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The PEN Award–winning chronicle of the Indian diaspora told through the stories of the author’s own family. In this “rich, entertaining and illuminating story,” Minal Hajratwala mixes history, memoir, and reportage to explore the collisions of choice and history that led her family to emigrate from India (San Francisco Chronicle). “Meticulously researched and evocatively written” (The Washington Post), Leaving India looks for answers to the eternal questions that faced not only Hajratwala’s own Indian family but all immigrants, everywhere: Where did we come from? Why did we leave? What did we give up and gain in the process? Beginning with her great-grandfather Motiram’s original flight from British-occupied India to Fiji, where he rose from tailor to department store mogul, Hajratwala follows her ancestors across the twentieth-century to explain how they came to be spread across five continents and nine countries. As she delves into the relationship between personal choice and the great historical forces—British colonialism, apartheid, Gandhi’s salt march, and American immigration policy—that helped shape her family’s experiences, Hajratwala brings to light for the very first time the story of the Indian diaspora. A luminous narrative from “a fine daughter of the continent, bringing insight, intelligence and compassion to the lives and sojourns of her far-flung kin,” Leaving India offers a deeply intimate look at what it means to call more than one part of the world home (Alice Walker).
In the middle decades of the twentieth century, Hawai'i changed rapidly from a conservative oligarchy firmly controlled by a Euro-American elite to arguably the most progressive part of the United States. Spearheading the shift, tens of thousands of sugar, pineapple, and longshore workers eagerly joined the left-led International Longshoremen's and Warehousemen's Union (ILWU) and challenged their powerful employers. In this theoretically innovative study, Moon-Kie Jung explains how Filipinos, Japanese, Portuguese, and others overcame entrenched racial divisions and successfully mobilized a mass working-class movement. He overturns the unquestioned assumption that this interracial effort traded racial politics for class politics. Instead, he shows how the movement "reworked race" by developing an ideology of class that incorporated and rearticulated racial meanings and practices. Examining a wide range of sources, Jung delves into the chronically misunderstood prewar racisms and their imperial context, the "Big Five" corporations' concerted attempts to thwart unionization, the emergence of the ILWU, the role of the state, and the impact of World War II. Through its historical analysis, Reworking Race calls for a radical rethinking of interracial politics in theory and practice.
An international history of radical movements and their convergences during the Mexican Revolution The Mexican Revolution was a global event that catalyzed international radicals in unexpected sites and struggles. Tracing the paths of figures like Black American artist Elizabeth Catlett, Indian anti-colonial activist M.N. Roy, Mexican revolutionary leader Ricardo Flores Magón, Okinawan migrant organizer Paul Shinsei Kōchi, and Soviet feminist Alexandra Kollontai, Arise! reveals how activists around the world found inspiration and solidarity in revolutionary Mexico. From art collectives and farm worker strikes to prison "universities," Arise! reconstructs how this era's radical organizers found new ways to fight global capitalism. Drawing on prison records, surveillance data, memoirs, oral histories, visual art, and a rich trove of untapped sources, Christina Heatherton considers how disparate revolutionary traditions merged in unanticipated alliances. From her unique vantage point, she charts the remarkable impact of the Mexican Revolution as radicals in this critical era forged an anti-racist internationalism from below.
As the author of this novel, I prefer not to provide biographic data, except to disclose that I currently reside in Florida, having moved there in 2004 after working in the financial district of New York City. While still a rail commuter from New Jersey, my daily morning route included taking the PATH train from Hoboken into the basement of the World Trade Center where, especially when the weather was spring-like, I usually would exit the complex through its central plaza and, from there, walk the three blocks to my office. My timing was such that I was usually in the plaza by 8:45 AM in order to be on time for work. Having returned a few days earlier from a tiring vacation, I decided that fateful Tuesday morning of September 11, 2001 to get a few extra winks of sleep and to take the late train to work. As a result, I was about thirty minutes later than usual, and not where I normally would have been at 8:46 AM when the first plane struck the north tower of the World Trade Center. If the events of that day did not change my perspective on life, then the following weeks and months of working in the humbling atmosphere of such a terrible disaster did. Many questions were asked and not answered. Was it by human design alone? Was it because of divine punishment? In any event, in order to mentally escape the reality of an environment in which physical escape was not then possible, I found that when I had a private moment to think (on the subway, the commuter train, on a work break, etc.), I did so with pen in hand. And what emerged at the time were poems that helped me deal with questions of the soul and resolve the remorse I felt which was later replaced with a sense of hope. Although I always had what I thought to be a talent for writing, through which I could express thoughts and feelings in a way I never could do verbally, I had never written anything of consequence before that disastrous day in 2001. And yet, looking back, it seemed that whatever pen I subsequently used in writing those poems, which eventually turned out to be many, must