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TWO WOLVES IN A GALAXY OF LARGER PREDATORS Jon Moore: nanotech-enhanced solider-of-fortune. Battlewagon Lobo: A.I.-equipped intelligence and weapons platform (think: a fortress on wheels) of enormous destructive potential. Two very dangerous wolves in a galaxy of deadly corporate and paramilitary predators. But Moore has grown weary of the killing and just once he'd like to finish a job without leaving a trail of blood behind him. Not going to happen. Not on a pristine planet called Macken, where two gigantic corporations vie for control of the local jump gate and access to the riches of an undeveloped world. Dealing with a kidnapping and extortion scheme is only the beginning for Moore and Lobo. Next they must survive an enormous bounty placed on Moore's head long enough to rescue yet again the young woman they accidentally delivered into the wrong hands. But with the help of an old lover and under-the-table support from the mercenary outfit that made him, Moore just might beat the odds, save the girl, and get out of this one a little richer and one step closer to making it back to the strange world of his origin. One Jump Ahead: the first novel in the Jon & Lobo series At the publisher's request, this title is sold without DRM (Digital Rights Management). "Just when I was thinking science fiction might be over, Mark Van Name proves that there are still smart, exciting, emotional sci-fi stories to be told. " ¾Orson Scott Card "Holy Squidlets, Batman! One Jump Ahead is like well-aged white lightning: it goes down smooth then delivers a kick that knocks you on the floor. I want to kidnap Mark Van Name and steal his brain. I also want an illegal, souped-up racing ray. Mark's going to be the guy to beat in the race to the top of SFdom." ¾John Ringo "Hard real science smoothly blended into action that blazes like a pinball from one exotic setting to another. This one is very, very good." ¾David Drake "One Jump Ahead is the sort of¾dare I say it ¾old-fashioned SF adventure tale that I dote on. Mark Van Name's headlong pace of story-telling reminds me a lot of Keith Laumer, in fact. He's one of the very few modern authors I've seen who can manage that." ¾Eric Flint "One Jump Ahead is alive with fast-paced action, wild ideas, and characters to root for. A joy to read." ¾Jack McDevitt
"Otherworldly, avant-garde fashion and style. Fashion from another planet. Unwearable, subversive, radically post-human, alien. Otherworldly presents avant-garde garments, styling, fashion photography, and young designers who are a whole galaxy away from the mainstream.Other rules apply to the fashion of the future. New technologies and materials make things possible today that couldnt have even been imagined in the past. High-tech fabrics and melting forms are no longer science fiction but reality. Inspired by the odd, mutant, and deformed, many designers and stylists are now redefining clothing to expand the body and speculate on the evolution of identity, from wearables to the utter transfiguration of the human silhouette. Other worldly showcases a fashion avant-garde between futurism and fetish. Featuring work by emerging talents and established designers such as Alexander McQueen, Martin Margiela, Lucy McRae, Peter Popps, Iris van Herpen, and others, it not only explores groundbreaking developments but also their fruitful interplay with photography"-- Publisher's description.
No other book on Hamlet has yet to consider the way in which the play in its four major aspects of Sorrow, Sexuality, Revenge, and Death, consistently reflects the otherworldly direction of Hamlet's thought and experience ... the elegant and subtle prose lends force and dignity to the argument ... a remarkable and provocative contribution to Shakespeare Studies. {Corona Sharp, English Studies in Canada}
OTHERWORLDY: Optical Delusions and Small Realities illuminates the phenomenal renaissance of interest among artists worldwide in constructing small-scale, hand-built depictions of artificial environments and alternative realities, either as sculpture or as subjects for photography and video. The book features contemporary work by approximately 35 preeminent visual artists who have generated renewed interest in this art form: a diverse group of international practitioners, ranging from sculptors and painters to photographers and videographers. This fully illustrated catalogue will also feature artist biographies and artist statements, and include a curatorial essay by exhibition curator David Revere McFadden that traces the history of dioramas and visual illusions in the historyof the visual arts to Louis Daguerre's innovative dioramas of the early 1800s and provides an interpretive overview of work by all of the featured artists.
