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This memoir of colonial family life presents the childhood recollections of Ralph Ockerse and his sister Evelijn Blaney, raised in the 1930s in the former Dutch East Indies, while major events gradually led to the disintegration of its colonial establishment. In October 1942, their family life as such abruptly came to an end with the intense suffering, hunger, extreme privation, and despair under horrifically dehumanizing conditions they and their family endured during their three and a half-year internment by the Japanese occupation forces in World War II, and succeeding terror that arose and targeted the Dutch after the 1945-proclamation of independence of the country, now known as Indonesia. The story takes the reader on a journey of their lives and that of their family, first as they memorably grew up on the islands of Poelau Kisar, Sumatera, and Java, on to their sequent struggle for survival inside the Japanese concentration camps and repatriation in 1946 to the Netherlands.
“Children see and hear what is there; adults see and hear what they are expected to and mainly remember what they think they ought to remember,” David Lowenthal wrote in The Past Is a Foreign Country. It is on this fraught foundation that Fred Lanzing builds this memoir of his childhood in a Japanese internment camp for Dutch colonialists in the East Indies during the World War II. When published in the Netherlands in 2007, the book triggered controversy, if not vitriol, for Lanzing’s assertion that his time in the camp was not the compendium of horrors commonly associated with the Dutch internment experience. Despite the angry reception, Lanzing’s account corresponds more closely with the scant historical record than do most camp memoirs. In this way, Lanzing’s work is a substantial addition to ongoing discussions of the politics of memory and the powerful—if contentious—contributions that subjective accounts make to historiography and to the legacies of the past. Lanzing relates an aspect of the war in the Pacific seldom discussed outside the Netherlands and, by focusing on the experiences of ordinary people, expands our understanding of World War II in general. His compact, beautifully detailed account will be accessible to undergraduate students and a general readership and, together with the introduction by William H. Frederick, is a significant contribution to literature on World War II, the Dutch colonial experience, the history of childhood, and Southeast Asian history.
"An examination of the execution of a prominent Indonesian scientist during the Japanese occupation of Indonesia in the Pacific War"--
For readers of Kate Morton and Jamie Ford comes a captivating novel of two very different women, struggling to come to terms with the ghosts from their past—by the internationally bestselling author of A Vintage Affair and The Very Picture of You Sometimes the only way forward is through the past. Jenni Clark is a ghostwriter. She loves to immerse herself in other people’s stories—a respite from her own life, and from a relationship that appears to be nearing its end. Jenni’s latest assignment takes her to a coastal hamlet in England, where she’s agreed to pen the memoir of an elderly farm owner named Klara. Jenni assumes the project will be easy: a quiet, ordinary tale of a life well lived. But Klara’s story is far from quiet. She recounts the tale of a family torn apart by World War II, and of disgraceful acts committed against a community in the Japanese prison camps on the Pacific island paradise of Java. As harrowing details emerge and stunning truths come to light, Jenni is compelled to confront a secret she’s spent a lifetime burying. Weaving together the lives of two very different women, Isabel Wolff has created a captivating novel of love, loss, and hope that reaches across generations. Praise for Shadows Over Paradise “An excellent choice for fans of Sarah Jio and Kate Morton.”—Booklist “Shifting focus from the present to the past with ease, this novel brings to the page the reality of the horrors of the Japanese-run internment camps in vivid and gory detail. Wolff’s latest will please fans of women’s stories that include a realistic depiction of life during wartime and the ability to overcome adversity.”—Library Journal “Beautifully written . . . an outstanding book club selection . . . If you liked Jamie Ford’s novels [then] you’ll like Shadows Over Paradise.”—Huntington News
"On February 21, 1943, Pan American Airways' celebrated seaplane, the Yankee Clipper, took off from New York's Marine Air Terminal and island-hopped its way across the Atlantic Ocean. Arriving at Lisbon the following evening, it crashed in the Tagus River, killing twenty-four of its thirty-nine passengers and crew. Americans in a World at War traces the backstories of seven worldly Americans aboard that plane, their personal histories, their politics, and the paths that led them toward war. Combat soldiers made up only a small fraction of the millions of Americans, both in and out of uniform, who scattered across six continents during the Second World War. This book uncovers a surprising history of American noncombatants abroad in the years leading into the twentieth century's most consequential conflict. Long before GIs began storming beaches and liberating towns, Americans had forged extensive political, economic, and personal ties to other parts of the world. These deep and sometimes contradictory engagements, which preceded the bombing of Pearl Harbor, would shape and in turn be transformed by the US war effort. As the Yankee Clipper's passengers' travels take them from Ukraine, France, Spain, Panama, Cuba, and the Philippines to Java, India, Australia, Britain, Egypt, the Soviet Union, and the Belgian Congo, among other hot spots, their movements defy simple boundaries between home front and war front and upend conventional American narratives about World War II"--
A mother's journal, streaked with tears and bolstered by the laughter of her daughter's unfading memories, results in Mammie's Journal of My Childhood-a biographical history set in Indonesia in World War II. From the comforts of colonial Dutch East Indies, Jolly, her mother and brother are thrust into a Japanese internment camp where they spend the next four and a half years separated from Jolly's father, a prisoner of war working on the Burma Railroad. Whether shivering in cool breezes on Brastagi's mountainside or sweating in the moist heat of monsoon-soaked Sumatran jungles, Nettie puts her children first in a valiant race with death. Jolly's childhood is a journey in faith through the worst of times, relieved by episodes of humor and nurtured by heartfelt compassion. Mammie's Journal of My Childhood gives readers a peek through bamboo fences into the lives of devoted mothers seeking to raise their children with dignity, faith, and love.
