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Dick Popkin and James Force have attended a number of recent conferences where it was apparent that much new and important research was being done in the fields of interpreting Newton's and Spinoza's contributions as biblical scholars and of the relationship between their biblical scholarship and other aspects of their particular philosophies. This collection represents the best current research in this area. It stands alone as the only work to bring together the best current work on these topics. Its primary audience is specialised scholars of the thought of Newton and Spinoza as well as historians of the philosophical ideas of the late seventeenth and early eighteenth centuries.
The Pyrenees stand up as a natural wall of demarcation between two nations, the French and the Spaniards, just as the mountains of Dauphin� sever the French from the Italians. It has been remarked that these natural barriers are thrown up to part Romance-speaking peoples, whereas the mountain ranges sink to comparative insignificance between the French and the Germans. Over the Jura the French tongue has flowed up the Rhone to Sierre, above the Lake of Geneva, so the Spanish or Catalan has overleaped the Pyrenees in Roussillon, and the Basque tongue has those who speak it in both cis-Pyrenean and trans-Pyrenean Navarre. The Pyrenees are the upcurled lips of the huge limestone sea-bed, that at some vastly remote period was snapped from east to west, and through the fissure thus formed the granite was thrust, lifting along with it the sedimentary rocks.
This report represents the views and expert opinions of an IARC Working Group that met in Lyon, France, 27-29 June 2005
A handsome doctor stirs up scandal in the eighteenth-century Danish royal court in this “extraordinarily elegant and gorgeous novel” (Los Angeles Times). The Royal Physician's Visit magnificently recasts the dramatic era of Danish history when Johann Friedrich Struensee—court physician to mad young King Christian—stepped through an aperture in history and became the holder of absolute power in Denmark. His is a gripping tale of power, sex, love, and the life of the mind, and it is superbly rendered here by Sweden’s most acclaimed writer. A charismatic German doctor and brilliant intellectual, Struensee used his influence to introduce hundreds of reforms in Denmark in the 1760s and had a tender and erotic affair with Queen Caroline Mathilde, who was unsatisfied by her unstable, childlike husband. And yet, his ambitions ultimately led to tragedy. This novel, perfect for book clubs, is a compelling look into the intrigues of an Enlightenment court and the life of a singular man. “An enthralling fable of the temptations of power—and a surprisingly poignant love story,” —Time “Realized with a vividness and subtlety that place the book in the front ranks of contemporary literary fiction,” —The New York Times Book Review “The Swedish novelist’s method is to begin 10 years after Struensee’s fall, then retrace the “Struensee era,” as it came to be called, by probing the characters of four principal players—Christian, Guldberg, Struensee, and Queen Caroline Mathilde—each of whose perspectives, even the king’s, he makes intelligible and occasionally even sympathetic. A towering achievement,” —Booklist
Prologue: a rendez-vous -- The cook -- Writer and author -- Origin and early development of modern cookbooks -- Printed cookbooks: diffusion, translation, and plagiarism -- Organizing the cookbook -- Naming the recipes -- Pedagogical and didactic aspects -- Paratexts in cookbooks -- The recipe form -- The cookbook genre -- Cookbooks for rich and poor -- Health and medicine in cookbooks -- Recipes for fat and lean days -- Vegetarian cookbooks -- Jewish cookbooks -- Cookbooks and aspects of nationalism -- Decoration, illusion, and entertainment -- Taste and pleasure -- Gender in cookbooks and household books -- Epilogue: cookbooks and the future
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The concern for the fast-disappearing language stocks of the world has arisen particularly in the past decade, as a result of the impact of globalization. This book appears as an answer to a felt need: to catalogue and describe those languages, making up the vast majority of the world's six thousand or more distinct tongues, which are in danger of disappearing within the next few decades. Endangerment is a complex issue, and the reasons why so many of the world's smaller, less empowered languages are not being passed on to future generations today are discussed in the book's introduction. The introduction is followed by regional sections, each authored by a notable specialist, combining to provide a comprehensive listing of every language which, by the criteria of endangerment set out in the introduction, is likely to disappear within the next few decades. These languages make up ninety per cent of the world's remaining language stocks. Each regional section comprises an introduction that deals with problems of language preservation peculiar to the area, surveys of known extinct languages, and problems of classification. The introduction is followed by a list of all known languages within the region, endangered or not, arranged by genetic affiliation, with endangered and extinct languages marked. This listing is followed by entries in alphabetical order covering each language listed as endangered. Useful maps are provided to pinpoint the more complex clusters of smaller languages in every region of the world. The Encyclopedia therefore provides in a single resource: expert analysis of the current language policy situation in every multilingual country and on every continent, detailed descriptions of little-known languages from all over the world, and clear alphabetical entries, region by region, of all the world's languages currently thought to be in danger of extinction. The Encyclopedia of the World’s Endangered Languages will be a necessary addition to all academic linguistics collections and will be a useful resource for a range of readers with an interest in development studies, cultural heritage and international affairs.
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen's staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770-1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.