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Why the future of great power politics is likely to resemble its dismal past Can great powers be confident that their peers have benign intentions? States that trust each other can live at peace; those that mistrust each other are doomed to compete for arms and allies and may even go to war. Sebastian Rosato explains that states routinely lack the kind of information they need to be convinced that their rivals mean them no harm. Even in cases that supposedly involved mutual trust—Germany and Russia in the Bismarck era; Britain and the United States during the great rapprochement; France and Germany, and Japan and the United States in the early interwar period; and the Soviet Union and United States at the end of the Cold War—the protagonists mistrusted each other and struggled for advantage. Rosato argues that the ramifications of his argument for U.S.–China relations are profound: the future of great power politics is likely to resemble its dismal past.
Highlights the roles of intention and intentionality in social cognition.
This multidisciplinary study explores how people make sense of each other's actions.
The relationship between an author's and an audience's intentions is complex but need not preclude mutual engagement. This philosophical investigation challenges existing literary and rhetorical perspectives on intention and offers a new framework for understanding the negotiation of meaning. It describes how an audience's intentions affect their interpretations, shows how audiences negotiate meaning when faced with a writer's undecipherable intentions, and defines the scope of understanding within rhetorical situations. Introducing a concept of intention into literary analysis that supersedes existing rhetorical theory, Arabella Lyon shows how the rhetorics of I. A. Richards, Wayne Booth, and Stanley Fish, as well as the hermeneutics of Hans-Georg Gadamer, fail to account for the complex interactions of author and audience. Using Kenneth Burke's concepts of form, motive, and purpose, she builds a more complex notion of intention than those usually found in literary studies, then employs her theory to describe how philosophers read Wittgenstein's narratives, metaphors, and reversals in argument. Lyon argues that our differences in intention prevent consistency in interpretations but do not stop our discussions, deliberations, and actions. She seeks to acknowledge difference and the communicative problems it creates while demonstrating that difference is normal and does not end our engagement with each other. Intentions combines recent work in philosophy, literary criticism, hermeneutics, and rhetoric in a highly imaginative way to construct a theory of intention for a postmodern rhetoric. It recovers and renovates central concepts in rhetorical theory—not only intention but also deliberation, politics, and judgment.
The gods who created this world have abandoned it. In their mercy, however, they chained the rogue god—and the monstrous creatures he created to plague mortalkind—in the vast and inhospitable wasteland of the Bourne. The magical Veil that contains them has protected humankind for millennia and the monsters are little more than tales told to frighten children. But the Veil has become weak and creatures of Nightmare have come through. To fight them, the races of men must form a great alliance to try and stop the creatures. But there is dissent. One king won't answer the call, his pride blinding him even to the poison in his own court. Another would see Convocation fail for his own political advantage. And still others believe Convocation is not enough. Some turn to the talents of the Sheason, who can shape the very essence of the world to their will. But their order is divided, on the brink of collapse. Tahn Junell remembers friends who despaired in a place left barren by war. One of the few who have actually faced the unspeakable horde in battle, Tahn sees something else at work and wonders about the nature of the creatures on the other side of the Veil. He chooses to go to a place of his youth, a place of science, daring to think he can find a way to prevent slaughter, prevent war. And his choices may reshape a world . . . . The second title in the Vault of Heaven series, Peter Orullian's Trial of Intentions is a mesmerizing fantasy epic that turns the conventions of the genre on its head
Introduction -- Conscious intentions and decisions -- Neuroscience and causes of action -- Neuroscience and free will -- Intentional actions and the alleged illusion of conscious will -- Proximal intentions and awareness reports -- The power of conscious will -- Conclusion.
The rhymes in poems are important to understanding how poets write; and in the nineteenth century, rhyme conditioned the ways in which poets heard both themselves and each other writing. Sound Intentions studies the significance of rhyme in the work of Wordsworth, Keats, Tennyson, Christina Rossetti, Hopkins and other poets, including Coleridge, Byron, Elizabeth Barrett Browning, Swinburne, and Hardy. The book's stylistic reading of nineteenth-century poetry argues for Wordsworth's centrality to issues of intention and chance in poets' work, and offers a reading of the formal choices made in poetry as profoundly revealing points of intertextual relation. Sound Intentions includes detailed consideration of the critical meaning of both rhyme and repetition, bringing to bear an emphasis on form as poetry's crucial proving-ground. In a series of detailed readings of important poems, the book shows how close formal attention goes beyond critical formalism, and can become a way of illuminating poets' deepest preoccupations, doubts, and beliefs. Wordsworth's sounding of his own poetic voice, in blank verse as well as rhyme, is here taken as a model for the ways in which later nineteenth-century poets attend to the most perplexing and important voicings of their own poetic originality.
A nun abandons the veil in protest of her order's racism. Sister Maura, a white teacher in an inner-city school in 1960s Chicago, comes into conflict with her superiors following a race riot.
This book will likely irritate every reader at some point. One chapter is so bold it intones the good of a mother who kills her children. The chapter does not say the murderous mother was a good woman, or that she did a good thing; it doesn’t say that her actions should be without penalty or consequence. The chapter suggests, basically, in a metaphoric and anecdotal ending, that the mother loves the ones she killed. PsychoBabbleJabble is full of these kinds of challenges; this book is written and designed to tackle human judgment. My work as a therapist, a clinician, and as a helper in different settings, and in different states even (I am licensed in Florida, the District of Columbia, and Missouri), plus with my hypnosis training, all of these play a role in this writing. The reader will see and experience the maneuvering of words, each used to explain and help promote understanding in how people’s judgments are formed. Many judgments are those that I like to call ‘terminal thoughts.’ For some reason or another, certain thoughts are seemingly non-negotiable to the holder of them. With terminal thoughts in mind (we all have them), I’m able to, using my writing, go with the reader using their various lines of thinking, as if their beliefs are absolutely true. Then, near each chapter ending, I include an alternative and new perspective, where a question about the once absolute belief is now wedged toward and in between a different belief. ‘Wedged,’ meaning a small detail of alternative thought is strategically placed juxtaposition to a terminal thought, that the reader once used (or uses still, maybe) to hold up a rationale supporting ‘truth.’ By each chapters end, the belief is jolted loose a tiny bit, hopefully. It is in that jolting, where a belief becomes finally questioned and questionable. This text contains my best writing and some of my best clinical recall. All of my training is included in some way in every part of this text; the hypnosis training kicks my writing up a notch. Here, using people’s RIGHTNESS as an ally in shaping a new belief, I contradict the old truth while valuing it, in key and passionate areas of what might be called life and the people that make it so. That’s what I’d say this book hopes to do – to jolt loose, just a little bit those absolute judgments we as humans may unknowingly, without ill intent, and possibly mistakenly hold as settled.