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It has often been assumed that the subjects of the Ottoman sultans were unable to travel beyond their localities - since peasants needed the permission of their local administrators before they could legitimately leave their villages. However Suraiya Faroqhi's extensive archival research shows that this was not the case. Pious men from all walks of life went on pilgrimage to Mecca, slaves fled from their masters and craftspeople travelled in search of work. Faroqhi shows that even those craftsmen who did not travel extensively had some level of mobility. Challenging existing historiography and providing an important new perspective, this book will be essential reading for students and scholars of Ottoman history.
From 1326 to 1402, Bursa, known to the Byzantines as Prousa, served as the first capital of the Ottoman Empire. It retained its spiritual and commercial importance even after Edirne (Adrianople) in Thrace, and later Constantinople (Istanbul), functioned as Ottoman capitals. Yet, to date, no comprehensive study has been published on the city's role as the inaugural center of a great empire. In works by art and architectural historians, the city has often been portrayed as having a small or insignificant pre-Ottoman past, as if the Ottomans created the city from scratch. This couldn't be farther from the truth. In this book, rooted in the author's archaeological experience, Suna Çagaptay tells the story of the transition from a Byzantine Christian city to an Islamic Ottoman one, positing that Bursa was a multi-faith capital where we can see the religious plurality and modernity of the Ottoman world. The encounter between local and incoming forms, as this book shows, created a synthesis filled with nuance, texture, and meaning. Indeed, when one looks more closely and recognizes that the contributions of the past do not threaten the authenticity of the present, a richer and more accurate narrative of the city and its Ottoman accommodation emerges.
The manufacture and trade in crafted goods and the men and women who were involved in this industry - including metalworkers, ceramicists, silk weavers, fez-makers, blacksmiths and even barbers - lay at the social as well as the economic heart of the Ottoman empire. This comprehensive history, by leading Ottoman historian Suraiya Faroqhi, presents the definitive view of the subject, from the production and distribution of different craft objects to their use and enjoyment within the community. Faroqhi sheds new light on all aspects of artisan life, setting the concerns of individual craftsmen within the context of the broader cultural themes that connect them to the wider world. Combining social, cultural, economic, religious and historical insights, this will be the authoritative work on Ottoman artisans and guilds for many years to come. 'A display of unrivalled knowledge of the sources by one of the leading historians of the Ottoman Empire.' - Erik J. Zürcher, Professor of Turkish Studies at the University of Leiden
Evliyā Çelebī’s Journey from Bursa to the Dardanelles and Edirne is comprised of an edition and translation of the relevant section from Evliyā’s Book of Travels detailing the 29-day journey he undertook in the autumn of 1659 from Bursa to Edirne via the Dardanelles strait. Evliyā travelled in the retinue of grand vizier Köprülü Mehmed Pasha and Sultan Mehmed IV, who was travelling to inspect the two castles that were being built at the southern tip of each side of the Dardanelles. This was the only trip that Evliyā made to the region between Bursa and Edirne. This edition also includes a detailed annotated index of people and places as well as the geographic coordinates of all the locations and buildings mentioned in the text.
This book examines gender politics through slavery and social regulation in the Ottoman Empire during the eighteenth and nineteenth centuries.
Originally presented as the author's thesis (doctoral)--University of Illinois at Urbana-Champaign, 2002.
Providing extensive documentation, the book examines the mechanics, trials and tribulations of plundering the Ottoman East for private and public collections in Europe. It helps document the continuing debate about the ethics of museum collections.
The purpose of this book is to draw attention to the sites of life, politics and culture where current and past generations of the Islamic world have made their mark. Unlike many previous volumes dealing with the city in the Islamic world, this one has been expanded not only to include snapshots of historical fabric, but also to deal with the transformation of this fabric into modern and contemporary urban entities. Salma Khadra Jayyusi was awarded Cultural Personality of the Year by the Sheikh Zayed Book Award for her profound contribution to Arabic literature and culture in 2020. The paperback edition of The City in the Islamic World was published to celebrate the occasion.
This is the first systematic scholarly study of the Ottoman experience of plague during the Black Death pandemic and the centuries that followed. Using a wealth of archival and narrative sources, including medical treatises, hagiographies and travellers' accounts, as well as recent scientific research, Nükhet Varlik demonstrates how plague interacted with the environmental, social, and political structures of the Ottoman Empire from the late medieval through the early modern era. The book argues that the empire's growth transformed the epidemiological patterns of plague by bringing diverse ecological zones into interaction and by intensifying the mobilities of exchange among both human and non-human agents. Varlik maintains that persistent plagues elicited new forms of cultural imagination and expression, as well as a new body of knowledge about the disease. In turn, this new consciousness sharpened the Ottoman administrative response to the plague, while contributing to the makings of an early modern state.