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In this landmark volume, Greg J. Duncan and Richard J. Murnane lay out a meticulously researched case showing how—in a time of spiraling inequality—strategically targeted interventions and supports can help schools significantly improve the life chances of low-income children. The authors offer a brilliant synthesis of recent research on inequality and its effects on families, children, and schools. They describe the interplay of social and economic factors that has made it increasingly hard for schools to counteract the effects of inequality and that has created a widening wedge between low- and high-income students. Restoring Opportunity provides detailed portraits of proven initiatives that are transforming the lives of low-income children from prekindergarten through high school. All of these programs are research-tested and have demonstrated sustained effectiveness over time and at significant scale. Together, they offer a powerful vision of what good instruction in effective schools can look like. The authors conclude by outlining the elements of a new agenda for education reform. Restoring Opportunity is a crowning contribution from these two leading economists in the field of education and a passionate call to action on behalf of the young people on whom our nation’s future depends. Copublished with the Russell Sage Foundation
This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary's husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can't decide on the baby's name, or the baby's gender. A story of one woman's education and her search to find true love outside the box.
It has taken forty years of living, loving, sorrow, laughter and thirty extra pounds to make me feel like a woman; having a really great muse doesnat hurt either. Inspiration is highly underrated. I used to think body image was everything; now I know it is self image that dictates who we are. This book of poetry was inspired by a most unusual muse: a man I have never even met. I see myself in my muse as easily as I see the blue in my eyes. I know this man on a soul level. I know most people wonat believe that, but that doesnat mean it isnat true. Faith and free will are amazing gifts. Imagination is not only for children. I never understood when people would say, aI just know, a until I heard his music. Yes, he is a musician. Something in his music just makes me feel like I know him. I am a tiny speck in this beautiful universe, and that suits me just fine because there are six billion other tiny specks just waiting to be bumped into. As for the title, well, I have faith most of you will figure it out. I grow weary explaining my poetry to people as they have forgotten how to believe. This is a love story, my love story.
At a dinner party in New Jersey, two couples discuss polyamory as brought up by the introduction of a new temp, Pip, in Jane’s office. When they invite Pip and her two male partners, discussion turns to action and the exploration of unexplored desire turns animalistic, and then Jane’s daughter sees it all. How to Transcend a Happy Marriage blurs the lines of monogamy and asks how deeply friends, lovers and strangers connect.
In this volume, scholars in developmental psychology, education, and neuroscience examine the ways in which children's toys often reflect and promote gender stereotypes, as well as the long-term consequences of gender-typed play.
A guide to mindfulness as part of a safe, patient-centered health-care and medical practice describes the author's perspective-changing experiences as a Harvard Medical student at the sides of doctors who practiced in very different ways.
When their eighty-five-year-old father dies, sparring siblings Maggie and Jake must face a question: How to break the bad news to their sister Amy, who has Down syndrome and has lived in a state home for years? Along the way, the pair find out just how much they don’t know about their family and each other. It seems only Amy knows who she really is.
With a focus on adolescents, this volume explores such questions as: whether similarities exist between different types of risk taking, such as mountain climbing and criminal behaviour; whether an examination of risk-taking behaviour will shed light on problem behaviours such as unprotected sex; and whether there are positive aspects to adolescent risk taking. With contributions from psychology, sociology, medicine and public policy, the volume uses risk taking as a framework to study many dangerous, and often life-threatening, adolescent behaviours. Following a review of research, topics discussed include theories of risky choice, the use of rational choice theory in predicting heightened risk taking, sociobiological facto
Nestled in a horseshoe bend along the Ohio River, Evansville bestrides the border between the Mid-South and the Midwest. This location allowed the city to build a culinary tradition all its own. For generations, cherished eateries like Turoni's, House of Como and Hilltop Inn have served delicious and unique local fare like brain sandwiches, cracker-crisp thin crust pizza, Ski slushies, burgoo and more. In recent years, revitalized historic districts have housed cafés, coffeehouses and breweries that hearken back to Evansville's past even as they embrace the present and look to the future. Historian and University of Southern Indiana professor Kristalyn Shefveland explores the historic restaurants and contemporary legends that define two centuries of Evansville's food history.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.