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Bringing together heritage studies and literary studies, this book examines heritage as a ubiquitous trope in contemporary Britain, a seemingly inescapable figure for relations to the past. Inheritance has been an important metaphor for characterizing cultural and political traditions since the 1970s, but one criticized for its conservatism and apparent disinheritance of "new" Britons. Engaging with contemporary literary and cinematic texts, the book interrogates metaphoric resonances: that bestowing past, receiving present, and transmitted bounty are all singular and unified; that transmission between past and present is smooth, despite heritage depending on death; that the past enjoins the present to conserve its legacy into the future. However, heritage offers an alternative to modern market-driven relations, transactions stressing connection only through a momentary exchange, for bequest resembles gift-giving and connects past to present. Consequently, heritage contains competing impulses, subtexts largely unexplored given the trope’s lapse into cliché. The volume charts how these resonances developed, as well as charting more contemporary aspects of heritage: as postmodern image, tourist industry, historic environment, and metaculture. These dimensions develop the trope, moving it from singular focus on continuity with the past to one more oriented around different lines of relation between past, present, and future. Heritage as a trope is explored through a wide range of texts: core accounts of political theory (Locke and Burke); seminal documents within historic conservation; phenomenology and poststructuralism; film and television (Merchant-Ivory, Downton Abbey); and a broad range of contemporary fiction from novelists including Zadie Smith, Julian Barnes, Hilary Mantel, Sarah Waters, Alan Hollinghurst, Peter Ackroyd, and Helen Oyeyemi.
Archaeologists have had an abiding interest in the rise and fall of state-level societies. Now they are turning their attention to the British Empire.
Made available to readers everywhere for the first time, Our Great Responsibility brings together 16 talks given by Alcoholics Anonymous co-founder Bill W. over the span of two decades. With his characteristic humor and down-to-earth candor, Bill shares his thinking on myriad A.A. themes — the principles of A.A. service, the relationship between principles and personalities, even the origins and adaptability of the Twelve Steps — and reveals his willingness to entertain a broad, long view of Alcoholics Anonymous, open to change and growth. Complementing the text are more than 60 archival photographs and other images from the General Service Office Archives, some never before published, as well as a concise history of the founding of A.A.’s General Service Conference, the mechanism for the Fellowship’s annual “group conscience.” We also hear from “friends of A.A.,” including Bill’s wife Lois, Dr. “Jack” Norris and Bernard Smith. Taken together, Our Great Responsibility provides both a window into how Alcoholics Anonymous has continued to grow over the years — and a roadmap for how it may move forward in unity. Whether read for historical interest, for inspiration on the journey to recovery, or for a deeper look at the powerful principles upon which Alcoholics Anonymous functions today, Our Great Responsibility both educates and inspires readers today.
Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.
The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.
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