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The Arctic is ruled by ice. For Inuit, it is a highway, a hunting ground, and the platform on which life is lived. While the international community argues about sovereignty, security, and resource development at the top of the world, the Inuit remind us that they are the original inhabitants of this magnificent place - and that it is undergoing a dangerous transformation. The Arctic ice is melting at an alarming rate and Inuit have become the direct witnesses and messengers of climate change. Through an examination of Inuit history and culture, alongside the experiences of newcomers to the Arctic seeking land, wealth, adventure, and power, Our Ice Is Vanishing describes the legacies of exploration, intervention, and resilience. Combining scientific and legal information with political and individual perspectives, Shelley Wright follows the history of the Canadian presence in the Arctic and shares her own journey in recollections and photographs, presenting the far North as few people have seen it. Climate change is redrawing the boundaries of what Inuit and non-Inuit have learned to expect from our world. Our Ice Is Vanishing demonstrates that we must engage with the knowledge of the Inuit in order to understand and negotiate issues of climate change and sovereignty claims in the region.
A remarkable and moving journey through Arctic history into an uncertain future, highlighting Inuit as well as European and Canadian perspectives.
"Ephemeral Coast - Visualizing Coastal Climate Change" considers the ways that art can offer a means through which to discover, analyze, re-imagine and re-frame emotive discourses about the ecological and cultural transformations of the coastline. This edited anthology takes ephemerality as its central conceptual and methodological framework and presents a series of essays that create interconnections between environmental and social considerations of the coast, a succession of embodied creative practices, and shifting regional geographic identities. The book presents a series of specific case studies of artistic practices and strategies that seek to capture the rewriting of cartographic maps that are being reshaped by rising seas, coastal flooding and catastrophic weather. The essays in this edited volume engender creative strategies for understanding new and uncertain coastal ecologies and the loss, expulsion or destruction of their associated cultures, habitats, species and ecosystems. The anthology also looks at the historical, mnemonic and contemporary transitional conditions of ‘conflicted’ coastal spaces in which empire, modernity and globalization press on coastal erosion and incursions, proliferate it with trivial plastics, pollution and disposable attitudes, and bring vulnerable communities into uncertain futures."
A definitive history of the pioneering efforts of Television Northern Canada and APTN.
When we imagine the polar regions, we see a largely lifeless world covered in snow and ice where icebergs drift listlessly through frozen waters, like solitary wanderers of the oceans floating aimlessly in total silence. But nothing could be further from the truth. This book takes us into the fascinating world of icebergs and glaciers to discover what they are really like. Through a series of historical vignettes recalling some of the most tragic and most exhilarating encounters between human beings and these gigantic pieces of matter, and through vivid descriptions of their cycles of birth and death, Olivier Remaud shows that these entities are teeming with many forms of life and that there is a deep continuity between iceberg life and human life, a complex web of reciprocal interconnections that can lead from the deadliest to the most vital. And precisely because there is this continuity, icebergs and glaciers tell us something important about life itself – namely, that it thrives in the most unexpected of places, even where there seems to be no life at all. At a time when we are increasingly aware that the melting of ice sheets, glaciers and sea ice is one of the many disastrous consequences of global warming, this beautiful meditation is a poignant reminder of the interconnectedness of all life and the fragility of the Earth’s ecosystems.
This book compares and contrasts traditional crime scenes with scenes of climate crisis to offer a more expansive definition of crime which includes environmental harm. The authors reconsider what crime scenes have always included and might come to include in the age of the Anthropocene – a new geological era where humans have made enough significant alterations to the global environment to warrant a fundamental rethinking of human-nonhuman relations. In each of the chapters, the authors reframe enduringly popular Arctic scenes, such as iceberg hunting, cruising and polar bear watching, as specific criminal anthroposcenes. By reading climate scenes in this way, the authors aim to productively deploy the representation of crime to make these scenes more engaging to policymakers and ordinary viewers. Criminal Anthroposcenes brings together insights from criminology, climate change communication, and tourism studies in order to study the production and consumption of media representations of Arctic climate change in the hope of to mobilizing more urgent public and policy responses to climate change.
Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of "The Arctic" as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic’s representation.
For centuries, the Arctic was visualized as an unchanging, stable, and rigidly alien landscape, existing outside twenty-first-century globalization. It is now impossible to ignore the ways the climate crisis, expanding resource extraction, and Indigenous political mobilization in the circumpolar North are constituent parts of the global present. New Arctic Cinemas presents an original, comparative, and interventionist historiography of film and media in twenty-first-century Scandinavia, Greenland, Russia, Canada, and the United States to situate Arctic media in the place it rightfully deserves to occupy: as central to global environmental concerns and Indigenous media sovereignty and self-determination movements. The works of contemporary Arctic filmmakers, from Zacharias Kunuk and Alethea Arnaquq-Baril to Amanda Kernell and Inuk Silis Høegh, reach worldwide audiences. In examining the reach and influence of these artists and their work, Scott MacKenzie and Anna Westerstahl Stenport reveal a global media system of intertwined production contexts, circulation opportunities, and imaginaries--all centering the Arctic North.
This three-volume set presents entries and primary sources that will impress on readers that what we do—or don't do—today regarding climate change will dramatically influence what life on this planet will be like for untold numbers of generations. How are the behaviors of birds, butterflies, and other migratory animals connected to climate change? What does the term "thermal inertia" mean, and what does this geophysical effect have on predicting what the planet's future will be like? What is the context for the effects we are seeing on various forms of animal life, from migrating birds to polar bears to mosquitoes that transmit Zika and other diseases? Climate Change: An Encyclopedia of Science, Society, and Solutions combines entries describing Earth's variable climatic history, references to scientific literature, weather record data, and selected primary documents to present readers with a comprehensive account of global warming's effects worldwide. By examining verifiable, quantitative information such as the frequency and intensity of hurricanes and changes in the hydrological cycle, as well as clear patterns and trends of alternating droughts and deluges and wildfires, melting ice, and rising seas, readers will be able to understand why scientists are so concerned about the future of our climate. Researchers will benefit from detailed explanations of scientific topics such as thermal inertia, feedbacks, and tipping points; and receive invaluable context on the role of energy use in climate change, including automobiles and air travel. Readers will learn about the role of China in the current global climate and in the future; the widespread effects of climate change on agriculture; and how indigenous peoples' lives are being impacted, from drought and the Navajos to hunters' lives in the Arctic. The work concludes with thought-provoking debates regarding potential solutions, from wind power and solar power to geo-engineering.
Arthur Ray's extensive knowledge in the history of the fur trade and Native economic history brought him into the courts as an expert witness in the mid-1980s. For over twenty-five years he has been a part of landmark litigation concerning treaty rights, Aboriginal title, and Métis rights. In Telling It to the Judge, Ray recalls lengthy courtroom battles over lines of evidence, historical interpretation, and philosophies of history, reflecting on the problems inherent in teaching history in the adversarial courtroom setting. Told with charm and based on extensive experience, Telling It to the Judge is a unique narrative of courtroom strategy in the effort to obtain constitutional recognition of Aboriginal and treaty rights.