have had a magical connection because the words came only after first picking up the pen. Many times, the words came quickly without my having to think, as if I was simply transcribing what was being dictated. It was the same with this novel. I never planned to write a novel and, most certainly, do not consider myself an author. But one day, a thought came into my head, causing me to pick up a pen and, on a simple notepad, I began to write the first chapter of this book. The characters immediately came into being and, essentially, it is their novel, their story. At times, when the story stagnated, causing me to sit at the computer while my fingers remained still, it was as if the characters had nothing to say; so much so, that if a family member who knew of the writing of this novel would ask me, at the time, how it was coming along, my answer would be that the characters weren’t talking to me. So maybe this isn’t a novel at all. Maybe it all did happen a long while ago, and that through some kind of a time anomaly, the people described herein may have telepathically communicated their story to me so that this world that we live in today could have knowledge of what once had been. I really don’t know – what do you think? J. V. Perrone
New York Times bestseller When The Kinfolk Table was published in 2013, it transformed the way readers across the globe thought about small gatherings. In this much-anticipated follow-up, Kinfolk founder Nathan Williams showcases how embracing that same ethos—of slowing down, simplifying your life, and cultivating community—allows you to create a more considered, beautiful, and intimate living space. The Kinfolk Home takes readers inside 35 homes around the world, from the United States, Scandinavia, Japan, and beyond. Some have constructed modern urban homes from blueprints, while others nurture their home’s long history. What all of these spaces have in common is that they’ve been put together carefully, slowly, and with great intention. Featuring inviting photographs and insightful profiles, interviews, and essays, each home tour is guaranteed to inspire.
A travel memoir through thirty countries, a thousand insulin injections, and one man’s journey from despair to confidence. With tips and information from the American Diabetes Association. In the middle of a yearlong backpacking trip around the world with his wife, Oren Liebermann is teaching English to young Buddhist monks in Pokhara, Nepal, when his body begins to fail him. He is constantly thirsty and exhausted, and by the time he steps on a scale, he has lost forty-five pounds. At a local clinic, a doctor gives him a diagnosis that will change his life forever: “I’m sorry to tell you, my friend, that you are a diabetic.” Devastated, Liebermann is trapped in a freezing hospital room, trying to recover enough to fly home. His friends and family urge him to call off the rest of his trip. He had quit his job as a TV news reporter for this dream-come-true journey, but the nightmare diagnosis has thrown his world into disarray. However, Liebermann and his wife, Cassie, make a decision. They have an adventure to finish, and he has the rest of his life to live. Bold, raw, and poignantly candid, The Insulin Express tells the story of what happens when the best-made travel plans are subject to the ever-present chaos of life, and how a major setback can turn into the opportunity of a lifetime. Despite struggling with a chronic disease that almost kills him in the Himalayas, Liebermann hikes along the Great Wall of China, conquers the Inca Trail to Machu Picchu, and sips cobra whiskey in Laos. What begins as a travel chronicle across thirty countries transforms into a single journey of resilience and self-discovery—going from hopelessly lost and then wonderfully found.
This is the sequel of a young mother as she leaves the life of a poor Homesteader in the barren Canadian wilderness in 1950 to make a better home for herself and her children at a time when it was virtually unheard of for a woman to make such a choice. She will search for a life with an education, a warm family home filled with necessities for which she finds herself being openly criticized. With her strong faith in her Lord she receives the strength to continue her fight she feels compelled to make so the lives of her children may be richer and stronger. She will not turn back.
Everyone tells you marriage is hard, but no one tells you what to do about it. At age thirty-four, Jo Piazza got her romantic-comedy ending when she met the man of her dreams on a boat in the Galápagos Islands and was engaged three months later. But before long, Jo found herself riddled with questions. How do you make a marriage work in a world where you no longer need to be married? How does an independent, strong-willed feminist become someone’s partner—all the time? In the tradition of writers such as Nora Ephron and Elizabeth Gilbert, award-winning journalist and nationally bestselling author Jo Piazza writes a provocative memoir of a real first year of marriage that will forever change the way we look at matrimony. A travel editor constantly on the move, Jo journeys to twenty countries on five continents to figure out what modern marriage means. Throughout this stunning, funny, warm, and wise personal narrative, she gleans wisdom from matrilineal tribeswomen, French ladies who lunch, Orthodox Jewish moms, Swedish stay-at-home dads, polygamous warriors, and Dutch prostitutes. Written with refreshing candor, elegant prose, astute reporting, and hilarious insight into the human psyche, How to Be Married offers an honest portrait of an utterly charming couple. When life throws more at them than they ever expected—a terrifying health diagnosis, sick parents to care for, unemployment—they ultimately create a fresh understanding of what it means to be equal partners during the good and bad times. Through their journey, they reveal a framework that will help the rest of us keep our marriages strong, from engagement into the newlywed years and beyond.