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First published in German 1997, this is an English translation of Gerd Althoff's penetrating study of one of the most enigmatic members of the Ottonian dynasty, whose eighteen-year reign spanned the years of his childhood. He died in 1002 aged only 21.
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for Otto III and Henry II with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits.
The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.
In The Gniezno Summit Roman Michałowski analyses the reasons behind the founding of the Archbishopric of Gniezno during Otto III’s encounter with Bolesław Chrobry in Gniezno in 1000. For Michałowski there were two main reasons. One was the martyrdom of St. Adalbert, the Apostle of the Prussians. His body was buried in Gniezno, which put the Gniezno bishopric on a par with bishoprics founded by the Apostles. This was an important argument in favour of Gniezno being raised to the rank of archbishopric. The other reason was Otto III’s spirituality. The emperor was fascinated with the idea of asceticism and abandoning the world. Hence his political programme, the Renovatio Imperii Romanorum, also had religious aims, and Otto tried to support missions among the pagans. To that end he needed an archbishopric on the north-eastern outskirts of the Empire.
The seminal work, originally published in two seperate clothbound volumes, is now made available in a revised one-volume edition, both in hardback and in paperback. It brings to light an aesthic passage of European history which has never before received full-scale treatment in English. It explains, historically and with a rich body of illustrations, the origins and momentum of a magnificent movement of German art, and shows, through this powerful and expressive art, how religion and political ideaology were interwined in Ottonian culture from about 950 to 1050. Besides dealing with the great imperials books such as the Gospels of Otto III and the Pericopes Book of Henry II, as well as other splendid liturgical manuscripts, the author also writes with penetrating insight about the great art-loving bishops such as Egbert of Trier and Bernard of Hildesheim, whose aims ans personalitites are express in the books they commissioned. In addition, the most important art centres of the Ottonian Empire - Reichenau, Cologne, Fulda and Corvey - are discussed in detail.
This classic book on formal languages, automata theory, and computational complexity has been updated to present theoretical concepts in a concise and straightforward manner with the increase of hands-on, practical applications. This new edition comes with Gradiance, an online assessment tool developed for computer science. Please note, Gradiance is no longer available with this book, as we no longer support this product.
The Byzantine princess Theophano, who came to the West in 972 to marry the Ottonian emperor Otto II, died as empress of the Ottonian Empire in Nijmegen in 991. In commemoration of this event a group of distinguished scholars met in 1991 at the castle of Hernen in the Netherlands with the aim of discussing various issues and aspects of Theophano's background in Byzantium, her life in the West, and her impact on society at the turn of the first millennium. This volume brings together in carefully edited form a group of the papers and proceedings from 1991. Each contribution helps to place Theophano in a broad cultural and historical context. The historical, intellectual and artistic background of her age are described, and there are essays on her education, her surroundings, and on the image of noble women in the middle ages.
The Chronicon of Thietmar of Merseburg has long been recognised as one of the most important sources for the history of the tenth and early eleventh centuries, especially for the history of the Ottonian Empire. Thietmar's testimony also has special value because of his geographical location, in eastern Saxony, on the boundary between German and Slavic cultures. He is arguably the single most important witness to the early history of Poland, and his detailed descriptions of Slavic folklore are the earliest on record. This is a very important source in the medieval period, translated here in its entirety for the first time. It relates to an area of medieval studies generally dominated by German scholars, in which Anglo-phone scholars are beginning to make a substantial contribution.
An account of the Vietnam War, as seen by the American PFCs, sergeants and platoon leaders in the rivers and jungles and trenches. Into their stories, Lehrack has woven a narrative that explains the events they describe and places them into both a historical and a political context.