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Arnold Toynbee once wrote of what he called "the overwhelming sense of sin that pervades human history." In this anthology of short fiction, underground cult novelist H. A. Covington explores the darkest realms of the supernatural and of the human heart. Cold Earth is a laconically unamazed tale of murder and ghostly retribution from beyond the grave, told in the powerful yet simple words of a Norse saga. Old Asgrim tells of a brutal soldier of Oliver Cromwell who made a bargain with the Devil. In Mick The Cutler, a young man tries to save the woman he loves from a terrible evil that only he can see. A genteel private school is haunted by a century-old crime in The Wheelbarrow. In Whisper Her Name On The Wind a young woman risks all to save the people of her village from massacre, and learns that no good deed ever goes unpunished. In Bringing Mary Home, a murderer finds not only the law but a vengeance-seeking I.R.A. gunman on his trail. The Stranger is an ancient immortal wizard who battles a cult and the demon they summon for the life and soul of a young girl. In The Madman and Marina, a 1930s secret policeman in the Soviet Union finds forgiveness and redemption for a terrible betrayal. Other Voices, Darker Rooms is a must-read for everyone who reads before bedtime and doesn't care whether or not they sleep when they turn out the light.
Truman Capote’s first novel is a story of almost supernatural intensity and inventiveness, an audacious foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South. “Intense, brilliant . . . . Capote has an astonishing command . . . a magic all his own.” —The Atlantic At the age of twelve, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully’s Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face—and heart—of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.
"Murder and glamour set in the ambiguous and claustrophobic world of an exclusive New England prep school"--
Creak... Crash... BOO! Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.
Dark sound carries the dense cultural weight of darkness; it is the undertow of music that embodies melancholy, desire, grief, violence, rage, pain, loss and longing. Compelling and unnerving, dark sound immerses bodies in the darkest moments and delves into the depths of our hidden inner selves. There is a strangely perverse appeal about music that conjures intense affective states and about sound that can move its listeners to the very edge of the sayable. Through a series of case studies that include Moor Mother, Anna Calvi, Björk, Chelsea Wolfe and Diamanda Galás, D Ferrett argues that the extreme limits and transgressions of dark sound not only imply the limits of language, but are moreover tied to a cultural and historical association between darkness and the feminine within music and music discourse. Whilst the oppressive and violent associations between darkness and femininity are acknowledged, the author challenges their value to misogynistic, racist, capitalist and patriarchal power, showing how dark sound is charged with social, creative and political momentum.