Like a number of Netherlanders in the post-World War II era, Inez Hollander only gradually became aware of her family's connections with its Dutch colonial past, including a Creole great-grandmother. For the most part, such personal stories have been, if not entirely silenced, at least only whispered about in Holland, where society has remained uncomfortable with many aspects of the country's relationship with its colonial empire. Unlike the majority of memoirs that are soaked in nostalgia for tempo dulu, Hollander's story sets out to come to grips with her family's past by weaving together personal records with historical and literary accounts of the period. She seeks not merely to locate and preserve family memories, but also to test them against a more disinterested historical record. Hers is a complicated and sometimes painful personal journey of realization, unusually mindful of the ways in which past memories and present considerations can be intermingled when we seek to understand a difficult past. Silenced Voices is an important contribution to the literature on how Dutch society has dealt with its recent colonial history.
European colonial expansion led to Dutch notions of civilised society, or the Dutch's community's flexible and relatively charitable attitudes toward 'others', being scattered (as in the Greek word 'diaspeirein') to the four corners of the earth. In some cases, the exportation of Dutch cultural values to places overseas, like North America, endowed 'Dutchness' with subtle new meanings. But in colonial Indonesia, Dutch political customs and traditions were transformed in the process of migrating to exotic locales. In this book, Frances Gouda examines the ways in which the Netherlands portrayed its unique colonial style to the outside world. Why were citizens of a small and politically insignificant European nation able to represent as natural and normal their dominance over ancient civilizations on islands such as Java and Bali? How did Dutch colonial residents explain the cultural differences between themselves and the supposedly 'primitive' peoples of the Indonesian archipelago? In trying to understand the 'gendering' practices of colonial governance in the Netherlands East Indies, Gouda also explores the interactions of Dutch and Indonesian women with European men. FRANCES GOUDA earned a Ph.D. in history from the University of Washington in Seattle in 1980. She is currently professor of history and gender studies in the Political Science Department of the University of Amsterdam.
Sarah De Mul is a Postdoctoral Fellow of the Research Foundation Flanders (FWO-Vlaanderen) in the Department of Literary Studies at the University of Leuven. Her publications and research interests are in the field of comparative postcolonial studies, with a particular focus on gender, memory, and empire in Neerlandophone and Anglophone literature.
Named one of Foreign Affairs' Best Books of 2016 In his magisterial 1,208 page narrative of the Pacific War, Francis Pike's Hirohito's War offers an original interpretation, balancing the existing Western-centric view with attention to the Japanese perspective on the conflict. As well as giving a 'blow-by-blow' account of campaigns and battles, Francis Pike offers many challenges to the standard interpretations with regards to the causes of the war; Emperor Hirohito's war guilt; the inevitability of US Victory; the abilities of General MacArthur and Admiral Yamamoto; the role of China, Great Britain and Australia; military and naval technology; and the need for the fire-bombing of Japan and the eventual use of the atom bomb on Hiroshima and Nagasaki. Hirohito's War is accompanied by additional online resources, including more details on logistics, economics, POWs, submarines and kamikaze, as well as a 1930-1945 timeline and over 200 maps.