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"I was intrigued by Our Little World from the chilling first paragraph. It's a coming-of-age novel complicated by a tragic and untimely death, and it's also a novel about two sisters you will never forget. I fell in love with the confidence of the writing and the colorful nostalgia of the mid-'80s details. Our Little World will transport and transfix you."—Elin Hilderbrand July 1985. It’s a normal, sweltering New Jersey summer for soon-to-be seventh grader Bee Kocsis. Her thoughts center only on sunny days spent at Deer Chase Lake, on evenings chasing fireflies around her cul-de-sac with the neighborhood kids, and on Max, the boy who just moved in across the street. There's also the burgeoning worry that she'll never be as special as her younger sister, Audrina, who seems to effortlessly dazzle wherever she goes. But when Max’s little sister, Sally, goes missing at the lake, Bee’s long-held illusion of stability is shattered in an instant. As the families in her close-knit community turn inward, suspicious and protective, things in Bee’s own home become increasingly strained, most of all with Audrina, when a shameful secret surfaces. With everything changed, Bee and Audrina’s already-fraught sisterhood is pushed to the limit as they grow up—and apart—in the wake of an innocence lost too soon. Perfect for readers of Celeste Ng’s Everything I Never Told You, Our Little World is a powerful and lyrical coming-of-age story that examines the complicated bond of sisterhood, the corrosive power of envy, and how the traumas of our youths can shape our identities for a lifetime.
Curious minds will love to explore the dark recesses of the jungle with this interactive title from Little World. Discover all sorts of creatures high up in the canopy and on the jungle floor in this bright and colourful board book, which features a novelty to slide, push or pull on every spread.
Edith Endsley joined the Army Nurse Corps in 1943 during World War II at the age of twenty-one and was assigned to the navy hospital ship USS Mercy. In the course of duty in the Pacific Theater of Operations she, two other nurses, and a Catholic priest were sent ashore on a small Japanese island to tend to American and Japanese wounded at the request of a high-ranking Japanese officer. This proved to be a ruse. The priest was killed and the three nurses were told to go to a geisha house where they were stripped, drugged, and massaged by three geishas. When Edith woke up she had reason to believe that she had been raped but there was no evidence. Upon discharge from the service Edie returned home to small-town Missouri with a severe case of androphobia, an intense fear of men. Aboard ship Edith met a young ensign who promised to look her up after the war. He did but Edith decided to become a nun and a friendship between Ensign Danny and Elizabeth, Ediths younger sister, turned romantic and when Edith decided to leave the convent Danny and Elizabeth are in love.
The second volume of Sondheim's collected lyrics is both a remarkable glimpse into the brilliant mind of a legend, and a continuation of the acclaimed and best-selling Finishing the Hat. Picking up where he left off in Finishing the Hat, Sondheim gives us all the lyrics, along with excluded songs and early drafts, of the Pulitzer Prize–winning Sunday in the Park with George, Into the Woods, Assassins and Passion. Here, too, is an in-depth look at the evolution of Wise Guys, which subsequently was transformed into Bounce and eventually became Road Show. Sondheim takes us through his contributions to both television and film, some of which may surprise you, and covers plenty of never-before-seen material from unproduced projects as well. There are abundant anecdotes about his many collaborations, and readers are treated to rare personal material in this volume, as Sondheim includes songs culled from commissions, parodies and personal special occasions—such as a hilarious song for Leonard Bernstein’s seventieth birthday. As he did in the previous volume, Sondheim richly annotates his lyrics with invaluable advice on songwriting, discussions of theater history and the state of the industry today, and exacting dissections of his work, both the successes and the failures. Filled with even more behind-the-scenes photographs and illustrations from Sondheim’s original manuscripts, Look, I Made a Hat is fascinating, devourable and essential reading for any fan of the theater or this great man’s work.