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#1 NEW YORK TIMES BESTSELLER • READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY • “Summer Sisters is a book to return to again and again.”—Colleen Hoover “As warm as a summer breeze blowing through your hair, as nostalgic as James Taylor singing ‘How Sweet It Is.’ You remember. So does Judy Blume. How sweet it was.”—Chicago Tribune In the summer of 1977, Victoria Leonard’s world changes forever when Caitlin Somers chooses her as a friend. Dazzling, reckless Caitlin welcomes Vix into the heart of her sprawling, eccentric family, opening doors to a world of unimaginable privilege, sweeping her away to vacations on Martha’s Vineyard, an enchanting place where the two friends become “summer sisters.” Now, years later, Vix is working in New York City. Caitlin is getting married on the Vineyard. And the early magic of their long, complicated friendship has faded. But Caitlin begs Vix to come to her wedding, to be her maid of honor. And Vix knows that she will go—because she wants to understand what happened during that last shattering summer. And, after all these years, she needs to know why her best friend—her summer sister—still has the power to break her heart.
Movie fans and spiritual seekers, unite! In Cinema Nirvana, meditation teacher and award-winning film critic Dean Sluyter illuminates the hidden enlightenment teachings of Casablanca, Jaws, The Graduate, The Godfather, Memento, and ten other classic films, revealing spiritual wisdom in everything from 007’s secret weapons to the colors of the Seven Dwarfs’ eyes. So grab your popcorn, sit back, and prepare to have your mind opened. Cinema Nirvana is a funny but wise, practical but wildly entertaining guide to finding enlightenment—one movie at a time.
He is everything she doesn't want, so why does she want him so badly? From the New York Times Bestselling Author Penny Reid One week. Private beach. Invisible girl. Jerk-faced bully. What's the worst that could happen? Kaitlyn Parker has no problem being the invisible girl, which is why she finds herself hiding in various cabinets and closets all over her college campus. Despite her best efforts, she can't escape the notice of Martin Sandeke--bad boy, jerkface bully, and the universe's hottest, wealthiest, and most unobtainable bachelor--who also happens to be Kaitlyn's chemistry lab partner. Kaitlyn might be the only girl who isn't interested in exploiting his stunning rower's build, chiseled features, and family's billionaire fortune. Kaitlyn wants Martin for his brain, specifically to tabulate findings of trace elements in surface water. When Kaitlyn saves Martin from a nefarious plot, Martin uses the opportunity to push Kaitlyn out of her comfort zone: spring break, one week, house parties, bathing suits, and suntan lotion. Can she overcome her aversion to being noticed? Will he be able grow beyond his self-centered nature? Or, despite their obvious chemistry, will Martin be the one to drive Kaitlyn into the science cabinet of obscurity for good? Elements of Chemistry: ATTRACTION is the first part in a three part series; it is 45k words; and it ends with a cliffhanger. Part 1 (ATTRACTION) Available Now! (ends on a cliffhanger) Part 2 (HEAT) Available Now! (ends on a cliffhanger) Part 3 (CAPTURE) Available Now!
In 1967 Sally Smith needed a school for her son Gary, who suffered from dyslexia, among other learning disabilities. Finding none, she founded one, the Lab School of Washington. In the process, she developed the Academic Club Methodology, by which children with learning disabilities can be engaged and inspired in school, where they had previously suffered only frustration and defeat. While directing the Lab School, Smith taught her system and ran the master's program in special education at American University for 32 years, inspiring a new generation of teachers to pioneer innovations in education. Smith also wrote books, starting with ""No Easy Answers"" in the late 70s and in various editions thereafter, that serve as the definitive works in the special education field. Smith was driven, creative, unique, and unforgettable.
Debbie has a special surprise for her loving lawyer husband, Ron. After a passionate night of lovemaking, Ron dreamily agrees to become Debbie's slave. The next morning, a harsh reality sets in as Ron is netted and carted away to be trained in the arts of sexual slavery. Frightened, confused and angry, Ron endures all forms of degradation and humiliation. The secret slave training facility is a masterpiece of torture technology. Ron must endure exhausting, homoerotic trials as Debbie watches his progress on a TV monitor. An erotic tale of sacrifice, slavery and love.
Advice for raising resourceful, resilient, and responsible children--based on the latest child development research. “Success” is a popular buzzword in discussions about children. But instead of prescribing what success looks like for kids, we should be making sure that they develop the skills they will need to become “doers”—people who proactively seek out what they want in life. Raising Can-Do Kids offers parents hands-on, proven ways to raise kids who embrace the uncertain and challenging adventure that is growing up.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
From the bestselling author of The Greatest Stories Never Told series, the epic history of Alexander Hamilton and Aaron Burr's illustrious and eccentric political careers and their fateful rivalry. The famous duel between Alexander Hamilton and Aaron Burr was the culmination of a story three decades in the making. Rivals unto Death vividly traces their rivalry back to the earliest days of the American Revolution, when Hamilton and Burr -- both brilliant, restless, and barely twenty years old -- elbowed their way onto the staff of General George Washington. The fast-moving account traces their intricate tug-of war, uncovering surprising details that led to their deadly encounter through battlefields, courtrooms, bedrooms, and the wildest presidential election in history, counting down the years to their fateful rendezvous on the dueling ground. This is politics made personal: shrill accusations, bruising collisions, and a parade of flesh and blood founders struggling--and often failing--to keep their tempers and jealousies in check. Smoldering in the background was a fundamental political divide that threatened to tear the new nation in two, and still persists to this day. The Burr and Hamilton that leap out of these pages are passionate, engaging, and utterly human characters inextricably linked together as Rivals unto Death.