservation to investigate the life of the perplexing, possibly false saint Sister Leopolda. Father Damien alone knows the strange truth of Leopolda's piety, but these facts are bound up in his own secret. He is faced with the most difficult decision: Should he tell all and risk everything . . . or manufacture a protective history for Leopolda, though he believes her wonder-working is motivated solely by evil? The Last Report on the Miracles at Little No Horse is a work of an avid heart, a writer's writer, and a storytelling genius.
A brilliant exploration of the natural, medical, psychological, and political facets of fertility When Belle Boggs's "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine, an interview on NPR's The Diane Rehm Show, and a spot at the intersection of "highbrow" and "brilliant" in New York magazine's "Approval Matrix." In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her--the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo--for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who's Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives. In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.
What is it about four-year-olds that makes them so lovable? What problems do four-year-olds have? What can they do now that they couldn't do at three? Drs. Ames and Ilg, recognized authorities on child behavior and development, discuss these and scores of other questions unique to four-year-old girls and boys, and they offer parents practical advice and enlightening psychological insights. Can Your Four-Year-Old make you a happier, less stressed, and more efficient parent? You bet! Find out about: • Embarrassing moments . . . how to deal with a four-year-old's fascination with bowel movements, belly buttons, body parts, and forbidden words—without turning red. • Words that will work a miracle . . . what to say to give your child and instant smile, raise self-esteem, and change behavior quicker than criticism. • Hyperactivity . . . how to determine if your “always on the go” four-year-old is truly hyperactive. • Kindergarten readiness . . . school too soon can cause lifelong problems, so note this warning for parents of “fall babies.” • Encouraging creativity . . . fifteen activities you can initiate to stimulate your child's natural talents and have a great time too! • Your child's body type: round and plump or bony and angular . . . does it predict behavior, temperament, and social success? . . . and more!
Among the elementary human stories, parenthood has tended to go without saying. Compared to the spectacular attachments of romantic love, it is only the predictable sequel. Compared to the passions of childhood, it is just a background. But in recent decades, far-reaching changes in typical family forms and in procreative possibilities (through reproductive technologies) have brought out new questions. Why do people want (or not want) to be parents? How has the 'choice' first enabled by contraception changed the meaning of parenthood? Looking not only at new parental parts but at older parental stories, in novels and other works, this fascinating book offers fresh angles and arguments for thinking about parenthood today.
Glck's poetry resists collection. With each successive book her drive to leave behind what came before has grown more fierce. She invented a form to accommodate this need, the book-length sequence of poems.
An eloquent and intimate debut memoir about navigating the gap between expectation and reality in modern motherhood. I Cannot Control Everything Forever is Emily Bloom’s journey towards and through motherhood, a path that has become, for the average woman, laden with data and medical technology. Emily faces decisions regarding genetic testing and diagnosis, technologies that offer the illusion of certainty but carry the weight of hard decisions. Her desire to know more thrusts her back into the history of science, as she traces the discoveries that impacted the modern state of pregnancy and motherhood. With the birth of their daughter, who is diagnosed with congenital deafness and later, Type 1 diabetes, Emily and her husband find their life centered around medical data, devices, and doctor’s visits, but also made richer and fuller by parenting an exceptional child. As Emily learns, technology and data do not reduce the labor of caretaking. These things often fall, as the pandemic starkly revealed, on mothers. Trying to find a way out of the loneliness and individualism of 21st century parenthood, Emily finds joy in reaching outwards, towards art and literature–such as the maternal messiness of Louise Bourgeois or Greek myths about the power of fate–as well as the collective sustenance of friends and community. With lyrical and enchanting prose, I Cannot Control Everything Forever is an inspired meditation on art, science, and motherhood.
Starting in 1978, when the first babies conceived through in vitro fertilization (IVF) were born in the UK and India, assisted reproduction has become a global industry. Contributors to this edited collection reflect on the global dimensions of IVF and assisted reproductive technologies, examining how people have used these technologies to create diverse family forms, including gay, lesbian, and transgender parenthood, as well as complex configurations of genetic, gestational, and social parenthood. The authors examine how IVF and other reproductive technologies have and have not circulated around the globe; how reproductive technologies can be situated historically, nationally, locally, and culturally; and the ways in which culture, practices, regulations, norms, families, and kinship ties may be reinforced or challenged through the use of assisted reproduction.
Presenting for the first time, in original detail, Drs Edwards and Steptoe's breakthroughs leading to the birth of Louise Brown.