Much like the hero of his frightening gothic adventure stories, well-known English author Grayson Sherbrooke has his own share of run-ins with peculiar supernatural beings, both good and evil. From his home on the northern coast of England, Sherbrooke leaps into these otherworldly mysteries to find the truth with the help of his son, Pip; his beautiful neighbor, Miranda, and her daughter, P. C.; and an orphan named Barnaby. Set in the mid-nineteenth century and featuring a delightfully quirky cast of characters, The Grayson Sherbrooke Novella Collection will keep you entertained for hours as you join Sherbrooke and his rag-tag team of investigators to solve bizarre, out-of-this-world cases. This collection includes five books in Coulter's supernatural series: The Strange Visitation at Wolffe Hall, The Resident Evil at Blackthorn Manor, The Ancient Spirits of Sedgwick House, The Virgin Bride of Northcliff Hall, and The Red Witch of Ravenstone Folly.
"Here are amazing yet absolutely true stories of apparitions of lovers seen at their moment of death, jealous lovers who have sought vengeance from beyond the grave, sexual molesters from the other world, warnings and advice from lovers who have passed over, passionate liaisons between psychic mediums and their contacts, seducers from UFOs, and even more extraordinary tales"--Page 4 of cover
To help students think critically about international relations and politics, Stephen Benedict Dyson examines the fictional but deeply political realities of three television shows:Star Trek, Game of Thrones, and Battlestar Galactica. Deeply familiar with the events, themes, characters, and plot lines of these popular shows, students can easily draw parallels from fictive worlds to contemporary international relations and political scenarios. In Dyson's experience, this engagement is frequently powerful enough to push classroom conversations out into the hallways and onto online discussion boards. In Otherworldly Politics, Dyson explains how these shows are plotted to offer alternative histories and future possibilities for humanity. Fascinated by politics and history, science fiction and fantasy screenwriters and showrunners suffuse their scripts with real-world ideas of empire, war, civilization, and culture, lending episodes a compelling intricacy and contemporary resonance. Dyson argues that science fiction and fantasy television creators share a fundamental kinship with great minds in international relations. Creators like Gene Roddenberry, George R. R. Martin, and Ronald D. Moore are world-builders of no lesser creativity, Dyson argues, than theorists such as Woodrow Wilson, Kenneth Waltz, and Alexander Wendt. Each of these thinkers imagines a realm, specifies the rules of its operation, and by so doing seeks to teach us something about ourselves and how we interact with one another. A vital spur to creative thinking for scholars and an accessible introduction for students, this book will also appeal to fans of these three influential shows.
For years, Alfred Ludens has pursued mathematician and philosopher Marcus Vallar in the belief that he possesses a profound metaphysical formula, a missing link of great significance to mankind. Luden's friends are more sceptical. Jack Sheerwater, painter, thinks Marcus is crazy. Gildas herne, ex-preist, thinks he is evil. Patrick Fenman, poet, is dying because he thinks Marcus has cursed him. Marcus has disappeared and must be found. But is he a genius, a hero struggling at the bounds of human knowledge? Is he seeking God, or is he just another victim of the Holocaust, which casts its shadow upon him and upon Ludens, both of them Jewish? Can human thinking discover the foundations of human consciousness? Iris Murdoch's endlessly inventive imagination has touched a fundamental question of our time.
In the Cities of Coin and Spice and In the Night Garden introduced readers to the unique and intoxicating imagination of Catherynne M. Valente. Now she weaves a lyrically erotic spell of a place where the grotesque and the beautiful reside and the passport to our most secret fantasies begins with a stranger’s kiss.… Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse—a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers: Oleg, a New York locksmith; the beekeeper November; Ludovico, a binder of rare books; and a young Japanese woman named Sei. They’ve each lost something important—a wife, a lover, a sister, a direction in life—and what they will find in Palimpsest is more than they could ever imagine.
Departing from scholarship dedicated to the socio-historical realities of priesthood at Qumran, this book explores, in two parts, the most pervasive literary representations of priesthood in the Dead Sea Scrolls as a reflection of the religious worldview of the Qumran community and broader segments of Second Temple society. Part one compares depictions of otherworldly priesthood in non-sectarian and sectarian documents. Part two examines the historical and traditional roots of portrayals of messianic/eschatological priesthood. The study reveals a fresh understanding of the integral role of priestly imagery in the tension-filled eschatological identity of the Qumran community. It concludes with a consideration of the relationship of the evidence treated to the phenomenon of democratization of priestly holinesses in rabbinic Judaism and Christianity.